The trees are made with sturdy resin base and are powered by 24v plug. The environmentally friendly LED lights are clustered within cherry blossom petals that illuminate the trees creating a charming, captivating and eye-catching visual experience. The trees are very easy to assemble and are available in 1.5m - 3m sizes.
(Jim Evans)
"As we strive to create the most powerful and innovative automated luminaires on the market, we are extremely excited to now be shipping the VL4000 BeamWash luminaire," said Julie Smith, Philips Vari-Lite general manager of the Americas. "Building on the success of the VL4000 Spot, the VL4000 BeamWash offers simplicity through its single front lens to achieve a multitude of exceptional wash, beam and shaft ca
"We are very much looking forward to seeing clients new and old, where will be take this opportunity to introduce them to some new brands that LR are exclusively representing in the UK, as well as our own brand LR Technology," says managing director Darren Jackson. "We will be exhibiting the entire Innov ativeand very desirable Ape Labs product range, including the Mobilight 4, Apelight, Lightcan and the never seen in the UK before - Apestick. We will be demonstrating how easy it is to control using the 2.4 Ghz Remote Control System."
There will also be product representation from: Eurolite, Ehrgeiz and Futurelight - as well as LR's range of LED Tape and LED flexible neon.
On stand N-C24 in New Dock Hall, visitors will find the latest lighting, effects and audio solutions including White Light exclusive products from manufacturers Altman Lighting, ArKaos Pro, Core Lighting, JB-Lighting, Interactive Technologies, Look Solutions, LSC Lighting and Wireless Solution; and from manufacturer EM Acoustics. White Light's display of products will focus on LED lighting, show control systems, special effects and loudspeaker equipment.
Visitors will find the latest in LED lighting technology from US manufacturer Altman Lighting, including the new Spectra Cyc 400 featured for the first time at the show. The fixture blends colours via a patented LED blending lens which reduces pixilation from direct view. The Phoenix LED 250W and 150W profiles w
Presentation Design Services Ltd. provided staging, PA, set, AV and drapes, in addition to lighting, for the two-day event, which attracted 800 guests from around the world to the Bournemouth International Centre (BIC) in Bournemouth, Dorset. Essential to setting the glittering mood at the event and gala was a versatile assortment of Chauvet Professional products that included 12 Nexus Aw 7x7 warm white LED panels, eight Rogue R1 Beam moving fixtures, eight Rogue R1 Spot moving fixtures and 90 PVP S5 LED Panels (supplied to Presentation Design Services by Impact Production Services).
"The event was spread across three rooms of the BIC and required fu
Besides the unique lighting design with spectacular effects and scenes, the laser show played an important role for the event: The strong, precise beams that perfectly matched the beat of the music emotionalized the audience.
Laserfabrik, who did the laser show design and implementation on the main stage, relied on laser gear from the Laserworld Group for this large event. More than 200W of laser power were in use on the main floor - four RTI Nano RGB 20 systems created the main power beams, supported by eight RTI Femto RGB 7 and several supporting laser systems. The de-centralized, digital laser control signal processing was done with 5 DSP Mark2 workst
The exhibition is a marketplace for buying and selling, a community for networking, a forum for exchanging ideas and an opportunity for contributing to industry trends by bring together manufacturers, suppliers, buyers and technicians.
The main exhibition categories include: laser systems, control equipment, laser projectors, laser show software, laser show artwork, laser advertising systems, show tips & techniques, stage technology and event services.
(Jim Evans)
The brief was to illuminate the building and produce a lightshow for the finale and fireworks display. Hawthorns lighting designers Matt Oscroft and Paul Bird selected Clay Paky Sharpies, both wash and spots, Alpha 1200 profiles and Glow Ups. Also selected were Robe BMFLs which really impressed the lighting designers.
The fixtures were used to provide a gobo breakup across the whole building, then during the finale they were used as high intensity beams projection high into the sky. The whole system was plotted prior to the event on Hawthorns' Wysiwyg suite, system controlled via a Grand MA 2 - Bird's desk of choice.
