Martin Exteriors light Aichi's Toyota Bridge
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At each corner of the stadium are four large masts that point skyward to a height of 96m. The prominent pillars play more than an aesthetic role, however: the masts support the main and back r
At each corner of the stadium are four large masts that point skyward to a height of 96m. The prominent pillars play more than an aesthetic role, however: the masts support the main and back r
DTS, which has celebrated its first 25 years in business, says it now plans an aggressive programme of growth. The company says: "We are confident we can achieve this through a series of new pr
The model name, Stubby, accurately describes one of its attributes, as the overall length of the unit is remarkably short for a Xenon followspot. Thanks to its short overall length the 1292 offers a remarkable to size to brightness ratio. As a short throw, optically the 1292 Stubby 3K-ST is designed for throws up to just beyond 100ft.
Within its recommended throw distance Stubby is capable of beam widths from head-shots to three person circles or greater. The 1292 incorporates features from the popular M2 line with the proven lamphouse and several components from the proven Lycian 1293 3K Long Throw. Controls are top mounted and include a six- color boomerang, two dichroic color changers, fader, nichrome iris, and separate horizontal and
"We needed a high-speed console with great reliability and a lot of channels for moving lights," said Gilbert Quintanar, head electrician on the Tonight Show and 29-year veteran with NBC studios. The Tonight Show keeps a full rig of some 475 devices - including 300 conventional fixtures - with numerous ETC Source Fours among them, plus a growing rig of over 90 moving lights. There's no small amount of pressure on this set where the technical crew crea
"It's a very eclectic mix of dance, which means the lighting has to be just as flexible and diverse," explained Crawford. "For example, our signature work, Revelations, was first lit in 1960, so one of the challenges is having this recreated with today's more advanced equipment. Other work in the tour repertory can be quite modern, with contemporary lighting effects and lots of vivid qualities - we have the very classical and the very
As in previous years, the Show had a strong international profile with a third of exhibitors based outside the UK, and an increasing international visitor attendance, which is now nudging the 30% mark.
One of the key reasons for the Show's continued momentum is its focus on new developments and its ongoing investment in interactive feature areas, awards that recognize the best design work in the indu
"We're very pleased to welcome Ellen, who joins the company during an exciting time of growth and positioning for the future," said Bill Sims, the company's president and CEO. "We have successfully transitioned from an emerging start-up organization to a growing public concern, and the opportunity to penetrate the larger, general lighting market presents a host of new research, marketing and communications requirements. As such, Ellen's considerable expertise will help us identify these new requirements and accordingly shape the new public face of Color Kinetics and its brand."
Color Kinetics
Metropolis, in Downtown Miami opened recently featuring LaserNet's 1W Argon air-cooled laser Matrix beam/scan projector, while new nightclub Tao in Las Vegas, billed as an Asian Bistro, features LaserNet's 5W Copper Bromide ScannerPro amid the Asian artifacts. The Pangolin-based projector targets 16 bounce mirrors over the dance floor.
(Lee Baldock)
Designed in response to the needs of touring productions which now freely mix conventional and automated lanterns and so need easy access to a mixture of dimmers and switchable hard power. Each Smart Touring Rack contains four 12-way modules; each module can either be a 12-way ETC SmartPack 10A dimmer pack or a 12-way 10A MCB power module. Each 12-way module is RCD protected, and each dimmer module has its own 'brain', so that if one brain does fail only those 12 dimmers are lost but the rest of the rack continues to function normally. Every rack also offers six ways of independent power, meaning that non-dimmed power is availab
Grant Bales-Smith, UK market manager for Zero 88 commented: "A.C. thoroughly deserve to receive this award, which is in recognition of the support and dedication their sales team has put into promoting the Zero 88 brand over the past 12 months, seeing a significant upturn in their overall Zero 88 sales."
A.C.'s Jonathan Walters commented: "I'm delighted to receive this award on behalf of the whole sales team. A.C. places great importance on being able to provide customers with a quick delivery turnaround, a team of highly trained staff and a full technical backup service,
Incorporating a button depth adjustment facility, the panels can accommodate covers of practically any flat architectural surface medium from 1.2mm to 6.5mm in depth. "The possibilities are endless," says Dynalite.
To complement the panel face, button caps are available in silver and charcoal grey, providing a wide range of décor matching possibilities. Designed both for commercial and residential settings, the Revolution series panels are available in a range of configurations from single column, catering for one to eight buttons, through to double or triple column designs featuring up to 24 buttons.
Smooth action buttons with LED indicators provide tactile and visua
Richard Belliveau, HES chief technology officer, says: "We designed the Studio Command to provide discerning lighting designers with a new look for their stage. The lenticular array optical system coupled with innovative aesthetics provides a dynamic eye-catching look. These new features combined with a high light output and a large cross-sectional output beam is bound to turn some heads on new shows."
