HOME evolved from the Library Theatre Company, from which actors such as Anthony Hopkins, Patrick Stewart, Alan Rickman and Martin Jarvis have gone on to fame. When Manchester's Central Library was renovated in 2010, the company lost its intimate 312-seat basement venue of 58 years, and has since presented in a variety of unorthodox spaces, such as the productions at the Victori
Included in the technical refurbishment was a brand new stage, a complete overhaul of the entire stage electrical system, the installation of a new flying system and a new stage lift. As most of the productions brings their own sound system and lighting, attention has been paid to installing a comprehensive network for video, sound, data, dimmers, patch panels and lighting looms. Cable used included Van Damme Cat 6 Data and Digil
Core MD Phil Ion comments: "This shows we are serious about promoting our brand in the American market, which has seen a steady increase in business over the last two years."
In that time, Core has developed relationships with several leading American event lighting companies who are investing in their 'Made-in-the-UK' products which has brought a raft of innovative and successful fixtures like ColourPoint to the events market.
The US operation is also part of Core's overall medium-term expansion strategy, which up until now has been focussed on Europe.
Says Ion: "We're generally experiencing a surge in demand for quality products, and the 'Made-in-the-UK' marque is a real advantage.
Consultants Duke DeJong and Todd Gathany of CCI Solutions spent two days with the senior leadership and programming teams at Pantano, working with the church to define their vision and walk through their potential new lighting and audio systems, describing how each could help them achieve their goal. For the lighting side of the upgrade, CCI Solutions added a collection of LED stage lighting from Chauvet Professional to the church's system.
"Pantano was already doing s
Companies already signed up to exhibit at the show include: Altman Lighting, Group One, Avolites & Elektralite, Elation Professional, ETC, GLP, Harrington Hoist, Heartland Scenic Studios, IATSE, PixelFLEX, RC4 Wireless, Stagecraft Institute of Las Vegas, Technologies for Worship, TMB and Ultratec. Companies interested in exhibiting are advised to move quickly to secure their spots, as applications are coming in quickly.
Running alongside the show is the highly acclaimed PLASA Professional Development Programme, which offers two days of free educational seminars and workshops. The program featur
Jeff - whose CV includes imaginative lighting for several 'alternative' bands including All Time Low - presented his first lighting design for the US punk rockers who kicked off their Get Hurt album campaign. He was recommended for the gig for his creative flair by FOH sound engineer Joe Amato, who also mixes All Time Low.
Jeff has worked with Zig Zag on several previous occasions, and they are his rental company of choice for the UK and Europe.
Zig Zag's Neil Hunt says: "Essentially I needed a super-bright fixture to use on large spec shows that often have a high video or bright LED elements. Various fixtures appear on light
Keith Tibbetts serves as the managing director of AI Rentals. The company owns a large assortment of D.A.S. Audio equipment, including 40 Event 210A 3-way active line array elements plus 24 Event 218A powered subwoofers. Additionally, the company owns several D.A.S. Action Series loudspeaker systems, including 12 Action 1
The first day of the contest started with a grandMA2 Advanced User Training course accompanied by a lecture by renowned lighting designer Danny Nolan in the evening. During the lecture Nolan illustrated his personal approach to designing a show.
The following day focused on the actual contest, starting with the 29 participants presenting their projects which had been programmed using the MA 3D software. From here, 12 participants made it to the second round on the following and final day. Throughout this final day, the contestants could illustrate their show on a real stage equipped with Clay Paky moving lights.
After this final presentation, the winners were announced: 1s
Staras rents sound, light and audio-visual systems and provide technical production services for events in a diversity of fields with 30 years of expertise. Staras closely follows the global trends and technologies to ensure outstanding events. Staras is already experienced with Clay Paky's spectacular lighting solutions with their previous purchases.
Morever, Tarkan's production team or
The PBS-special featured Michael Feinstein and a 17-piece big band, along with June Squibb, Christine Ebersole, Cheyenne Jackson, American Idol Season 11 runner up Jessica Sanchez and the noteworthy tap duo, the Manzari Brothers, all using DPA microphones. Workin
The theatre presents a variety of productions, from rock 'n roll to ballet, drama, corporate events, film and opera as well as numerous UCL student productions. However it is perhaps most well-known as a comedy venue, one which has seen performances by Jo Brand, Mel And Sue, Eddie Izzard, Lily Savage, and John Shuttleworth among many others.
More recently comedy A-Listers Jimmy Carr, Ricky Gervais and Harry Hill have recorded shows there for DVD release. With almost 550 seats and with completely unobstructed views of the stage throughout the house, it manages to pull off the difficult trick of combining intimacy with the atmosphere that is only generated by a certain audience
LabeLive, out of Franklin, Tennessee, has provided full production and stage design for the artist's current Anomaly tour, which features a rig of Elation Platinum Wash 16R Pro and Platinum 5R Extreme moving heads, along with Elation Cuepix Blinders. LabelLive, who operated for five years as live production company Sixdegrees Touring before launching under the LabeLive name in May, support a f
The experience liberated a thousand petrol-head fantasies and gave everyone - at all levels of driving ability - a fantastic, all-action day of speed, skidding and sliding to remember. Colour Sound's Haydn Cruickshank, himself a bit of a drift exponent, illustrated first-hand the potential adrenaline rush and sense of achievement to be gained from this exciting motorsport.
