StoreStreams brings together the music catalogue and network intelligence of XYZ Stream Hosting, a specialist in live, multiplatform content delivery; with end point hardware supplied through LineQ, a distributor specializing in networked AV equipment. LineQ will supply Ecler Sound amplifiers, Cornered Sound loudspeakers and media players from Barix, an IP audio pioneer with hundreds o
With the goal of bringing its marketing power to the street while elevating the quality and breadth of the organization's digital assets, Playhouse Square is engaging audiences with a series of Barco advertising kiosks to promote its robust line-up of entertainment. The United States' largest performing arts centre outside of New York City, Playhouse Square has recently undergone an architectural transformation, with sponsors breathing new life into its historic theatre district to attract both old and new generations to the live performance hub.
Chief creatologist Danny Barnycz was engaged to con
He arranged a massive farewell tour in 1990, which was such a huge success ... that he decided to continue his musical career to the delight of his fans both in the Czech Republic, Germany, the many other ex-Soviet Bloc countries where he also has a huge following as well as his international fan-base. He has also become an accomplished painter.
Robe was proud to participate in Karel Gott's latest arena tour at the end of 2014 which featured eight high profile concerts, five in
Among the equipment lighting designer Andreas Fuchs chose for the production were 53 Alpha Profile 1500 STs, 18 Alpha Profile 800 STs and 30 A.leda B-EYE K20s, all made by Clay Paky, along with one grandMA2 light, one grandMA2 ultra-light, two MA 8Port Nodes, two MA Network Processing Units (NPUs) and 26 12 x 2.3 kVA MA digital dimmers.
Fuc
Working with Cuningham Group Architecture, the architect turned to The MH Companies to create their dynamic new lighting design which consisted of 18 Showline SL PAR 150 ZOOM luminaires, seven Philips Selecon PLprofile1 LED luminaires, and a 250ML lighting control console from Philips Strand Lighting.
"We moved into this site a long time ago and with two services every Sunday and multiple events consistently taking place during the week, we needed a full lighting renovation," began David Dillon, music director, Centennial Covenant Church. "In the early stage
"The new premises are just six miles from our current Egham location, so convenient for staff and no disruption in the service to our customers," said Marquee AV MD, Mark Brown. "The building provides well over double space and is located on a modern business park. Energy efficiency has been a high priority in the new lighting and heating systems we have installed throughout the building.
"The new building has also allowed us many opportunities," continued Brown. "These include the construction of offices with custom-built work stations, a well-equipped system build area, se
Working with One Direction and their creative director, Lee Lodge, XL Video provided 144 Barco MiStrip LED batons which were housed in a custom structure created by design studio, Artisan, as a backdrop for the band's performance of their recent single Steal My Girl. The MiStrips complemented a sea of lasers behind the band, and content for the batons was controlled by two of XL's d3 media servers.
When Take That performed as a three-piece on The X Factor's Sunday night results show, their production director, Chris Vaughan, contacted XL Video to provide projection mapping for a multi-surface stage set which incorporated more than 40 blocks of varying sizes.
For this mapped projection,
Award-winning architectural lighting designer Paul Nulty's Anamorphosis, architectural lighting designer Joe Vose's Back to The Future and artist/designer Derek Goldsmith's 321 Zero have all reached the final round. The three designs artfully reflect the brand's significant history, whilst giving the iconic luminaires a new lease of life.
"The old Strand designs are classics so it was interesting to see how people responded to the challenge of upcycling them, whilst retaining the heritage of the original products," says Philips lighting application design lead and competition judge
"Everybody was extremely happy with the performance of Leo and Lyon, both on stage and throughout the audience," reports Rivera, who first used Leo at a stadium concert in Peru. "The overall sound was very transparent and open. Vocal intelligibility was impressive, and the separation of instruments made it easy to achieve clarity in the mix. Also, the 1100-LFC units are remarkably musical in the low end. The system did more than we expected it to do.
"Using another system on our last arena tour, we had challenges with sound bleeding back onto t
Since its first performance at the Royal Court Theatre in London 40 years ago, more than 20m people have seen Richard O'Brien's bizarre story about a newly engaged couple, the mad Dr. Frank-N-Furter and his artificial creature, Rocky Horror.
For the German tour, lighting designer David Howe specified a rig mostly comprised of fixtures from Martin Professional, including MAC Viper Washes, MAC Viper Performances, MAC Auras, MAC 700 Profiles and Stagebars.
"The lighting designer is always the guy who has the wild ideas," said Howe. "However, rather than creating an overwhelming light show, I wanted to draw the audience's attenti
Gold Room is a chic, elegantly designed club with a reputation for high-class events and an unbeatable party atmosphere. Unlike any other nightspot in Atlanta, the team behind the venue sought to maintain its exclusive reputation with a light show that was not only visually stunning but low maintenance and energy efficient as well.
When Scott Waterbury at Atlanta Sound & Lighting was asked to design an elegant 4D environment for the 7,500sq.ft club, he opted for a mix of Elation and ADJ lighting gear to give th
Having acquired ENTECH in 2004, ETF successfully operated the event for some time and also launched a satellite event, ENTECH-CONNECT which has run successfully in Melbourne in alternate years to the main ENTECH trade show in Sydney. ETF have advised that the forthcoming Sydney ENTECH, scheduled for July will now not proceed.
CX Network operates the CX Summer Roadshow, a touring 'pop-up' trade show. They plan to re-name the Roadshow as 'CX presents the ENTECH Roadshow' for 2016. CX Network head Julius Grafton confirmed today they have no intention of running a traditional trade show in any form.
