KM Productions of Hicksville, NY set up the lighting rig for the Halloween festival, which is put on by RPM Presents (New York). "This is a major event on the EDM calendar," said Kevin Mignone, president of KM Productions. "It's very DJ centric w
The display, which grew in size over time, marked each commonwealth casualty of WWI - 888,246 in total - with a hand-made red ceramic poppy "planted" by volunteers around the venue's exterior. Entertainment and event production supplier White Light has been closely involved in the event, providing lighting, sound, and video support services for the opening ceremony on 5 August and closing ceremony on 11 November (Remembrance Day) as well as providing lighting for the entire poppy display throughout its three-month installation.
White Light managing director Bryan Raven commented on event's significance saying, "The Tower Poppies have
Idee und Klang have an enviable track record of significant projects from the BMW Museum in Munich to the Stategrid Pavilion at the Expo Shanghai 2010 so sound designer, Ramon De Marco was able to understand the requirements very easily. The museum had organised an international competition to select the sound design company and the Idee und Klang proposal was the o
The Brandenburg Gate show, televised live by a number of international news and TV networks, was the highest profile of a number of celebratory elements staged in Berlin over the weekend of 9 November, all commemorating the landmark quarter-century since that tumultuous moment in 1989 when the Berlin Wall metaphorically 'fell'.
The screens glided seamlessly back and for the along the tracks, opening and closing the vista of the Brandenburg Gate for the tens of thousands who gathered to enjoy the party. Performances on the two stages in front of the Gate included German stars Fantastischen Vier, Udo Lindenberger, DJ Paul Kalkbrenner and ma
With distributors from across the region gathering at the Okura Hotel - itself a Tannoy installation - the event gave TC Group the opportunity to communicate information on new and future products, as well as ongoing market strategy in wake of the announcement that the entire group was looking for investment opportunities under any potential new ownership.
Over the course of two informative and enlightening days, senior staff showcased some of the latest and best technologies from Tannoy, Lab.gruppen and Lake, giving distributors and partners the opportunity to gain a deeper understanding of the brands and how to maximise opportunities in future install and touring application
Card Aid has been helping charities increase their funds from the sale of their Christmas cards for over 30 years and John Simpson, Chair of Behind the Scenes UK, believes proceeds from the sale of Christmas Cards via the Card Aid Website will really make a difference to Behind the Scenes which only launched in the UK in October.
"Sending Christmas cards is a long held tradition and Card Aid allows us to keep the spirit of Christmas alive - as cards can be purchased online, either in the form of a pack of cards or as e-cards which can be sent on a pay per click basis. Whilst we are happy to accept donations in
tn.jpg "The ceremony and scrimmage were televised and watched by millions")
Bandit Lites provided the lighting for the event which took place at Rupp Arena. The ceremony and scrimmage were televised and watched by millions anxious to see what Kentucky would be bringing to the courts this year.
"Bandit Lites has been providing Lighting for our Big Blue Madness Event every year since 2011 and they have done an outstanding job each year," said technical services manager, Bob Stoops. "Once Bandit has signed on for the event, I no longer have to worry about the light
"We are delighted to be working with Steve Krawic and his team at Show Ready Events. From our very first meeting, Steve showed an immediate and insightful understanding of our events and the industry that PLASA represents. We are confident that we have found the right partner to succeed in Show Ready Events who will join our other partners in playing a significant part in delivering to our exhibitors and members the best possible experience and business opportunity through PLASA Focus Events in North America," says Christopher Toulmin, PLASA's Director of Events.
Steve Krawic, president and CEO of Show Ready Events says, "Cultivating partnerships with
Club Red's fashionable environment, its excellent cuisine and its premium event seating are complemented by a club-wide, multi-purpose AV system designed and installed by ICOR International Systems of Doral, Florida. Club Red's AV system provides live Panthers play-by-play hockey coverage, six news and sports channels and video playback and sound reinforcement for press conferences, presentations and private meetings in the club's large multi-purpose room. The BB&T Arena also hosts concerts and audio and video from these events may be routed through the club's AV system.
