Lighting

Details

14 March 2016

ArKaos Hub is an application specifically designed to monitor the state of multiple servers running MediaMaster in fixture mode. ArKaos Hub's key function is as a real-time backup system that gives instantaneous protection against server failure.

"A mid-show server failure has potentially drastic effects on your live show and takes time to restore as you struggle to re-establish the physical connections between projector and backup server. Enter ArKaos Hub!" the company says.

ArKaos Hub monitors servers in real-time and, in the event of server failure, automatically issues a configurable command to the video switchers, instructing them to re-establish connections between projectors

Details

14 March 2016

Staff will be on hand to discuss the products available from Pro Light's office and distribution centre in Lancashire for worldwide dispatch. The stand will also feature many new products, including the LED Quad colour Q Color and Color Storm LED Battens along with the Xperior Platinum 5R Spot from iSolution. Many other new items from eLumen8 will be launched at PLASA Focus including fixtures specifically designed for theatre, stage and T.V.

Details

14 March 2016

Andrew Leonard, lighting designer for both shows worked closely with console programmer and live visuals operator Peter Canning from High Resolution Lighting. PSI's project manager was Ciaran Tallon, and it was the first time that Dublin and Belfast based PSI has been involved with either show.

The series producer was Billy McGrath, and the production company in both cases was Sideline Productions for TV3. Twenty episodes of both shows were shot in two two-week slots, with a two-day changeover in-between, and the sets for each production were designed by Anita Barrett.

For

Details

14 March 2016

Gurdon has been recognised internationally for his TV and event lighting design. He holds the Lighting Designer of the Year title from the TPI Awards and has netted Lighting Design Awards, Royal Television Society Awards, and Australia's Helpmann Award and Knight of Illumination Award. He has served as lighting designer for the Eurovision Song Contest.

For the Super Bowl Halftime Show, Bruce Rodgers of Tribe Inc. was once again the production designer, All Access Staging built the s

Details

14 March 2016

The event gave White Light the opportunity to invite their guests and members of the ALD into a "sales force free" theatre environment to check out the latest lighting kit. The ALD annual Pub Quiz then followed, providing a chance for a bit of lighting-orientated fun and a few drinks with friends.

For the lighting students at Central, the day of the event was the tip of a much bigger iceberg. They took key roles in planning and running the whole event, and worked with Production Lighting professional Nathaniel Seekins and lighting programmers from MA Lighting. They also learnt the importance of prepping, on-site with White L

Details

14 March 2016

The light work is designed by artist Liz Rideal and involves the illumination of nine large windows on the top storey at the front of the building, with video material from a film - Light Curtain - which is played back via a media server also supplied by dbn.

Challenges included having to fit all the necessary LED lighting equipment to light the windows into a 30 cm deep space, keeping each window's physical lighting installation completely self-contained within its recessed space.

dbn's Nick Buckley is project managing. dbn has worked for the Gallery several times in the past, and t

Details

14 March 2016

This Developers Conference aims to provide a European forum for manufacturers, designers, consultants and prospective users; and to ensure that the adoption of these new standards achieves desired levels of interoperability and reliability.

The "Plugfest" is a hands-on opportunity for product developers to try their products and code implementations with products from a variety of other manufacturers, with support from their industry peers in an environment that encourages co-operation and improved understanding of the standards, and with the aim of achieving high levels of interoperability.

Typically, engineers participate in these ev

Details

14 March 2016

Havells-Sylvania will be in Hall 9, on stand 0F42 demonstrating the benefits of its SPG (Special Product Group) lamp products, throughout the event. Products on display will include the full BriteArc range of Photo Optic Discharge Lamps, as well as the PAR56 LED designed for underwater applications.

Lieven Maes, international director of the special product group comments, "This is an extremely important show for the international market and we are looking forward to demonstrating our products to the key decision makers in the industry. Our comprehensive range of Photo Optic lamps is suitable for all actual applications. This 'Made in Belgium' BriteArc range exceeds even the highest standards."

