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14 March 2016

Once again Le Mark's high gloss StudioTak studio vinyl was selected for both the beautifully curvaceous cat walk running out into the audience and also used in the after show broadcasts.

With some of the biggest names in the music industry attending and collecting their awards, the set design and production was as seamless and stunning as ever before. StudioTak high gloss floor provided a water-like shimmering reflection, enhancing the set and stage on which it's laid.

Le Mark's Sharon Marshall commented, "So far this year, Le Mark floors have been used on some of the most prestigious award events in the world: the BAFTA's, the NTA's and now the Brit Awards - an incredible achievement for all the team here.

"StudioTak itself is such a f

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14 March 2016

The lighting design reflects the band's persona; direct, clean, sharp and uncompromising. Rob Sinclair, designer of both set and design sums it up succinctly, "Set, light and lasers exist as a whole, unified visual force." A designer with names such as the Kaiser Chiefs, Peter Gabriel and Pulp under his belt, Sinclair is straightforward about his choice of lights for the show: "I've been using Clay Paky products on a regular basis since I first programmed a show with four Golden Scan Mk1s in 1992!&q

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14 March 2016

Founded 20 years ago, Wala Wala started hosting live music acts 10 years later following the refurbishment of its first floor storage area. A relatively small live room, the original sound reinforcement system suffered from poor sound quality when the levels were increased so Wala Wala's management appointed an audio technician to mix the 11 weekly acts.

"Having decided to recruit an engineer in Mark Jason, we then realised that the club needed a sound system," commented operations manager Maniam Krishnan. "Bands previously mixed themselves, which was a little inconsistent as some would be too loud and others were inexperienced."

"Wala Wala previously h

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14 March 2016

Based in Central London, and suitably placed to serve the broadcast, theatre, install and touring segments of the market, Sound Network see the move as a logical fit. "The Optocore product line dovetails perfectly with our existing product mix and we look forward to introducing customers to the benefits of this impressive solution," stated director Ralph Dunlop.

Optocore sales & marketing director, Tine Helmle, agreed. "With our growing penetration of both large scale events and the permanent installation market we are delighted to be partnering with such an experienced and well qualified company."

Dunlop added that his company had held an interest in the Optocore product line for several years. "In 2012 we felt we had the

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14 March 2016

Three days of papers from renowned international lighting designers, an afternoon of visits, which includes the castle's very own baroque theatre, and discussion with manufacturers of the highest quality lighting equipment are included. There's also the opportunity to visit the Robe factory after the close of Showlight.

(Jim Evans)

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14 March 2016

VH-1 and the NFL joined forces to celebrate the Super Bowl with Train headlining on Friday night. CMT and the NFL partnered the following evening on a Crossroads special starring superstar country band Rascal Flatts and iconic rock band Journey. Both concerts were held at The Sugar Mill in New Orleans, which seats 4,000-5,000 fans.

Atomic Lighting of Lititz, Pennsylvania provided 40 Clay Paky Alpha Spot QWO 800s and a pair of grandMA2 light systems with wings for the concert series. PEDG was the production design team collaborating. Bob Pederson was acting lighting designer on the broadcast truck.

"Atomic had suggested u

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14 March 2016

The STSG is a small, but established network of professional theatre technicians, designers and managers working in UK school theatres. The annual conference is the main focus of the Group, bringing together its members with suppliers and leading industry practitioners. The next conference is planned for February 2014 at The Leys School in Cambridge.

(Jim Evans)

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14 March 2016

Staged at One Marylebone in London, CSE was working in conjunction with Insight Lighting and production company Swim Productions.

CSE's Project Manager Fletch collaborated with creative director Brendan Clarke from Insight Lighting to create the lighting and production design for the much anticipated event, which saw several live performances from Cerys Matthews, Carleen Anderson, Ahmad Jamal among others.

The main room featured a stage and seated a capacity audience of 268 for dinner, and there was also a reception area that needed lighting.

The CSE team started with the installation of the four legged ground support system - meas

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14 March 2016

Ashton was commissioned to produce the piece by production company Strange Cargo and collaborated with sound artist Karen Monid who produced a special accompanying soundscape.

