Lighting

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14 March 2016

Technical manager of the venue, Oliver Hemming, discusses, "Our existing cyc lights were old and falling apart. We'd heard a great deal about the creative potential the features of the new LED fixtures offer, but we weren't sure which fixtures to buy. We enlisted the advice of Reg Berry at Lancelyn Theatre Supplies, Oxford. Following a trip to the PLASA show we decided on the Philips Selecon PLCYC-1 luminaires and we've been delighted with the outcome."

Reg Berry, branch manager at Lancelyn continues, "We felt the PLCYC- was

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14 March 2016

The Profile Junior is a compact 10,000 lumen LED profile spot; in fact its size and weight are similar to conventional tungsten-sourced ellipsoidals, yet its output exceeds conventional 575W ellipsoidals. This new compact design of the Profile Junior is offered in three versions; a tunable 2,800-6,500K, 3200K and 5600K white light. As with all Prism LED products, the Prism Junior utilizes the patented TrueSource technology along with its advanced thermal management system.

The Profile Junior, along with the original Profile, is ready right now for use in a wide range of applications including long throw front of house lighting positions

"The RevEAL Profile Junior caught my eye

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14 March 2016

Randy Taylor, lighting designer and founder of Design & Productions Dallas-based full-service design and creative services company, specified 36 Chauvet Professional Nexus 4x4 pixel-mapping fixtures for the show. Taylor placed three arrays of Nexus 4x4 on stage right behind Owen: a central wall of 20 fixtures, flanked by two smaller walls of two-by-four wash lights.

For the halftime show, the Chauvet team operated the wash lights through Kling-Net control on the ArKaos Mediamaster software. The cues were triggered via DMX from the grandMA lighting console, using the Enttec DMX USB

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14 March 2016

Entec has provided technical production for the band since 1994 - testament in itself to the artist's satisfaction with their production - in which time the band has regularly toured worldwide, playing to old and new generations of Beatles enthusiasts.

Entec's lighting crew chief Pete 'Pepper' Schofield ensured that all lighting designer Brendan Albrey's requirements were met.

It was Albrey's first tour with The Bootleg Beatles. He was chosen from several applicants who initially answered an ad to submit concepts that was circulated in the Association of Lighting Designers' (ALD) E-Newsletter. It was also his first time working with Entec.

The l

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14 March 2016

"We needed dimmers that had a "rock and roll" approach to allow for quick and easy setups," explained Adrian Wright, lighting supervisor at NIDA. "This is especially good as a learning tool for our students as they also get an understanding of the use of the Jands Power Distribution System and mains cables.

"Having already purchased the HPX dimmers for one of our larger venues, the purchase of the HPC dimmer racks were a very good choice on value for money, the ease of operation and most importantly the reliability."

(Jim Evans)

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14 March 2016

As a part of this newly conceived metropolitan illumination concept, the Bunyodkor stadium - now the biggest sports facility in Uzbekistan giving home to the local football team - demanded a well-framed lighting plan that would be able to overcome the many structural obstacles this pioneering arena involved.

Supported by 64 columns, the three-dimensional sail-like canopies that embellish the entire exterior perimeter of this bowl-shaped stadium, were identified as

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14 March 2016

This was designed by event producer Aleksandar Kukanjac, with equipment - lighting, LED screen and PA system - supplied by the leading Serbian entertainment technology specialist, Studio Berar Projekt.

The event, attended by around 300 people in total divided into three groups per day, was staged in 'The Balloon' - a stylish tented structure that is permanently installed at NAVAK and used as a multi-purpose event space.

The 24 LEDBeam 100s were positioned on the floor and either side of the LED screen. They were rigged to the Balloon's integral trusses and positioned around its sides, used to enhance the atm

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14 March 2016

The VC Series of LED video products combines an all-new level of simplicity with a high level of quality. Instead of relying on DMX, these new creative LED video elements are driven by Martin's award-winning P3 System Controller family for true video control with superb ergonomics and easy set up. So no need to worry about stuttering, uneven dimming or lack of synchronization (as with many DMX-driven solutions). VC-Strips -Grids and -Dots are ideal for integrating LED video into a façade, stage design, ceiling, lobby or any other structure (indoors or out), says the company.