One of the highlig

Details

14 March 2016

De Bijloke offers a diverse programme of high quality music, presented both in pure concert form and in new and unique combinations and conceptual formats. This covers a wide range of genres including classical and ancient music, jazz, and also incorporates other art forms. The venue produces over 100 concerts, recitals and performances a year and stages or receives another 80 plus shows and collaborative works. It attracts over 100,000 visitors and classical music lovers and aficionados annually.

The venue includes two renovated former civil hospitals, one dating back to the 13th century (the Concert Hall) and one to the 16th century (the Kraakhuis) - both converted into atmospheric performance spaces. Anothe

Details

14 March 2016

Partnering with Norah de Bekker, John Frattalone, Meghan Campbell, and a fast resource of experienced LED Engineers they will be operating out of a new LED LAB in Tribeca New York.

The move, the company says, is a logical continuation of de Keyzer's move a few years ago to establish the LED LAB in New York City's SoHo, where rental clients and their end-clients could experience technologies hands on, in real-life scale and brainstorm on endless creative possibilities.

IC's focus is to create easier ways to design unique out-of-the-box video displays. "Everybody wants something uniquely vi

Details

14 March 2016

The Orchestra naturally wished to highlight the instrument and chose to light its façade using an LED colour changing lighting system from Martin Professional.

Over 100m of Martin LED strips mounted on the back of the wooden slats light the organ pipes (from a distance of only 15cm) while mounted vertically at the bottom of the slats and lighting the lower conical part of the pipes are Martin Tripix 1200 and Tripix 300 LED linear luminaires.

"It was important for us that the o

Details

14 March 2016

This line is a valid alternative to discharge-lamp washlights of equal power, with all the benefits of LED lights: intense, highly vivid saturated-tone colours, light-weight, energy saving, longer light source life, and lower operating and maintenance costs.

All the models in the ALEDA line are fitted with advanced electronics, have a compact light-weight design, and can be easily adapted to all areas of application. The effects section comes complete with dimmer and s

Details

14 March 2016

"I figured 29 February 29 doesn't happen every year and neither does a project like this," said the man behind the enormous task, lighting designer Denis Hutchinson. "Unlike most archives with their reams of paper and dust, the idea here is much more personal with the primary focus being video interviews with the amazing people who laid the foundations of lighting design in South Africa."

The idea came to Hutchinson after watching a panel discussion moderated by Ken Billington which was filmed in New York. "Names that I'd seen in print - Abe Feder, Peggy Clark, Tharon Musser - suddenly became people, and that was really exciting. It also got me thinking about how little we do to pre

Details

14 March 2016

Taylor made the switch to the Jands Vista platform while lighting another Grammy award winner, Switchfoot. Their punishing touring schedule meant Taylor was looking for a powerful yet portable control system that could easily travel on a plane. His solution was to join the growing international family of lighting designers who have bought their own Vista system. He's not looked back, and has been an enthusiastic Jands Vista user ever since.

Third Day play a wide variety of venues using a mix of their own touring rig and locally supplied production. On arena shows the Vista S3 was controlling the full touring rig of Vari*Lite 3000 profiles, Vari*Lite 3500 washes, Mart

Details

14 March 2016

However, it was the first time he had used GLP's impression platform, building 20 of the compact, lightweight Volkslicht Zoom LED heads into the set. And it certainly paid dividends.

Taking responsibility for the full stage design and dynamics, he set out in search of the latest equipment available "to suit the vibe of the tour", opting for the GLP fixtures after they had been recommended by Kevin Forster at Epic Production Technologies, who supplied the rig for the American leg, and Craig Gaff at PRG.

The tour itself was picked up across the Atlantic by Neg Earth, who maintained continuity with the GLP heads - ensuring that they performed as fl

Details

14 March 2016

Among the new products making their debuts at Focus Austin were: the MAC III AirFX luminaire and M2GO and M2PC consoles, launched by Martin Professional; along with the DLV Digital Light, and TechnoArc automated luminaire, both from High End Systems.

The Professional Development Program was a major attraction with substantial audiences for sessions that ranged from Demystifying Audio to Austin City Limits Live!.

