For the show taking place there, lighting designer and video content producer Paul Collison again relied on MA Lighting products. In detail he used two grandMA2 light and one MA NPU (Network Processing Unit) as well as the grandMA2 3D software for previsualisation.
Collison comments: "We had to build
Both TC Group International and Blue Microphones have grown rapidly over the past few years and each company has acknowledged the mutual benefit of this decision. Ending this distribution partnership is seen as a natural progression by both companies as they continue to strengthen their core business and focus on their individual areas of growth.
"It has been a pleasure to work with Blue Microphones and we
The primary goal is to provide engineers with a specific knowledge of state-of-the-art technologies related to sound, transducers and speakers, and their application in the professional market.
The course will be divided into four main modules, starting from an overview of acoustics in open air and closed environments, followed by a module focused on transducers and speaker systems, including the main design and simulation methods. The third module is dedicated to electronics, and will cover the circuit analysis, filters, signal amplifiers and DSP use, and the final module will be focused on sound reinforcement systems, line arrays, system configuration and measurements.
The technical c
Organised by the STLD, ALD and Clay Paky, KOI is the only industry event that celebrates the outstanding creative achievements of lighting designers working in the sectors of Television, Theatre and Rock. At the same time it forges closer ties between the world of lighting design and the lighting industry as a whole.
Each sector is assessed by its own panel of industry experts and breaks down into a number of categories:
Television - Light Entertainment, Drama, Small Studio and Events
Rock - Stage events, Arena events and Eco Innovation
Theatre - Dance, Opera, Play and Musicals
Already nominations are flowing in from lighting designers, service providers, production managers, technicians, TV fans,
"We had an excellent show," said Mark Taylor, inspHire new business development manager. "We were inundated with independent hirers waiting to see how our software could make improvements and efficiencies in their hire businesses and the new Dashboards had excellent reviews. The Dasboards are designed to give our customers an up to the minute snapshot of how their business is performing, whether it's live hire and analytical information for the hire manager, or items due for preventative maintenance or breakdo
Nashville is the latest event to be launched under the PLASA Focus banner, and follows the popular PLASA Focus: Austin, to be held February 22-23 in Texas. The show will run prior to the annual Summer NAMM event, bringing together industry professionals from around the world.
Modelled after PLASA Focus: Leeds (UK), which topped 2000 visitors and broke previous attendance records in its third year, the PLASA Focus series of events in North America will bring regional entertainment technology communities together to do business and network in a relaxed and friendly setting.
Each two-day PLASA Focus show is free to registered visitors, and a unique inclusive hard wall booth package - includin
Vauxhall Fashion Scout promotes both new and seasoned designers to an international audience through catwalk shows, presentations, fashion films and exhibitions. Based during London Fashion Week at the Freemasons' Hall in central London, Fashion Scout looked to Brightonart to produce the catwalk videos that would be uploaded to Vimeo.
Brightonart used Blackmagic Design's ATEM 1 M/E Production Switcher to cut live footage from HD-SDI video feeds shot by two Sony EX-1 cameras. Program output was then captured on two SSD recorders; a Blackmagic Design HyperDeck Studio recording uncompre
Instigated by Kirsten Eicher and originally operating from an office and small workshop storing and dispatching a small product range, Look Solutions soon found it necessary to move in into its own large premises in Ronnenberg/Hannover. Now, with distributors in more than 31 countries and a subsidiary in the US, Look Solutions is a truly global company.
Part of its success is derived from the close working relationship between the production, consultation & sales and service departments which all share the same premises. "This enables fast and constant communication creating the ideal conditions for the development of innovative products, allowing the designers to respond quickly to cus
Working with Mike 'Spagoo' Sprague of Sound Image, production/FOH engineer Laurie Quigley crafted an elaborate touring rig that would allow them to retain the high audio quality Kravitz demanded, regardless of the venue size. These two mirrored systems are comprised of DiGiCo SD7s at both FOH and monitors (with engineer Dan Horton) for use on bigger show dates, with a pair of diminutive SD11s for use on the band's myriad promo gigs and fly dates.
"I've been using the S
Innsbruck's city centre was transformed into a huge party zone for the 2012 Games, with an action-packed programme taking place at Medals Plaza, which hosted not only the daily Victory Ceremonies but also the week-long Innsbruck 2012 Music Festival.
The challenge was to find a perfect setup for the wide ranging styles of music performed, from Austrian folklore and folk music through to hip hop, rock acts and the daily Victory Ceremonies, and also taking into account the 90dB limit set by the city.
Light and Sound made good use of L-Acoustics' SOUNDVISION 3D acoustic simulation programme to create a KARA/KIVA system that guaranteed optimal sound and speech intelligibility at every listening position.
The main sys
To ensure the voice of the charismatic singer would be reproduced with maximum fidelity on his return, the band turned to Electro-Voice. Sadler's performing style, which makes use of the entire stage, meant that a wireless microphone system was the only viable solution. After a number of tests and comparisons, the band opted for an REV system from Electro-Voice with a hand-held microphone equipped with an N/D767a capsule.
Monitor engineer Chris Kostyra, who has been freelancing for a variety
The NEC asked MHA Lighting to devise a bespoke solution for the Skywalk that would reduce energy bills whilst improving light quality.