To provide coverage throughout the club's 12,000sq.ft space, ICOR installed 25 large screen video displays, a two-wide
Originally opened in 1873 to present kabuki and Western stage plays, the 1368-capacity venue has been equipped with four TTL33-A active loudspeakers ground stacked on either side of the stage above floor-mounted TTS36-A subs, positioned on their sides.
This design was in order to raise the height and use the stage width effectively. The decision to stack the TTL33-A on top of the subs resulted from the limited stage depth - and the fact that even pattern control was required for the each tier, right up to the third floor balcony seats.
One of the flagships of the Theatre & Touring series, the TTL33-A is a compact, wide dispersion, three way act
Creative Technology (CT) was contracted by ITV to provide the stage backdrop. Working with their designer Peter Bingemann and lighting designer Dave Davey, CT installed an 11.5m x 8.6m Spider 30 screen, achieving the desired softened look by using a rear projection surface in front of the display. This allowed a lower resolution and lower cost product to be used, increasing the impact without overpowering the star of the show.
(Jim Evans)
Production manager and lighting designer, James Quigley, with chief LX, Dan Young, uphold the visual brand using Chauvet DJ and Chauvet Professional fixtures to tone the truss and maximise light in the cage.
Positioned eight-per-side on booms, 16 COLORband PiX linear pixel-mapping fixtures shoot colour through the cage. 24 COLORado 1-Tri Tour units, the most recent additions bought for the show via Yorkshire-based R&M Productions, warm the truss from the top of the cage.
The lighting provides the theatre behind the performances and the drama bet
Set designer, Misty Buckley elaborates on the premise: "The concept of the origami stars was very much an idea from the band. Steeped in Japanese tradition, origami is synonymous with transformation - taking something seemingly ordinary and transforming it in to something sculptural and beautiful. The star seemed an obvious choice because of A Sky Full of Stars."
With the idea of stars as a feature of the design, the next step was to create a working reality. Buckley continues, "Initially the production considered a kind of thin plastic sheeting to make them more resilient to the ri
The Bielefeld Dance Theatre and Philharmonic, the Syrian clarinet virtuoso Kinan Azmeh, and students and pupils from all levels and types of school were involved, as well as amateur dancers and musicians of all ages.
The Director of choreography of the Bielefeld Dance Theatre Gregor Zöllig and his team were in charge of the project, while the Philharmonic was conducted by Alexander Kalajdzic. Tilo Steffens designed the stage layout, which was inspired by the deep red colour of the Jubilee logo.
The lighting design and programming were entrusted to Marcus Krömer, who used a grandMA2 light and an MA onPC command wing for the control, and fitted Clay Paky Al
The impressive, meticulously researched and compelling 27 minute work, complete with specially compiled sound-track by Karen Monid, featured stunning visuals and an emotive narrative that was specific to Glasgow, detailing the historical contributions made by the city and its communities, and the resulting social impact of World War 1.
"It was an incredible honour to be trusted with relating such a fundamentally significant piece of history and of telling the story of Glasgow's War with honesty and integrity" states Ashton, whose art has won multiple international Awards and holds two Gui
The instrumental band STS9 (Sound Tribe Sector 9), which plays self-described post-rock dance music, is one of the nation's top-grossing tour acts with a heavy presence in the festival circuit. Their dates at Red Rocks, 5-6 September, preceded the start of their first tour in nearly a year. The tour will play venues in the Midwest and East, including Chicago, New York, Detroit and Pittsburgh.
Brown Note Productions, Inc. is a full-service audio, lighting and video production company specializing in touring, festivals and special events. It won the
Rowan joined the Feed Me team as an operator back in 2012. Initially brought onboard to operate the house rigs over the top of the synchronised shows, Rowan was delighted to be asked to submit a design for With Teeth Version 3 upgrade, for which he specified Robe Pointes and CycFX 8s.