ETF Managing Director, Gary Daly said: "We are pleased that the CX Network will continue with ENTECH. They an integral
Joining Dickinson in making the evening a non-stop avalanche of lighting artistry were Jon Kusner and Noah Mitz as lighting directors; Andy O'Reilly, Harrison Lippman and Patrick Boozer as lighting directors/programmers; and Mike Berger and Madigan Stehly as associate lighting direc
Lighting designer Aaron Kovelman (aka Ronny RedRocks) is having fun keeping pace with Pigeons Playing Ping Pong's improvisational performances with the help of eight Rogue R1 Spot fixtures from Chauvet Professional.
Kovelman worked with 4Wall Entertainment Lighting to include the powerful LED spots on his client's national tour for reasons both practical and passionate. "For sure, there are a lot of things about the Rogues to like, and 4Wall helped con
The stage consisted of three LED screens at 5.4x2.3m each, resulting to an impressive 17m wide LED backdrop. The three LED screens worked independently to showcase graphic animations, video clips and live camera footage, and together to display moving content across all three for dramatic effect. Screen content was driven by two Avolites AI media servers (main and backup) distributing the content across three separate outputs. Other sources included VT playback from various Macs and
Martin Kempton has lit the show for a number of years, with the help of Richard Martin Lighting (RML). The set and grand design of the show doesn't make it easy to make changes or freshen up the look. However when RML announced last autumn the investment in the new Vari-Lite VL4000 Spot, Martin knew this was the perfect new fixture for him.
"The VL4000 Spot includes all the tools needed to create dynamic and useful lighting on any stage. Every aspect of the luminaire has been designed with performance in mind," he says.
With low ambient noise, high lumen output, amazing optics and a full feature set anythin
Parkway Electric & Communications of Holland, Michigan provided the design and integration of the new system, which replaced an outdated PA rife with hot/dead spots and uneven low frequency coverage. The installation and commissioning process took Parkway only four days, which also included repurposing the previous rig for the church's youth facility.
Today, the main sanctuary system features left and right arrays each comprise
Adlib's George Puttock, Sam Proctor and James Petch joined the band's engineering duo of Chris Leckie at FOH and Ilias Andriantos on monitors for a rousing three week tour where all the energy and passion of the Kaisers' renowned live performances was exceptionally well received by the public.
Working alongside Chris and Ilias are the tour's production manager James Hennin and tour manager Liam Rippon.
The sound system chosen was L-Acoustics. The venues ranged from London's 16,000 capacity O2 Arena to many well-known & loved theatres and town halls, culminating in a homecoming gig at Leeds Are
For Xerocon's second year in the UK, production agency Lipfriend Rodd International Ltd once again engaged Creative Technology (CT). In addition to providing the equipment and crew for the main conference, CT also supplied the three breakout rooms and the gala dinner.
In the main room a super wide screen measuring 42.5m by 3.5m was created using seven flown Panasonic DZ21K projectors. The internal warping and soft edge blending capabilities of these projectors produced one giant seamless image.
As well as displaying presentation graphics, the screen relayed live footage of the speakers captured via
Front of House engineer Tom Wiggans joined the band in the summer, part-way through the tour. A DiGiCo user for around 12 years - including working with UB40, Squeeze, Wet Wet Wet and The Cranberries - Tom's debut with Bombay Bicycle Club came on festival shows, before he used a DiGiCo SD9 on the band's US shows. He then chose an SD10 for the UK tour.
"One of the advantages of professional sound these days is how much preparation you can do," he says. "I was able to get a multitrack recording of one of the shows, which I listened to on my laptop and figured out what was coming from where, because t
In addition to starring as Luther and Nelson Mandela (in Mandela - Long Walk to Freedom Elba is also a rapper and DJ. And tasked with launching the new Jaguar XE by driving the new sports sedan personally from London to Berlin, Elba later co-hosted a party behind the decks at the Umspannwerk Alexanderplatz, alongside Noah Becker.
It was here that Schletter set up his impressive lightshow, working for production company, die veranstaltungsmacher, in cooperation with Norbert Zitzmann Communications, the brand communication specia
Selected by Mendes' production manager John Baker, wired and wireless versions of the d:factos were used for vocals by Mendes, will.i.am and the three female singers who performed centre stage for their roughly 45 minute set. Baker also selected DPA's d:vote 4099 Instrument Microphones for a variety of the band's instruments.
"My goal was to spread the D
Jimmy Napes (aka James Napier, Class of 2004) was both songwriter and producer whose work contributed to Sam Smith's BRIT Award nods for British Breakthrough Act and British Global Success, as well as nominations for British Album and British Single. Other Alchemea alumni represented at the BRITs include Steve Sedgwick (Class of 2002), house engineer for British Male Solo Artist nominee Damon Albarn, and Robbie Nelson (Class of 2001) who engineered Morning Phase by International Male Solo Artist nominee Beck.
Earlier this month at the 57th Annual Grammy Awards, Napes' work was also acknowledged as Smith took home the prestigious prizes for Record of the Year and Song of the Year, as well as winning Best New Artist
Maximilians, the Siberian restaurant and venue where Russian rock band Chizh & Co performed, is equipped with a small array of fixtures including projectors, LED Wash Zoom fixtures, LED spots, strobes and smoke machines. Zhivanov didn't need any additional touchscreen monitors or gear to control the lighting fixtures. He simply connected the M2GO to his laptop.
"The rock concert focused mainly on slow compositions, so I programmed scenes filled with warm colours and smooth effects", said Zhivanov. "The