Studio Command's lenticular array optical system is claimed to greatly enhance the homogeneity of the projected light. The optical head is compact and light in weight, while still offering a large diameter exiting beam. The long-life M
Jones' first step into the film business began on American Graffiti (1973), directed by George Lucas. He has since garnered three decades of experience in various areas of lighting. Jones, formerly of lighting and grip rental house 1st Unit, has joined ARRI in the newly created position of technical sales representative. Based out of the Burbank, CA office, his duties include sales, product development, evaluation and troubleshooting. Says Jones: "Working for ARRI is the best place to utilize my talents and apply the knowledge that I have accumulated over the last 30 years."
Horne is now a part of the ARRI Blauvelt, NY team, working as the Northeast lighting sales manager. The position was previously held by Roger Dean, who now covers t
These were purchased by the college's Lighting department as part of a new investment in digital scenography, a move co-ordinated by Nick Hunt, lecturer in lighting design, and Rob Fowler for PID. The funding came from a 'Knowledge Transfer' scheme, designed to encourage partnerships between higher education and industry.
"With the 'convergence' of video and lighting becoming increasingly common," states Hunt. "We wanted to start building up a laboratory of kit to enable us and our students to explore this technology."
PID also supplied a selection of Artnet boxes
The South Essex Partnership NHS Trust, which provides mental healthcare to its local region, hosted its annual awards show at the Towngate Theatre in Basildon. PSL supplied all production design, sets, lighting and dedicated lighting designer John Montague, sound, vision mixing, a 2-camera DVD shoot plus a confetti cannon for the show finale.
Set designer Oliver Stewart comments: "I have to balance the musical elements with the fact that it is an awards ceremony in a theatrical space, and the design has to work in a multi-tiered theatre."
Video as shown on-stage on two 10ft x 7.5ft
Hudson says he welcomes the opportunities offered by PSL's wide-ranging skill-set and its massive inventory of technical equipment. With the mainstream corporate sector in his sights, he plans to co-ordinate the company's sales approach, emphasizing the 'one-stop shop' capability that is unique to PSL.
(Lee Baldock)
(Jim Evans)
Kees Frijters, Rosco vice-president of European Operations, said: "Rosco is currently forging ahead with significant growth across a number of markets in Europe. Steve's sales experience and current relationships in the industry will be of great benefit to this growth. He will work closely with Ron Knell, our sales manager for the UK & Ireland and their combined ac
"The plan is to make a couple of articles available each month in an audio format," says Falconer. "Like the text archive I maintain on mikefalconer.net, the articles that will be part of the podcast will have been previously published; however, there may also be the occasional unpublished article." The individual MP3 files are also available for download from mikefalconer.net for users who do not wish to use the podcast.
Falconer has had articles published in industry trade magazines Lighting Dimensions, Lighting & Sound America, Lighting & Sound International and Projection Lights and Staging News.
Full details of Falconer's podcast and links to sever
After five years of being an integral member of the team, Chris is to move on to new ventures. Andy Walters, Head of PixelRange, said: "JTE would like to thank Chris for all his efforts over the years and wish him every success in the future."
Chris Ewington states: "I would like to thank the whole team at JTE for their hard work in helping to realise the PixelRange and I wish it continued success."
(Jim Evans)
Amongst the technology behind the exhibits are three Martin MAC250+ moving heads that can be positioned and controlled by a computer using the industry standard DMX protocol. "Multimedia developers ISO wanted a visitor-controlled trackball to move a spotlight in realtime over a projected map of Wales," says Adrian Ward, manager of Signwave UK. "We love a challenge and after a heavy period of research and testing, we showed that we could precisely position the spotlight on the map using custom software, and give the developers of the multimedia software a way to control the light in their code."
Signwave developed its DMXBridge software to bridge the gap between a visi
The most recent shows to turn to VSFX are the new Broadway production of Andrew Lloyd Webber's The Woman in White, and the epic new stage production of The Lord of the Rings being produced in Toronto. Both productions are being lit by lighting designer Paul Pyant who also made extensive use of VSFX moving clouds on the London production of The Woman in White - despite the presence of a number of video projectors on the show.
White Light has supplied six VSFX units to The Lord of the Rings, and 14 to The Woman in White via the show's lighting supplier, Hudson Sound & Light.
First released in 1990, and updated to include built-in DMX co
"Adding a creative dimension to LED technology attests Barco's technology leadership in the international events and architectural lighting industry. Most of the products have been developed in close partnership with leading show designers and can now be offered as a true solution to the market. Let's break the mold and unleash the creativity!" comments Stephan Paridaen, president of Barco Media & Entertainment.
A MiSphere consists of 4 full colour high performance LEDs that reside inside an opaque, light-defusing capsule. With 360-degree viewing angles, and the ability to play both full video & data, the MiSphere bridges the gap between existing video and lighting p
The MAC 2000 Performance is the main profile spot on the show and Watson uses its graphical features extensively. "I love the Performance fixture mainly due to the animation wheel," Watson stated. "It enables you to give such a fantastic direction to the energy and light you're using. We use that quite a lot, probably more than we use gobos. It tends not to be spectacularly dark when we start the stadium shows - a lot of the time you don't see the beams right at