This initiative meant seeking graduates looking to expand their technical knowhow and gain extra experience within the busy events environment and also in some cases, individuals willing to re-locate. The search to hire interns began before the summer to coincide with the break for college students locally and i
The technical staff decided to look for a solution which could meet their many requirements, namely a versatile console on which they could programme complex cue lists even when programming time is very short, or that was ideal when the operator has to improvise a show in a professional manner. Therefore they decided to invest in the dot2.
Intuitive operation is at the core of the dot2 philosophy, and with a comprehensive set of connectivity hardware on all console models, the dot2 range is suitable for most theatre, touring, corporate, t
The MA2 was busy across August as the Scottish capital welcomed the world to its Fringe and International Festivals. The desk was used on shows at the Playhouse theatre and Magners Summer Nights concerts in Princes Street Gardens.
Headline acts James, Flaming Lips and The Waterboys all specified MA2 and Blue Parrot supplied a robust control system with a fully tracking back up MA2 onPC fader wing. The Flaming Lips show also saw the company provide a stunning 96 panel 5mm pitch video backdrop using their Chauvet PVP modular system. The band and crew were particularly impressed by the brightness
Director, Sam Gold - who took the 2015 Tony for Direction - transformed the original 2013 off-Broadway proscenium format to an in-the-round staging, with the intention of achieving more intimate and immersive engagement with the audience.
Sound designer Kai Harada, notes, "It was challenging for all departments, and for the cast, but the show took an incredible leap forward. Now you really feel you're part of the family, watching Alison's past come to life. It is an immersion rather than a presentation.&qu
The school used the fixtures on their musical theatre produciton of Big City Dreams, performed by students on its MA Music Theatre course. The production ran over three days in Central's Webber Douglas Studio, a black box studio theatre with fixed lighting catwalks which allow for flexability, both in terms of design and staging.
Technical manager Phil Rowe says: "The show was set in traverse, and its divised nature required a broad colour palette. But our fixtures' scrollers were coming to the end of their life, which gave us an opportunity to try some LED fixtures, ahead of the new uilding which is being planned, and which will be largely
The Book's The Thing - A new theatre company hopes to reinvigorate local libraries through theatre. Librarian Theatre will tour productions to libraries across the UK in what founders Tom Cuthbertson and Kelly Eva-May, who are both actors, say will be the first touring company dedicated to visiting regional libraries. Its first production, an adaptation of Hamlet called The Book'
SiPA's Craig Bennett reported that "over 70 representatives of all corners of live production had come together over the last year to uncover 10 shared goals, formed from stories from across our industry".
The initiative encompasses issues around equality, well-being, education and development, waste, procurement, renewable energy, transparent reporting of environmental and social impacts, fair pay and resilient industry economics.
Leading the ratification of the goals by industry figureheads, Professional Lighting and Sound Association (PLASA) CEO Matthew Griffiths said: "We need to move quickly to finding reso
One of Novus Leisure's approved suppliers, Middlesex Sound & Light (MSL) specified CDD as part of a major overhaul, having already fitted the manufacturer's new Coaxial Differential Dispersion technology in several other high profile sites.
"We had also carried out a number of other recent refits for Novus using Martin Audio's AQ range, which we were great fans of," said MSL project director, Darrel Olivier. "But this high profile venue provided the perfect opportunity to debut the new CDD. In terms of aesthetics and sound quality CDD is a definite improvement, offering wider dispersion, as we
The Advocate, located in Berkeley's chic Elmwood neighbourhood, combines soulful northern Californian fare with the Meyer Sound variable acoustics to create a multisensory dining space in which guests can converse easily over a comfortable background buzz.
Paluska pushed the importance of restaurant sound to the forefront when he installed Constellation in Comal in 2012. "After the success we had with Libra and Constellation at Comal, there was never any question that we would also incorporate them at The Advocate," he says. "It's always worthwhile putting extra effort into making a room sound its best
The respected Bruino, Turin-based distributors are now responsible for the entire HK Audio range, from portable to professional live sound to install solutions, covering products from the diminutive Lucas Nano crossover PA through to the new LInear 5 LTS A long throw system and the Linear L SUB 4000 A subwoofer.
Gabriele Capogna, CEO/purchasing manager at Gold Music, said, "It's an honour for us to be responsible for HK Audio across Italy, and we have big expectations for the brand in the growing Italian marketplace. We're confident that we can help grow HK Audio's popularity and profitability together, and we're looking forward to a long and successful partnership."
Andreas Mayerl, HK Audio's international market manager,
With local chapters on virtually every continent, the conferences entail a full production of inspiring music, speakers and panel discussions. Brought on to heighten the conference experience, production designer Nathan Baugh (46 Entertainment) and lighting designer Craig Rutherford (Blueshift Design) created a full lighting, audio and video design using the live event production team at Elite Multimedia.
"One of the biggest challenges in the design was the differences in the venues," says Rutherford. "We had to have a design that could be manipulated to fit as needed, but then we still had to have the right production elements to support the ba
Entec's Will Wright project managed and co-ordinated all the prep work for the lighting department and Mark 'Magic' Ellis-Cope did the same for all the sound elements.
Entec's account handler Noreen O'Riordan commented, "When Richard Ames requested that Entec quote for both sound and lighting equipment, I knew that this would be a show ideally suited to our equipment inventory and skills. Having one supplier really benefitted the logistics of a four band arena tour - without any tech or rehearsal day.