Over 50 guests joined team Colour Sound eager to learn from the expertise and audacity of instructors from Learn2Drift (L2D), who taught everyone the basics of how to control an out-of-
The first event of the evening occurred in The Rose Theatre, lit by LDG president Steve Brill. The one-hour, panel show was broadcast live and hosted by CNBC's Jim Cramer, host of Mad Money. "Due to several variables we opted to use VL 3500s for much of the heavy lifting," said Brill. One was the shutter capabilities, which allowed granular control over the lighting of each panelist. "They are also very powerful units, allowi
A truly iconic show based on a book written by Michael Morpurgo, War Horse was only designed to run for a couple of weeks . . . then they did it again and again and again and it's currently in its seventh successful year on the West End in London. The journey has seen the horses redesigned - the life-sized puppets were created and built in Cape Town by Handspring Puppet Company - and the early days saw performers receiving hours of physio every day. As the show was very physical on performers, more actors were brought in to ta
The play covers the two years that Anne Frank and her family hide in an attic in Amsterdam, as well as some events prior to their secret life and following their discovery and deportation by the Nazis. The intimate and powerful production not only utilises Anne Frank's own words from her diary but also plays out against a life-size backdrop of the Frank family's flat.
The audience views a series of projection screens that part to form a proscenium at various times
At the Forum in Copenhagen, Change Lingerie introduced the Intimate Britney Spears line in the presence of the artist, as well as 5,000 attendees. Nordic Rentals was selected to create an astonishing fashion show.
As a background to the catwalk and stage where lingerie models and dancers performed, an ultra-wide curved screen of 44m x 5.5m was utilised. A total of six Panasonic DZ-21 video-projectors were blended to provide the panoramic curved image. The entire show was built in a Watchout 5 system, with eye catchi
The festival's Hard Main Stage incorporated a Mayan Pyramid design that was conceived by designer Charley Guest of Stage Tech of Santa Fe Springs, California, their fifth year doing the event. The scaffold structure was 210' wide and 70' tall and was accentuated by using two Elation video products throughout the structure's facia. The Hard Stage setup featured Elation EPV 375 HO LED panels that were specified, says Charl
That philosophy extends to sound reinforcement as well. Creager worked with Tim Ogletree at MediaMerge (Chelsea, Alabama) to design a zero-compromise system that would be appropriate for Iron City's wide footprint. Rather than a line array, Creager and Ogletree designed a point-source system using Danley Sound Labs' patented Synergy Horn loudspeakers and Tapped Horn subwoofers.
Although sometimes sceptical of the system's relatively
It was the first time a full motion video has been projected onto this landmark building.
The song is helping to raise funds and awareness in BandAid30's ongoing fight against Ebola.
TPS's Creative Director Ross Ashton received the call on Friday afternoon from Des Shaw at event production company Ten Alps, who had received final clearance from Bob Geldof, on all the permissions to make the high-profile event happen on the Sunday evening in front of the world's press.
Says Ross Ashton, "We were called at 13.30 on Friday, and by 13.00 on Saturday we had started the install. Naturally I was thrilled to be involved.
This event, whose theme this year was 'Shaping the Future through Asia-Pacific Partnership', was very much a showcase for Chinese entertainment and stage lighting brands, providing a great opportunity for the Chinese event technology industry to show its new image and underline how far it has come. And the attendees, represented by the leaders from 21 member countries, were certainly impressed.
The lighting was divided into three distinct sections, and as the leading entertainment lighting company in China, PR Lighting was chosen for its advanced and reliable products.
The first part of the journey was 'The Welcome Pathway' - the road between the Bird's Nest Stadium and Water Cube - which was designed by c
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Having installed the previous PA system around a decade ago, the new sound solution was specified as part of a complete church renovation project.
According to Sound Productions' senior project manager, Peadar Carley, the aim of the new system was to maintain and improve intelligibility using a more architecturally discreet solution.
"The renovation included the installation of new hard wood flooring which was previously carpeted - and with no absorbing surfaces, this meant that the RT would increase to 3-5 seconds. Therefore we needed a speaker system that would provide precise beam steering," he said.
He turned to a pair of JBL Intellivox-DS280s, distributed in the UK and Eire
Aside from its impact on visitor attendance, adverse weather conditions impose huge additional costs on lighting equipment deployment - or rather it did. SGM's LED G-Spot moving head, is not only IP65 rated, making it weather resistant, but also includes an active dehumidification device. This reduces the risk of internal condensation while allowing lighting designers to unleash their creativity to the full - in whatever weather is thrown at them during an outdoor event
In recent months, three major amusement parks in the USA have all installed the G-Spot for their main attractions: Cedar Point in Ohio, Kings Island in Ohio and Carowinds in North Carolina.
Behind these installations is Andrew Strain from Blue Haze Entertainment, whose passion is the entertainment business
The dates are as follows: Wednesday 21 January 2015, Tuesday 17 February 2015, Wednesday 18 March 2015, Wednesday 22 April 2015 and Wednesday 20 May 2015.
The course is held at Soundcraft's Potters Bar, Hertfordshire head office and factory, with an opportunity to visit the factory floor to see the Vi manufacturing process. The exception is the January 2015 session which is hosted by Adlib in Liverpool.
Presented by experienced Vi Series engineer and Adlib director Dave Kay, the training is relevant to the Vi6, Vi4, Vi3000 and Vi1, and also covers the new Soundcraft Realtime Rack plug-in engine.
The course is free and open to engineers, venues, hire, installation and production companies.
For more information and to regist