Anyone working in theatre industry can nominate their colleagues, crew members or favourite hire company. This is your opportunity to highlight why your chosen nominee stands out from the rest and deserves some recognition. It only takes a few minutes to nominate at www.technicaltheatreawards.com
Nominations will officially close during PLASA Focus in Leeds. Following this, organiser Ian Taylor will be inviting a panel of independent industry figures to shortlist the nominations. This is a new initiative for 2015, as suggested by TTA supporters as a way to improve the awards process.
Voting for the UK awards will open during the ABTT Trade Show on Wednesday 24 June 2015 at Alexandra Palace in London
Tom works on many high-profile awards show designs and continues to create new and original lighting schemes. For this year's Woodies, he incorporated over 200 Robe moving lights - Pointes, LEDWash 1200s and LEDWash 600s - into the rig, for which his starting point was a stunning stage-set sculpture crafted from tens of thousands of wood planks, imagineered by Julio Himede.
The jagged wood structure clad the two stages which
As Vince Gill's lighting designer for the past four years, Dylan Mire felt the lighting needed a refreshing new look that would complement the show but not distract from Vince or the bluegrass band.
"The lighting needed to be simple and effective to highlight an established artist," Mire said. "We also needed the gear to fit into a limited amount of truck space."
Mire utilized VL 2500 Spots, Robe CycFX8 and Martin MAC Auras in the design, placing GRN Par 64 fixtures for light columns on the backdrop and Chauvet Color Dashes as truss toner. Mire also uses a GrandMA 1 full console.<
"In March, our Belgium distributor, FACE bvba, opened an office in the Netherlands," explains ETC regional manager Tim Stokholm, "and we approved them as an official dealer. To best serve our customers, we decided to make Benelux a dealer-based region." ETC's dealers in Benelux are now FACE, Lightco and Controllux.
"FACE has been expanding steadily in the Netherlands," says FACE CEO Karel de Piere. "We opened our support centre in Rotterdam, and a new consultant, Fons de Vreede, joined our team. If you can add a world class brand like ETC to your portfo
Out on a spring US tour, 2Cellos is a cello duo that combines training in classical music with youthful rock energy to present a special concert experience. Riding a wave of popularity - the band even played with Elton John recently at his residency in Las Vegas - 2Cellos are selling out shows at every stop.
Lighting designer for the 2Cellos US tour is Chris Maguire, who has over 25 years of touring experience under his belt (Ted Nugent, et al) yet admits that at first he wasn't quite sure how to light the more untraditional band. "It's just two cellos and a drum kit and there are big stages to fill," he says. "But they play everything from B
Visitors to the Avolites Prolight+Sound stand came from more than 40 countries, and included a high number of potential new distributors, especially from North and West Africa and the Caribbean.
Now, the Avolites team is continuing the buzz by debuting its well-received new products in the UK at PLASA Focus, Leeds, on stand N-D01.
"The Arena consoles attracted a huge amount of attention during April's Prolight+Sound in Frankfurt - we were inundated with lighting designers, rental companies and specifiers, generating a fantastic response from many of the people who came to see the
The KOI Awards, which celebrates the creative talents of international lighting and digital content designers working in the UK, has added a 'Club' category, which will allow the Awards to widen its reach to celebrate LDs working at all scales of touring.
Proposed to the committee by KOI chairman of Concert Touring and Events Sarah Rushton-Read, the category was introduced in response to feedback from lighting designers working with new bands just starting out on the touring circuit. It will mean that these LDs, often working with just a floor package and having to use each venue's house rig to realise their design, will also be recognised for their creativity.
"Often designers that are touring club style venues with just a floo
tn.jpg "Maroon 5's 2015 world tour runs through until October with the final dates in New Zealand")
Maroon 5 launched its World Tour 2015 in Dallas on 16 February and will finish in Auckland, New Zealand in October. The tour is in support of the band's fifth album, V, which was released last year.
Roy Bennett, the production designer for the tour, has branded the stage with strong V motifs, inspired by the album artwork, incorporated into the trussing and transparent set pieces. Lighting and video create a dynamic, constantly changing environment on an arrow-shaped stage.
Plexiglass panels, filled with special effects smoke, act as upstage display surfaces for video content while the downstage stage was constructed as a giant, hollow plexiglass "fishbowl" that could also be filled with smoke and lit with 2
Lighting designer Rob Sinclair was approached in 2012 and asked to do lighting for the Queen Extravaganza, the official Queen tribute band. His work caught Queen + Adam Lambert's attention and they asked him to come and work for them on the upcoming tour. "It was a case of being at the right place at the right time," said Sinclair.
