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The Grant is valued at $50,000 and consists of a variety of Martin fixtures and control products including the Martin ShowDesigner virtual software design system and Martin Lighting Director tracking system. The Grant does not stop wit
The 50 metre wide, seven metre high screen was used to show a specially commissioned film directed by Robert Butcher and Liam Lyons with a score by Jonathan Goldstein and produced by HP:ICM, in front of this screen was a huge water ‘lake’ which concealed submerged water and pyrotechnic effects which accompanied dynamic moments in the film; the roof supported a comprehensive lighting system and was covered by a 35 metre diameter fibre
Satisfied customers already include Marquee Audio who have used Duracat for a recent theatre installation, and rental company SSE who were delighted with every aspect of the cable's performance in a live envir
Lightfactor also ran courses for the LDR range of theatrical lanterns and SGM moving lights from Italy. On the sound front, courses on Zeck Audio products from Germany and Apogee Sound Inc products from the USA aroused considerable interest. Lightfactor's MD Paul de Ville tol
At the LDI Awards Ceremony Martin won ‘Product of the Year Lighting/Entertainment, Most Promising Prototype’ honours for the TracMAC mini, an easy to operate followspot luminaire that drew a lot of attention from visitors. Mach speakers was awarded the ‘Product of the Year, Sound, Most Promising Prototype’ for the Mach ViroStation
A section of one of the halls was separated via drapes to create the main theatre. PSL provided the main staging and 900 feet of mini beam truss suspended from 38 half tonne electric motors to create the various lighting effects the show required. This involved using over 36 moving and 180 generic lights, including Studio Beam PCs, the latest in wash lights and Cyberlight Turbos
Hersey and his assistant Jenny Kagan worked closely with production designer John Napier to create the setting for the story. Originally developed for the show's New York opening, the six and eight lamp DHA DLCs provide an intense sheet of light, controlled by a dedicated computer providing the facility to adjust the tilt, angle and colour of each individual 6' section on cue during the show. An
The company doesn’t dumb down Shakespeare in an attempt to make it popular or trivial, rather it reworks his canny psychological takes on human behaviour and intense storylines into a relevant and contemporary context. To add further appeal, the company also chooses to perform in non-conventional spaces.
Since 1996, Creation has performed its summer season in the grounds of Magdalen College School, Oxford. The stage area backs onto the natural fork between two arteries of the River Cherwell, and this constantly in-motion backdrop can include anything from screeching wildfowl to walkers, cyclists and inebriated students on evening punting trips! Creation’s first
West Design commissioned Visual Elements and Spirit Design to illuminate the exterior facade of the cinema and, in turn, Mike Townsend approached Fourth Phase to supply the lighting equipment. As the cinema's fascia decorations had been painted with UV paint, Fourth Phase provided 30 Mac 600s, together with eight each of Studio Due’s City Colors and City Beams, used alongside a substantial quantity of conventional lighting to create a striking backdrop for the film's premiere. The long-awaited fi
Production managing the event was Mick Kluczynski of MJK Productions. "It was definitely the best MOBO Awards ever - the show has finally grown up, and I really enjoy working with the team. This year we had a new director, Nicky Parsons, and new producer, Lisa Chapman, with a 3,500 live audience. In spite of the events in America, we managed to retain most of the artists - only Luther Vandross pulled out."
Sound contractor Britannia Row decided to take the unusual step of
John had played a key role in Bytecraft's development and positi
Link's managing director Assunta Fratocchi adds: "Link has built its reputation by observing and driving the technological evolution of equipment used for system interconnection. We are now implementi
Birmingham-based Laser Hire, who were again appointed main audio-visual contractors, this year hired in a Christie Digital Systems' X4 Roadster from a local partner trading partner, AT Communications, to present a spectacular water screen projection over the lake. Laser Hire first delivered laser and lighting back in 1989, but according to Mike Kinsella it has only been the last four or five years that the event has developed into its c
David Snipp, Stardraw’s managing director and head of development, described some key elements: "This code has been under development and evolving for eight years so it’s very robust, reliable and above all, fast. With Stardraw Lighting 2D we've added a lot of advanced features and implemented a subscription-based philosophy, in line with Stardraw Audio and Stardraw AV.
"As Atlanta's draw continues to grow, LSD/Fourth Phase wil
Retaining the ease of programming which made the CP-10xt such a world-wide success, it takes only seconds to learn how to enter a cue, create a chase, and construc
Lowell Fowler, founder and chairman of High End Systems, says: "Frank was our first CEO from outside our industry. He showed us a lot about the business of business as a seasoned professional with a very solid background. We showed him what we like to do and he helped us become more profitable doing it. In that process, he built great respect for (and from) our customers and the other players in our unique business. I think he truly learned to like what we do, too. High End is ha
Colour and intensity can be controlled for various colour presets with colour sequences also controllable. With the Alien multi-driver unit, it is
Architect Tim Foster set about fulfilling Boizot’s dream of recapturing the splendour of traditional cinema in a state-of-the-art modern facility.
Strand luminaires, control and networking components form the lighting backbone in the 1,200-capacity art deco auditorium - specified by Northern Light, who won a competitive tender issued by Theatre Projects Consultants. Northern Light also undertook all the house electrical contracting, working with builder Marriot Construction, while for the specialist lighting they reported directly to Peter Boizot’s company, Mistvalley Ltd over the duration of the 10-month contract. The lighting designer on
Andrew Bruce, Autograph's founder and Chairman has co-designed Alice in Wonderland with Autograph's Matt McKenzie. This beautiful family production will transfer to Stratford just in time for Christmas. The Lion, the Witch and the Wardrobe, another RSC musical production, is being revived this winter at London's Sadlers Wells and is designed by Terry Jardine, Autograph's managing director.
While these two musical productions benefit from Autograph's design and equipment rental supply, four other RSC plays are currently on tour with an Autograph sound and communications system. T