All Souls, which stands at the end of the High Street and was consecrated in 1895, is a fairly conventional parish church of its era, however it has the unusual feature of four stained glass windows depicting the four Archangels - Gabriel, Michael, Uriel and Raphael.

Ashton and Monid took these windows and the vivid colours of the peacock feathers making up their wings as the starting point of their concept.

The idea was to produce a two centre piece which worked bo

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14 March 2016

The Baxter Theatre at the University of Cape Town purchased their new Philips Strand Wallrack Dimmer units from DWR Distribution. "As time allowed and as the venue became available, the old dimmers were steadily replaced," commented Dave Whitehouse from DWR.

"We chose Strand because it is a trusted name in theatre lighting," said Patrick Curtis from The Baxter. "The linkage to Philips is a positive development, but mostly we chose the product because we are assured of 100% backup from DWR."

"We would like to thank Patrick Curtis from The Baxter for the opportunity to work on this installation," ended Whitehouse.

(Jim Evans)

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14 March 2016

"I instantly liked DiGiCo the minute I used one of their consoles," Richards admits, during soundcheck at London's Hammersmith Apollo. "Whatever the model, you're getting real value. Be it the great EQ, the excellent pre-amps - the list goes on - everything you're working with is always the same quality as the flagship SD7, which you really can't argue with."

Richards likes the SD10 for its functionality, user interface, and overall sound quality. "DiGiCo is always great for channel count; I'm running 54 channels here on my SD10, and what's also really handy is having 12 faders in each fader bank rather th

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14 March 2016

In preparation for Euro 2012, which saw a sizeable portion of the UEFA delegation staying at the Victoria, the hotel was thoroughly refurbished and all of its audio systems were renewed throughout. Odessa-based installer Real Music, who are also the QSC distributor for Ukraine, were responsible for installing all of the PA/VA speakers and systems.

A QSC ILA line array comprising 16 WL2082-i elements (eight left, eight right) and four WL118-sw subwoofers was used in the main conference hall at the Victoria, where all of the pre- and post-match press conf

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14 March 2016

Located hundreds of feet above east London's Shoe Lane, the venue provided the audience of competition winners with a suitably Gotham City-esque setting, although the unpredictability of the British winter weather meant that the screening's date had to be postponed a couple of times.

Access to the helipad was very tight - through the front door of the building, up 16 floors in a conventional lift and then two further floors via an exterior sta

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14 March 2016

Located on the southern edge of the state - a five-hour drive southeast of Seattle - Ford Audio is well positioned to service corporate clients, venues, festivals and regional tours throughout Washington, Oregon, Idaho and Montana.

"We've had several rigs in our 17-year history, and this time we wanted the best modular array that money could buy to move our company forward," says owner Gary Ford. "We looked at other systems, of course, but ultimately felt that L-Acoustics offered the best package, not to mention a longstanding history

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14 March 2016

Lighting was designed by Richard G Jones, who was asked on-board by show director (and judge) Craig Revel Horwood last year.

Jones ensured that no-one was disappointed, creating a show awash with colour, movement, drama and pizzazz to match all the dancefloor action, energy and high jinks!

All lighting, sound & rigging equipment was supplied by south Wales based rental and production company, Sonalyst.

The 14 x MMX WashBeams together with 23 x Robe Robin MMX Spots are newly purchased by Sonalyst for their hire stock - which now contains g

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14 March 2016

Blake Augsburger, Harman executive vice-president and president Harman Professional Division, said: "As we move forward together and institute Martin Professional as a business unit within Harman Professional, our customers from both the lighting and AV disciplines will soon be able to capitalize on joint innovations, efficiencies and access to our systems portfolios. In doing so, I am confident we'll also drive growth into emerging markets and vertical markets where digital technologies are increasingly central to the commercial enterprise - specifically transportation, hospitality, retail, communications and education."