The lighting design process for the world tour started back in the fall of 2013, when Sinclair, the band and Set Designer Ric Lipson first met and came up with the idea of a Q-shaped stage. Lipson a
The extreme torque of 15Nm and the resulting high rotation speed of up to 180rpm make this unit the perfect gear for highly spectacular show productions and effects. Due to the high end laser system with great colour balance and extremely fast scanners, a use for TV productions or high profile shows is no problem at all.
The ILDA control signal can be fully used for laser control, and the Velox moving yoke itself is controlled via the standard DMX512 protocol. A DMX-only operation is also possible.
When a laser show system is moved on a yoke, it is absolutely essential, that it repositions accurately -
tn.jpg "The Theatre at Solaire is lit with ETC equipment")
The Theatre at Solaire is the highlight of the Solaire Resort and Casino, and is considered to be the most advanced theatre in the Philippines. Its stage technology system was designed and specified by Coherent Design, a Las Vegas based theatrical consulting group. They faced a unique challenge due to the fact that there are few theatres in the country. Having technical support nearby was an absolute necessity, especially when it came to programming and commissioning the system.
"The experience that ETC Asia had in similar facilities a
Lighting designer Mark Dymock specified Robe moving lights to help create the vast array of special X Factor moments in the show, with 10 x Pointes, 12 x LEDWash 600s and 4 x LEDBeam 100s on the rig.
Mark originally lit the show two years ago at the Queen's Theatre in Hornchurch, Essex, and was asked back to keep the action moving on tour, with a chance to upgrade the rig he'd originally used.
The brief included retaining a classic retro rock 'n' roll feel - when the show was first launched it would have been lit with a selection of theatre lanterns and PARs which would have been considered radical at the time in that environment. In keeping with th
The tour's stage / scenic concept was a triumvirate creative process evolved by Chris Kuroda, production manager Chris Gratton and stage designer Nick Demoura. Grande, on her first full production tour, was integrally involved with the process.
Chris Kuroda's starting point for the lighting was a 60ft wide LED video wall, centre stage that parts in the middle for entrances and exits. With this massive lightsource already dominating the visual horizon, he needed exceptionally bright lighting sources and opted for Robe's BMFL Spot.
The BMFL Spots and Pointes are dotted all over the rig, positioned on a series of diamond-shaped pod
Following a star studded award ceremony at Theatre Royal on Drury Lane, some of television's best known faces celebrated their nominations and award success at the Grosvenor House on Park Lane.
Appointed production company Light Motif delivered a striking setting for the after party in the famous Great Room inspired by the history of television.
Arriving on the 'House of Fraser pink carpet' guests were guided through to the great room where iconic images adorned the façade & the evening began.
Working with creative florists "Rebel Rebel", Light Motif were keen to create one overall look for the client, matching colours, styles and themes across the entire space.
Rob Mills, lead creative for Light Motif, said, "We wanted
The genre bending four-piece played a range of venues from Portsmouth Pyramids to London's iconic Roundhouse. Positioning the Clay Paky fixtures, supplied by Neg Earth, on boxes on the floor to the rear of the stage, Bewley used them to give depth to his energetic design.
"I chose the Alpha Spot QWO 800s as I needed bright sharp beams to pierce through the metal framework that surrounds the band, creating silhouettes," continues Bewley. "They delivered this perfectly, adding some great perspective and dimension.
"As this is The Mindsweep album touring campaign, I wanted to bring the concept of brain neurons and thought processes into each venue."
To achieve this, Bewley video-m
For the very first time Hirezone supplied the full technical which included Robe lighting with control on an Avolites Tiger Touch, sound and AV, this being one of the their largest and most prestigious productions to date.
The Royalty Soapie Awards is the annual celebration for the TV soap industry in South Africa including everyone from celebrities and entertainers to the writers and technicians involved. Richard Gild, owner of Hirezone says he used detailed planning to ensure a successful set up. "As we proceeded, it all came together," he says. "We had more space and the right people. It was great working with the client."