The new VC-Strip family of narrow LED video strips features a pixel-pitch of 25 mm and is available in various lengths up to 400 mm. Th

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14 March 2016

Sander had been on the road for 12 years with another production company when he joined Bandit Lites' staff in 1992 as the warehouse manager. From there he evolved from developing an inventory system to general manager. Today he has settled into his position as a client representative.

After amassing memories that include Aerosmith, Garth Brooks, Queen and ZZ Top, Sander is quick to quote the old saying, "Find a job you like and you will never work a day in your life."

"After 20 years, I feel like I'm just getting started, as every year brings on new relationships and challenges," said Sander. "But that's the best part of working at Bandit: We are on

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14 March 2016

The challenging urban venue of three skyscrapers, a 20x50m floating barge, and a freeway overpass constituted three distinct lighting and control domains. Eighteen Panther 7k searchlights blazed from the city's tallest buildings. The barge and freeway systems featured 18 additional searchlights, and 210 moving lights.

A LumenRadio system, recommended and supplied to Chameleon by TMB, distributed control data wirelessly to all lighting elements of the event. A lighting controller located on the barge linked

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14 March 2016

The Robes replaced the original moving light system that was installed when the building, designed by architect Paul Diederen, opened in 2005.

Patronaat has two concert halls - at 950 and 350 capacity - both featuring an action-packed programme of the latest sounds and contemporary music, from underground to jazz and dance and electronica to acoustic performance.

(Jim Evans)

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14 March 2016

Multi-Play Rack is a disk-based product that allows a show programmer to record up to 12 universes on any lighting console running Art-Net, then play-back through pretty much anything - thanks to the product's multiple protocol support, which includes Art-Net, ShowNet, KiNet and sACN. Output protocols can be selected on a per universe basis for even greater flexibility.

Multi-Play Rack incorporates an auto-stitch feature that allows a recording to be automatically edited for a seamless continuous loop. It can also playback multiple overlapping files in different, user-programmed zones.

The product offers advanced triggering functionality, with the

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14 March 2016

The award-winning 1000 W fixtures were recommended to Warren by Rob Sinclair, who worked as visual consultant for the tour. "He'd used them previously and recommended them due to their tungsten abilities, and their general usefulness," said Warren, who has been with Mumford & Sons for almost four years.

"My show is very tungsten-heavy so it was important to achieve a warm CTO from the fixtures, which mixed perfectly with the many light bulbs on stage," Warren continues. "They were also very punchy with very clear beams as well as a decen

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14 March 2016

Steve Smith, managing director Panalux Worldwide, comments: "I am delighted to announce Kenny's appointment and am certain that he will provide the kind of motivational management and direction that will ensure Panalux continues to deliver the very best in service, equipment and technology to our clients across Southern Africa".

He adds: "During his many years with Panalux, Kenny has demonstrated excellent leadership and a genuine passion for our industry. These quali

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14 March 2016

Watchout manages projected 3D content on a large stage backdrop creating a powerful abstract presence in front of audiences wearing polarized 3D glasses. Two more Watchout channels feed the flanking LED screens. To create the lighting effects on the four oversized illuminated keyboards, a Pixel-gate LED video controller uses an additional DVI output from the main screen using the Watchout 'Tier' feature. The main timeline in Watchout is chasing timecode from Kraftwerk synthesizers (MTC converted into SMPTE). The Kraftwerk synthesizers are also used for live visual interaction controlled via MIDI commands.

FredrikSv

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14 March 2016

Audiences of up to up to 4,000 recently witnessed impressive light show at 19 shows across the continent - designed without compromise by Austrian company, MartinKames.com. Along with lighting designer Gunnar Loose (www.revolutionlights.de), Kames and system technician Markus Fichtler, developed a technical setup that met all requirements of the show.

Multiples of PR Lighting's PR-5000 Spot and PR-5000 Beam were selected for their advanced featureset. But the intensive tour schedule, with long drives between the locations, challenged the logistics and this became a further reason for specifying PR Lighting's PR-5000 Series. Notes Jens Ottenhus from German distributors, Focon Showtechnic. "With its 1.5 kW discharge lamps and a weight o

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14 March 2016

From the moment clubbers walk up the escalators, edged with pixel-mapped LED's they are immersed in a surreal escapist world of SGM paper lanterns in the foyer and walkways. Turning into the 'Tomorrow' nightclub - the biggest of the three spaces, and designed like a rock 'n' roll arena - their senses are immediately assaulted by flown arrays of eight SGM SP-6 Six Pack blinders and four banks of four SGM X-5 white strobes, which pulse onto the dancefloor, punctuating the beam action from 24 SGM Beam 300 moving heads.