Martin is in the process of launching new products across all of its product lines including new models in the award-winning MAC Viper family

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14 March 2016

With a number of very different scenes to evoke in a single environment set, designed by Victoria Spearing, Wardle had his work cut out. Lighting works with the set and direction to seamlessly shift the mood from the claustrophobic world of the tunnels under no man's land to bright outdoor scenes and the house where main protagonist, Stephen Wraysford, falls in love.

Wardle uses the PLCycs to deliver an evocative backdrop, symbolically conveying the time, place, feeling and atmosphere of each with his clever application of colour, transition and intensity. Wardle explains: "Because this play shifts so quickly between locations and time periods, we need to help the audience understand where we

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14 March 2016

Fascinated by the idea that words turn into crystals with a sound of their own, the artist Juergen Staack travelled to Yakutia in 2012, accompanied by his artist colleague Thomas Neumann. The sound recordings that Staack brought back with him were on display in the exhibition entitled SAKHA at the Konrad Fischer Galerie in Berlin. On his acoustic hunt to record the rare phenomenon of ice whispering - which the natives call "the whisper of the stars" - Juergen Staack took along an MK

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14 March 2016

Delegate numbers are rising and include representation from all over the world including Australia, Dubai, France, Qatar, Russia, Switzerland, Turkey and the UK, say the organisers. Delegate places are still available and there is time to book either a full conference pass, a day pass or a seat at the gala dinner.

The line up of speakers from around the world includes Piers Shepperd, Hamish Hamilton, Dave Crump, Sakchin Bessette, Tim Dunn and David Atkins.

The organisers have confirmed H.E. Laila Mohammed Suhail as the gala dinner keynote speaker.

Another speaker at the conference is Marc Schneider, director of global events for Riedel Communciations. Schneider is responsible for the

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14 March 2016

The show's narrative was based on the important natural and cultural elements of the world and how they all come together. The show was first performed on New Year's Eve preceeding the midnight fireworks for a site wide audience of 1.7m people and accompanied live by the Prague Philharmonic Orchestra. The show then played twice nightly throughout January for the many daily visitors to the new heart of Dubai.

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14 March 2016

The venue's existing house grid did not lend itself to many lighting or house ambiance options, as it held mercury vapour fixtures with gel attached and was both too big and heavy to articulate. Additionally, the stage system was a modest 120k rig and in need of an update. Bandit gutted the entire stage and house lighting systems from rigging down, and in five days, installed a completely new, dynamic lighting system.

"The idea going in was to remove this structure and replace it with something we could use to transform the room for various events," explained Bandit's Roth Edwards. "They can lower the truss grid to close in the space and make it

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14 March 2016

''RML understand that LAMDA students are the future of our Industry and so it is imperative that they are given the tools to develop to the best of their abilities and shown the best and most recent in moving light technology. It is also a great privilege to be involved with such a prestigious institution such as LAMDA,'' says Steve Wells, operations manager, RML.

As part of this partnership RML will provide lights for their performances/productions, donate equipment for training, offer work placements throughout the year and Play Days for the students to come to our demo room and gain practical experience with things such as LED products. Such a hands on approach and opportunity compliment the ethos of LAMDA.

Rob Young, Course Director at LAMDA comments, "LAMDA

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14 March 2016

The official agreement for the complete Audac product range was confirmed at the ISE show 2013. Mark Asselberghs, export manager for Audac said, "It is very important for us that our brand is well represented to customers, and our products deserve the professional knowledge and expert support that Audiologic can provide. As a well established and trusted distributor in the UK audio install market, award winning Audiologic is the natural choice for a long term partnership with Audac."

(Jim Evans)

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14 March 2016

As a multi-award-winning audio producer and mixer, with over 30 years' of experience in the audio industry, Alington will bring a wealth of knowledge and expertise to RSP's Online Mastering service.

Alington's most recent accomplishment was the BRIT Awards 2013. It was his 19th year recording the show, live-to air, with 7.5m UK viewers tuning in - the best overnight rating since 2003. All eight artists' songs, each mixed live by Alington, went straight to iTunes for download. For the past 11 years, Alington has worked on the MTV EMAs and other large annual mu