The evening took place in the Hintze Hall, with 220 invited guests in attendance. As with most award ceremonies, the museum wanted to implement a particular theme for the occasion. Alice Beer, Events and filming manager at the Natural History Museum, comments, "Each year we choose an image from the finalists to establish the theme of the ceremony. For 2015, we chose the image of a pangolin.
"We were in Port Douglas on Thursday, Townsville on Friday and Canberra on Saturday," reported Alex, "and everywhere I go I ask for a Hog and nothing else. Björn Again own a HedgeHog4, we often pick-up a HedgeHog 4N, and I prefer to use a Hog 4. Staying in the Hog family is great because I can go from one platform to the other and not lose anything. I can also take a HedgeHog home for pre-programing and run the show on a Hog 4."<
The tour runs for five weekends in the US over October and is based on the concept of playing smaller and more intimate spaces on the touring circuit, allowing Lambert - known as a great communicator - to be close to her already loyal audience and reach out to potential new fans.
Chris has worked with the prolific and successful star since she opened on a section of Keith Urban's 2005 world tour.
He decided to specify 20 x Robe BMFLs Spots, 24 x Pointes and 19 x LEDWash 600s for his primary moving lights to give plenty of versatility and scope.
The BMFLs and Pointes are spread out al
Lighting for the three Brazilian dates in Rio de Janeiro, Sao Paulo and Porto Alegre was supplied by leading Latam rental company LPL who are based in Sao Paolo and featured a total of 137 Robe ColorSpot and ColorWash 2500E ATs.
This was a continuation of the ongoing 2014-15 world tour which had visited North America, Korea, Japan, Australia, New Zealand and Europe. The band wanted their enthusiastic Latam fanbase to experience the proper touring QAL experience, so brought their full production including Q-shaped set and ramp, sniffer kabuki, smoke and cryo machines and backline, sourcing the lighting, LED screens a
The audio system for the new stadium was designed and installed by Art Ramos Studio. In addition to planning for harsh winter conditions, Art Ramos Studio also had to design the system to meet the stipulations that loudspeakers could not be pole mounted in front of the seating and the
South China House of Technology Ltd (SCHOT) was enlisted to design and install the new processing arrangement, which was timed to coincide with a refurbishment and expansion of the main club house and restaurant areas. The Symetrix Solus DSP was ultimately supplied by regional distributor Soundclassy, whose director Chris Fung explains that the system had to fulfil several primary functions.
"First of all, it had to be able to undertake standalone audio matrix and processing duties for the club house and restaurant areas," he says. "Secondly, it also needed to work seamlessly alongside the AM
Designed by Renatto Rizzi, an Italian architect and professor of the Academy of Fine Arts of Venice, the new venue is located on the site of a 17th century wooden playhouse known to have hosted fencing lessons, animal fights and theatrical performances from the early 1600s. It's not by chance that Shakespeare's dramas are recorded among these; the Shakespeare Theatre is a testament to the cultural link between Gdansk and London.
Although the building appears immovable, with its heavy win
"I really liked the Platinum FLX and Elation should be commended for this fixture," lighting designer Nook Schoenfeld stated just hours after Sheryl Crow's performance. "Being the first time anyone had used these fixtures I had to get a rushed fixture library to use in my console. So I was actually unsure of what I would see on stage for that evening's performance as I wrote the entire light show in the light of the California sun. But here's where
For the last 10 years, lighting, film, TV, exhibit, concert, theatre and other designers have been exporting their light plots, scenic designs and event models created with Vectorworks Spotlight software to ESP Vision to cue and visualize award-winning experiences. This announcement creates a path to further enable such workflow collaboration.
"This purchase fortifies Vectorworks' global market leadership position and signals our continuous commitment to the entertainment design industry at a time when visualization capabilities are becoming a more mission-critical, cost-effective means of cueing a show in advance,"
Greg Wood of Stage Electrics commented: "We continue to offer our London customers our full range of services, we move a huge amount of hire equipment and sales goods through the London operation each month and having a central London premises to coordinate this is an important part of our strategy.
Stage Electrics provides audio, lighting, staging and video equipment to a wide range of theatre, events, broadcast and corporate clients in and around London. The London operation carries stocks of consumable items, including a comprehensive range of lighting filters, tape and batteries ava
Multishow is part of GloboSat, the cable television arm of Globo TV, Brazil's biggest television channel. Presented for the fourth year by singer Ivete Sangalo and actor Paulo Gustavo, PrΩmio Multishow 2015 was enjoyed by a huge television audience. The live and broadcast audio was taken care of by São Paulo-based Epah! Estúdios, in collaboration with Globosat's engineering department.
The brief for Epah! Estúdios was complex and included providing the PA and monitors for the ceremony, which took place over three stages; broadcast mix in stereo and 5.1; 128 channel multitrack recording; 'master room' and all internal
The lighting was operated by lighting director and programmer Roland Greil using two grandMA2 full-size consoles and four MA NPU (Network Processing Unit) which were controlling nearly 130 moving lights and, amongst others, 315 LED panels.
Says Roland, "It was our intention to have a straight and elegant design that could provide theatrical as well as rock'n'roll looks. Therefore we focused on using only three different types of moving lights, amongst them Clay Paky Mythos and Philips Vari*Lite VL3500 Washes. That offered the flexibility we needed. Furthermore, the grandMA2 system was a great choice and proved once more its advantages and power, especially when adapting the show to various different lighting systems in the gi