"The completely bespoke new set was inspired by Chris Cunningham's All is Full of Love for Bjork, so we needed fixtures that could be fed with video animation... and could also move," explains Rowan.
The show's overall visual design was originated by the artist and crafted for the stage by Ne
A new sound system centred on Ashly Audio processing, amplification, and user control is a centrepiece of the project and gives New Hope congregants exceptional intelligibility for spoken word, along with musical transcendence for the New Hope band and praise choir. Critically, the Ashly gear came in at a price point that allowed the church to meet its needs reliably, without breaking the project's budget. Pro Audio Inc., of nearby Grandville, Michigan designed and installed the system
Over the decades, BAP has released 16 studio albums and the musicians have performed in various different countries throughout the world. At the moment, the band is on the road with their acoustic BAP zieht den Stecker (BAP pulls the plug) tour. For one of the dates, they performed in an open-air concert at Salzkotten, near Paderborn.
For the open-air concert, the lighting designer Peter Seifert (Cue Design), who is accompanying the musicians on tour, used four B-EYE K20s, four B-EYE K10s, eleven Alpha Spot HPE 700s and 18 Alpha Wash 700s, all made by Clay Paky, as well as six 4-Lite blinders by Major, and a
Show and lighting designer Rob Sinclair worked alongside lighting director Louisa Smurthwaite to specify 21 Sharpy Wash 330 fixtures for this festival leg of the Tales of Us tour.
"Using the Sharpy Wash 330s, we created strong looks through the lead singer Alison and the rest of the band onstage," says Smurthwaite. "From the tight wash beam, through to the wider look the frost gave, we were able to create some excellent moments with the fixture."
Supplied by NEG Earth, 15 of the Clay Paky fixtures were rigged behind the band and six were used as side lighting. The upstage units were rigged at a height of 4ft, so that Sinclair and Smurthwaite could create a wall of bac
The Audio Networking Forum will be held at RIBA in Portland Place London W1 on 12 December 2014. The top level conference will bring together leading industry players to analyse, debate and discuss audio networking in production workflows. It will also be an invaluable social networking opportunity.
"No area of professional audio has remained untouched by the potential of audio networking," said conference organiser Zenon Schoepe. "Anyone who thinks that audio networking won't impact on their work doesn't understand it. This is core technological change that will alter attitudes and working methods forever. The Forum will explain the technology and give example
The sound system was designed by Tommex ?ebrowscy Sp. J. and installed by Zeto S.A.. The system is based on Community loudspeakers and Dynacord electronics. Bia?ystok-based integrator Zeto S.A. completed the installation in time for the opening of the modernized venue which took place in July 2014. Zeto's Zbigniew Kaczmarczyk was project manager for the installation.
The main system is housed in the commentary room a
The clip has been created and directed by Sky Sports F1's Alex Rodger with musical contributions from Tokio Myers. Actor Peter Guinness narrates the viewers through 2014's turbulent season.
LD Richard Bowles designed the lights for the performance, which was supplied by Richard Martin Lighting (RML). The specification included VL 1000's, Clay Paky Alpha Beam 700's, VL 3000's and the new Clay Paky Mythos.
"The whole set looked incredible and Richard captured exactly the mood I was after," said
The familiar Never Mind the Buzzcocks set includes a number of video elements that are key to the music-based quiz show, which is hosted by Rhod Gilbert. This series is recorded at Stage 9 of Elstree Television Studios and broadcast on BBC2.
For the main screen, XL Video project manager Jeff Bailey specified one of XL's high brightness Barco FLM HD-20 projectors, which feeds the 16ft x 9ft screen. The high brightness 20,000 Lumen unit was selected to counter the ambient light on set.
The stage left and right of the set are populated with 12x Panasonic 42" LCD screens. These screens were specified for their built