CEO of PLASA Matthew Griffiths, commented, "Exhibitors have been enthusing about the high quality of visitors and th

Details

14 March 2016

Natalie Brotherton, Gabrielle Felix-Daramy, Daniel Goodwin and Danielle Morris all took the opportunity to gain practical, hands-on experience in the world of entertainment lighting by working within White Light. Starting with preparing cables then moving on through White Light's rigging and bench teams the apprentices have been learning the 'nuts and bolts' of entertainment lighting. The plan, in time, is for all four to work in every area of the company's warehouse, helping to prepare equipment for the more than 3,000 projects White Light is involved with each year while learning from the company's highly experienced staff.

Their work is by no means limited

Details

14 March 2016

The show looks at fun new stories, events and TV clips from every corner of the globe. Each episode team captains (Rhys Darby and Rufus Hound) are joined by celebrity guests to explore foreign customs, curios and cultures.

Richard Martin Lighting (RML) supports LD Chris Kempton on the show, which is filmed at the BBC TV Centre, White City.

His specification includes Clay Paky Sharpys, MAC 500's, Alpha Wash 1200's, MAC 600's, VL1000 TS, GLP Impressions and Alpha Spot 700's.

(Jim Evans)

Details

14 March 2016

"We welcome all existing and new clients onto our stand where we will be showing several new audio and lighting products from our MT Audio and LED Head ranges of products," the company says. These include a new 8-channel amplifier, new 1U mixers, zoners and a digital processor, along with battery-powered units and one of the first wash/profile LED moving heads in the one unit from the company's LED Head range.

MT Pro - Stand S-C7

(Claire Beeson)

Details

14 March 2016

Hutchison has been contributing marketing and technical copy for CAST Software as their social media manager since early 2009, in addition to writing various articles for the company's newsletter, The Plan.

"I'm beyond thrilled to be leading the amazing development team at CAST," says Hutchison. "I've been a wysiwyg User since Release 4, and I don't think that there is a design I haven't created in wysiwyg since the early part of this century! I love the products, I love the teams, and I love talking to our Users about how wysiwyg wo

Details

14 March 2016

ArKaos GrandVJ 1.6.5 introduces Scratch Control support for DJ-style MIDI controllers with jog wheels, to bring DJs another step further into the VJ world. Two new slider widgets control the sensitivity of the scratch and the scratch itself.

ArKaos has added templates with feedback support for the new American Audio VMS4.1 and VMS2 MIDI controllers in a move designed to give a DJ-style feeling while mixing video with these controllers. It has also updated the mapping templates for the Hercules DJ Control series to take advantage of this new Scratch Control feature.

GrandVJ 1.6.5 also adds mapping templates for the Livid OhmRGB, with feedback support and coloured keys, and for the Elation Midicon with feedback support.

GrandVJ'

Details

14 March 2016

The IOCore features eight inputs that can be individually configured as digital or analogue input. Set as digital input, it allows for an easy connection with, for example, physical switches and sensors. When set to analogue, it supports 0-10V and 1-10V inputs; ideal for connecting to household dimmers.

The eight outputs on the IOCore are relay-switched and can handle 3 Amp. The digital outputs can be used to switch various other equipment like A/V devices, blinds or heavy-duty relays.

Additionally, the IOCore is fitted with a DMX-512 port that can be c

Details

14 March 2016

Bright and LumenRadio will host a kick-off event for the CRMX products with a hands-on workshop in Bright's offices on 7 March. Anders Ardstål from LumenRadio will be present and demonstrate the complete CRMX product range including the SuperNova management software. The workshop will include a general introduction to wireless DMX and RDM distribution technologies as well as in-depth sessions on practical issues ranging from control protocols to equipm

Details

14 March 2016

Since opening in mid-November 2011, the hospital's goal is naturally to provide a great health care experience but the hospital also prides itself on providing a great human experience as well. In keeping with that ethos, St. Luke's sought to do something extraordinary with its façade and chose to decorate it in an energy-efficient wash of dynamic coloured light from Martin Professional.

"Our goal was to celebrate the opening of our new hospital in a creative and significant way and chose to explore architectural lighting options that would create a dramatic, lasting effect," says Sue Ross, director of marketing & public relations, St. Luke's Hospital & H