"On this consultancy I took a different approach: since this was a stadium for people, not engineers, I decided to let a cross-section of normal people liking this particular rugby football code (NLR) to decide what they liked best. We played them music and h
Stuart Roberts of EMF Technology, which provides bespoke special effects and audio and video displays for major events and local authorities, commented that, to provide the right flame effect for the facility, LPG was the only answer. "We wanted to have the right ambience and an authentic look for the Victorian scene. We also had to en
During the three years since its formation Audio Network has signed up over 100 composers and sound designers and has become established as a leading supplier of music to the UK production community; its music and sound library, comprising over 50,000 sounds, can be previewed on-line at www.audiolicense.net.
Robert Hurst, managing director of Audio Network, said: "We are delighted to welcome Leisure & Media VCT as shareholders in the company and welcome the
For the second year running, working closely with the National Boat Show (NBS), Star Events Group was brought in by the Arena Group to supply ExCeL with a complete temporary facility that was fully available from the first day of the exhibition tenancy. This enabled NBS to concentrate fully on the production requirements. This year's
"I'm sure there isn't an audio provider in the country that wouldn't have been willing to do this show," commented Brit Row director Bryan Grant, "and I'm honoured that Claire Sampson, show producer, asked us. We were able to assemble a really outstanding team of people: crew chief John Gibbon, Dave Bracey and Gary Bradshaw at front of house, Tristan Farrow and Kursten Smith on monitors, Pete McGlynn, Steph' Thompson, Dorus Hummels and Nahuel Gutierrez onstage and Richard Trow, Chris Peters and James Bowyer on system."
The bands all went through the P
Invited by the Tallinn City Government, MVRDV architects and Arup Lighting were asked to find solutions to realise the winning idea - a 'light cupola' above the city. The Light Dome is the precursor to more anticipated installations of a similar nature in Europe, and the design team hopes to install a larger one in London in 200
QSC PowerLight PL4.0, PL236 and PL218 amplifiers drive the main PA, and are fitted with DSP-4 signal processing modules, which add high-pow
"Selection of a suitable replacement desk was a project in itself," commented team leader Ch
Serious Stages was contacted just five days before the final by producers Endemol, after deciding they wanted the stage for the final evictions live on the Sunday. Eight Serious crew, led by Shaun Dixon, erected a standard one-bay Orbit roof system, 12 metres wide by 12 metres deep. The stage was completed and ready for lighting, audio, set and other production elements to commence their get-in on the Saturday morning. At the end of the show itself, the house guests were inte
Following the huge success of the original Sugar Hut in Fulham, London, owners Chris George, Gary Smith and Frazer Donaldson have taken on a 15th century coaching inn in the heart of Brentwood village. With its un
Shiki Theatre Company currently stages an average of seven performances every day of the year, with seven theatres of its own and eleven productions running simultaneously throughout Japan at an
Royal & SunAlliance was keen to stamp its own modern - and lasting - identity on the building for the 21st century. It also wanted an innovative and high quality scheme to reinforce West Gate as a prominent city centre landmark. An additional challenge was that the 'Listed' status meant no signage could be attached to the exterior. Keen to embrace new technology, Royal & SunAlliance decided that lighting was an inventive solution that would also crea
Harald Spilker, sales and marketing manager of Bocom GmbH, said: "The success and on-going high performance of the Hotel Anna solution underlines the benefits of Luxeon LEDs. Creatively we were able to achieve far greater control and dynamism over the lighting solution, while the minimal maintenance and on-going cost savings provide the hotel with a high-performance, cost-effective installation." Bocom is also responsible for the 35,000 Euro lighting refurbishment of the Rhein T
"What I liked about the HD2K was the scaler," commented Franz who, as a BAFTA judge, has been using it to screen BAFTA award entries prior to casting his votes. "It ramps up any input of a lower standard to HD and produces an image that's outstanding and virtually pixel-free to the naked eye." The HD2K has
"Ampetronic performed a site survey at Easter of 2003," says Stage Electrics' Jonathan Porter Goff. "We'd worked with them before and we were very pleased to be workin
Blackout's project manager Chris Brain collaborated with GSP's managing director Emma Gold and GSP's appointed set designer to dress the venue to their specifications. The set recreated in minute detail an opulent theatrical environment in the film's signatory red and black colours. To set the scene an eclectic mix of props was sourced both from the movie and GSP's creative team. The stage was crowned by a 5 x 8m 25,000-crystal chandelier supplied by Swarovski. As a finishing touch 1,000 black-edged red roses, supplied by Jayne Copperwaite, were suspended on fish
The BSS processor pair collectively interfaces with nine Crown CTs 600 amplifiers, all outfitted with IQ-PIP-USP3/CN cards, which drive approximately 30 JBL Control 30 loudspeakers in the primary and secondary arenas, clubhouse,
Due to the size of the Biome, Mike Mann, Autograph Sales' project consultant, together with Lucy Gaskell, Eden Project's consulting technical manager, selected the 13 cabinets from EM Acoustics. EMS-81s, an EMS-
Following the success of the original Sugar Hut in Fulham, London, owners Chris George, Gary Smith and Frazer Donaldson have taken on a 15th century coaching inn in the heart of Brentwood village. With its unique galleried courtyard playing an important role at the heart of the venue, the old hotel is now home to six different themed clubrooms, bars and restaurants. As a whole, the Sugar Hut Village holds nearly 900 people, dispersed through the Karma Bar, the Krug Suite, the Gallery Bar, the main restaurant, and other areas.
Having worked on the Sugar Hut in London and its s
Daniel from Schall & Schein commented: "LED lights have high efficiency, their effects are produced through RGB colour mixing, they radiate homogeneous light and are absolutely lightweight. The whole design of the set was designed so the LEDs could be controlled in c
Gateshead Council is extraordinarily keen for the arts to be inclusive, encouraging as many people as possible to be involved. The purpose behind The Sage is to mix education and inspiration, combining state-of-the-art facilities for hands-on learning and performance spaces.
Beneath the metal and glass outer shell there are six separate buildings, which contain four main performance venues, a 26-room music education centre, ExploreMusic (a high-tech hands-on education facility run by Gateshead Libraries), a shop/box office, five front of house bars, a café and brasserie.
Interestin
For the 2500-capacity theatre, Audio Uno supplied a GEO S tangent-array system which was configured in left and right arrays of eight GEO S830 cabinets each side. Two CD12 sub-bass bins were included on each side of the stage, and
Designed by John Fiorito, owner of OHM Productions and installed by his associate Jeff Darby, the EAW Avalon system was conceived during the renovation stage of the classic 1890s building. "Because we entered the renovation stage early, we were able to design the floor plan around the Avalon system itself," explained Fiorito. "As a result, Fur's Avalon system is cleverly integrated into all areas of the club whilst not detracting from the meticulous décor."
The main floor, which hosts the stage and dance flo
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