But the main focus of attention is the largest SGM centrepiece ever produced - a massive overhang comprising 225 of SGM's 1m length pixel tubes (LT-100), interspersed

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14 March 2016

Long-serving LD Ian MacDonald designed the lighting to be diverse - partly scaled to fit 1000-seat theatres, but sufficiently organic to upscale effortlessly into arenas and amphitheaters. In the case of Synthetica this involved five different set-ups, and each included GLP's new Spot One LED moving heads.

MacDonald's search for the Spot One was stimulated by his desire to have an all LED arena lighting rig. "This is becoming the norm these days ... less power and lighter fixtures are always a huge plus, especially when playing smaller venues with limited power," he said. "I was looking for an LED profile moving fixture that could be as good as, or better than a standard moving light fixture."

And GLP's spot provid

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14 March 2016

Filmed at BBC White City and aired on Saturday nights on BBC1, the entertainment show is packed full of big stunts designed to fool the nation. It's essentially a hidden camera series where Richard sends out his 'agents' aka actors and comedians to set up funny situations involving unsuspecting members of the public.

Roger Williams designs the lighting rig which comprises of MAC Aura's, Chroma Flood RGB, VL1000TS and GLP Impressions. The lights enhance the exciting lab set.

(Jim Evans)

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14 March 2016

Alkstrand holds the responsibility of worldwide business development for the W-DMX brand. He worked for Wireless Solution in European Sales for two years from 2006 to 2008 during the start up of the company and has now returned as operations manager.

"I'm very excited to be part of the Wireless Solution team once again," says Alkstrand, "The W-DMX brand is well respected and has been involved in some very impressive events and installations worldwide, with a strong presence in many key regions around the world. I look forward to growing these relationships even more."

Zellén has worked with W-DMX products since 2009 but was moved to the role of CTO as part of a programme to inc

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14 March 2016

Broadway's Bring it On is an energetic, acrobatic musical that gives a glimpse into the world of high school cheerleading. The show's high impact, high octane lighting design is also a highly ambitious endeavour. It features 29 DMX universes, more than 350 moving lights and nearly 1,000 LED fixtures, including six ETC Selador Desire Ice LED fixtures. An ETC Eos control desk is at the head of the massive lighting system.

"People are surprised that we have a show this size on Eos," says Bring it On's lighting programmer Tim Rogers. Lightin

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14 March 2016

Based on ACT Lighting's performance as a North American distributor of Clay Paky fixtures over the past two years, Clay Paky area manager for North and Latin America, Francesco Romagnoli said, "We felt that naming ACT Lighting as our exclusive distributor is the best step we could take to ensure our growth in this very important market. ACT Lighting has not only set sales records for North America but also provided the excellent after-sales service that Clay Paky has been known for."

Bob Gordon, president and CEO of ACT Lighting, affirmed his company's sales records with Clay Paky products and said, "We are proud that our sales records in North America have propelled us to the position of number-one Clay Paky distributor in the world by sales during the past

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14 March 2016

The addition of Silica to the network of distribution partners will allow Philips Lumileds to meet the increasing demand for its lighting solutions and to further strengthen its service and support structure in Europe. Silica's existing and prospective customers likewise will benefit from in-depth technical support through dedicated lighting specialists across Europe.

Martin Bielesch, general manager lighting at Silica, comments, "Philips Lumileds is one of the world's leading manufacturers of high-power LEDs and a pioneer in the use of solid-state lighting solutions. Their Luxeon products are

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14 March 2016

Rising above the retail podium of Sydney, the 25-storey tower is accessed by lifts from the Sky Lobby at the top of the retail precinct. The Sky Lobby also acts as a transition area for access to Castlereagh Street itself and the retail area.

The Sky Lobby has airport lounge-type meeting areas including cafés designed to create an environment where people can interact informally. In fact on any given day up to 3,500 people could be dropping in and out of that area from internal offices plus thos