MHA Lighting were also selected to replace the traditional fluorescent lighting in their Concourse and Gallery suites with their LED lighting that uses wave guide technology to achieve energy savings of up to 80% with intelligent controls.
MHA Lighting installed 144 TiLites in the Concourse and Gallery Suites and 260 bespoke RodLites above the 400m long Skywalk that were designed to be match the NEC's corporate branding and to be in-keeping with lighting finishes in other areas.
The 30watt RodLites replaced 54watt T8 Tubes (58-60watts with ballast) - immediately creating energy
Both carrying an IP 66 rating and designed to withstand the harshest weather conditions, COLORado 3p IP and COLORado 1 IP are designed for this kind of permanent outdoor installation in a climate where showers are frequent all year long.
The lights dress all four levels of the building's exterior in saturated washes. The architecture combined with the lighting design transform this building every night at twilight into a fairytale-like castle. All fixtures have been programmed to automatically start-up when ambient light gets low.
Audio and
Programmer and operator Martijn van Summeren stated, "We chose the grandMA2 consoles for two main reasons. First because of the extended Timecode function. The show contained seven timecoded shows, one of which was nearly 15 minutes long. Second because of its rich and varied programming features.
"Macros helped me to create the show quickly, and the Effects Engine gave me the creative freedom that I needed to create a dynamic sho
The event was the 11th year in a row that XL Video and (XL Project manager Paul Wood) has been a supplier to the event, working for technical production co-ordinator Papilo Productions and producers Brits TV.
Peter Bingemann's stage set design was inspired by the work of British pop artist Peter Blake, and consisted of a series of different sized white box frames, which were filled with artefacts and props, and two LED screens, also ensconced in box frames. The stage left screen measured 8.1m high and 4.5 wide, while the stage right one was a 4.5m square surface, both made from Pixled F-11.
In front of these, on the downstage edge of the stage were three more F-11 screens, two 4 x 4m squares on
Andreas Gause, Gerriets GmbH director of sales and marketing, travelled from the company headquarters in Germany to present a comprehensive introduction to the full scope of Gerriets products. Lasting two-and-a-half hours and addressing more than 170 current and prospective customers, the presentation focused on projection screens, textiles, and rail syst
The initial concert in a series of music shows planned over the coming months was headlined by Yusuf Islam/Cat Stevens - also on his first ever live appearance in the Middle East - and was completely sold out, attracting a capacity audience of 2,800 including 221 VIPs and senior members of the Qatari Royal Family.
Kenkaato is a new company established by Sarah Whitmarsh and Daryl Payne to provide imaginative, turnkey, full production solutions for all types of live events.
Both Whitmarsh and Payne have extensive experience working on a variety of large scale and high profile productions in the Middle East region.
The company's brief for the MIA Park show from the Qatar Museums Authority included the p
On the road, Zelada and his guitarist Luke Higgins both use Trace Acoustic TA200s. "The TA200 is so easy to set up - it's like a PA in a box and the sound quality is absolutely phenomenal," Zelada states. "It's particularly versatile, as it has two channels; I just plug in my mic and guitar, and I am able to get a crystal clear tone as well a
Manager Scott Clarke commented, "This eagerly awaited move will help The Hire Co. to deliver an even more efficient service to our hire and conference customers. Last year saw us service a record number of events, producing record turnover. This has seen continued investment in more equipment, the latest delivery of our new 16,000 ANSI lumens Panasonic PT-EX16 Projectors, pushing our old unit to breaking point.
"Whereas parking and loading in our old premises was a chore, this is not the case at Chris
The organisation therefore plays an active role in supporting local talent and introducing young performers to modern technology, as well as hosting concerts from well known and established artists. When the time came to upgrade their audio facilities, Le Camji turned to Poitiers-based systems integrators, Agora Audio, who specified and installed a full digital solution based on a EtherSound network throughout and an Eclipse GT digital console from Innovason.
According to Agora's David Rocher, it was the Camji's role of nurturing local talent by offerin
"The school wanted acoustics with exceptional variability," says James Black of Acoustic Dimensions' San Diego office and principal acoustical consultant for the Conservatory project. "The idea was to accommodate anything from a small string ensemble to a full marching band, either for rehearsa
"I've been a longstanding Midas user, but it's always been an XL4 analogue for me until now," notes Nobby. "I have used Midas digital previously though, as we have a PRO6 installed at Shepherd's Bush Empire, probably the busiest 2300-capacity theatre in London. I have babysat many engineers on it there, and have seen many come in apprehensive and leave amazed. So I knew what I was getting into."
With System Of A Down, Big Nobby used the PRO9 across Europe and North America, with occasional switches to a PRO6 as availabili
Since 1842 Dazian has been the premier company in the Entertainment, Worship, and Event Industries for Theatrical Fabrics, Custom Fabrication and Rental Drapery. Dazian has full service facilities in CA, NJ and FL. supplying a full range of products, fabrication, and install services to its clients throughout the U.S. and abroad.
DreamWorld has been a force in the air brushed, hand painted and digitally printed backdrop business in the US since its inception in 1999.
Bev Parmensky, president of DreamWorld Backdrops, states, "By joining the Dazian family, DreamWorld Backdrops will now be able to offer a full complement of products and services to its wide range of customers."
Weingarten add
"To receive both awards and to be recognised for our achievement in the industry was a great honour," says Jane Russen.
(Jim Evans)
