The Sanctuary's main sound system will consist of three arrays of 14 Outline Butterfly C.D.H. 483 elements each, powered by Outline T7 amplifiers. Low-frequency reinforcement is provided by 10 Outline Subtech 218 SP subwoofers. For delays, six arrays of six mini-COM.P.A.S.S. self-powered line array loudspeakers and two C.D.L. 1815 cardioid subwoofers (full-range and subwoofer loudspeakers suspended together on a custom r
The memorial concert, presided over by the German foreign minister Dr. Frank-Walter Steinmeier, took place in the recently closed Tempelhof Airport. Responsibility for the sound reinforcement in the 800-seat Departures Hall, which, due to its sheer size posed a considerable challenge, fell to the Berlin events service provider TSE AG.
FOH engineer Nils Uthoff and monitor
Handling lighting design for the band for the past seven years is Matt Mills, an industry lighting veteran with years of lighting experience under his belt from large national and international tours, television shows, major corporate events and more.
For their current outing, which sees the Mississippi-based band touring across the US through the summer, Mills has again turned to a Martin lighting rig. "I have used all these fixtures on corporates as well as other tours I have done," he stated. "I have always spec'd Marti
Speaking on the future of mankind, Barack Obama stood on a dramatic stage in the Hrad?anske nám?stí, the area outside Prague's famous castle which overlooks the city. The White House communications team brought along the President's podium and microphones, but everything else for the show - from stage to screens to flower arrangements - was provided by RentalPro, one of the largest rental
GHSA has serviced the event since its inception in 2000. In that time, it's grown in stature and profile to become one of the most important dates on the Jazz calendar today, attracting a live audience of 60,000 plus across the two days.
Staged at the Cape Town International Convention Centre, the event was co-ordinated for GHSA by international sales manager Philip Beardwood in the office, and on site by project manager Theo van As.
Says Beardwood, "Having worked on an event for many years and seeing it evolve has been a great experience and given us real insight into the event and how the production valu
Individuals and companies working in all areas of digital media and lighting are welcome to attend - and the event is particularity relevant to those interested in media servers, lighting consoles, projection systems, LED screens and digital lighting fixtures. The Open Days are a great opportunity for professionals industry-wide to get up to speed with the latest developments in this fast-moving and evolving technology, says the company.
Products on show will include the new Catalyst Lapcat - a fully portable package with all the power of the Catalyst digital media server contained in a 15 inch Mac Book Pro with solid state 128Gb hard drive. This runs Catalyst Lite software and all its f
As theme parks continuously create new white knuckle rides to keep visitors returning for more, the world's first ever horror movie-themed rollercoaster, SAW - The Ride, opened at Thorpe Park this March using the latest technology to transform the idea into a reality.
The novel idea to base a ride on the most popular horror film franchise in history, SAW, and give visitors a spine chilling experience required the expertise of the Ashdown AV team, who were approached to create an integrated sound, video, lighting and effects control system for the ride. Project manager Peter Roe began the planning phase in November 2008, specifying the equipment required and designing the ride's
Newent School wanted to upgrade the dimmer capability to 24 channel, and digital patching unit. A new 63Amp 3-phase mains and a Strand Wall rack 24 to distribute to seven lighting bars, along with four Robe 250AT moving heads was provided.
An extensive sound, lighting and video installation at St Edward's Senior School in Cheltenham. covers two interconnecting drama studios both of which can operate independently, or in conjunction with each other. The equipment included Selecon lanterns, Strand 6-pack dimmer, Zero88 Jester desks, Electro-voice SxA100+, Allen and Heath Mix Wizard desks and BSS FCS-966 graphics and radio microphones. A Christie Digital LX4
Held at the International Centre, Telford, the event was designed to showcase the company's new 2009 built-in cooking range, with over 300 major appliances on display, along with many smaller items.
The event's producer and MD of Livenet, Peter Lindsey-Jones, was reportedly delighted with the brightness and clarity of the projected images. "The audience were so close to the four screens that initially we had concerns about the image quality, but these concerns proved to be completely unjustified," he said.
A to V fielded four of their six HD10K-M projectors, fitted with 2.6-4.1:1 zoom lenses. "We had been looking for some time t
A selection of LED lighting products feature in his design, of which the BB4s are prominent. They are mounted in eight custom built floor frames - carefully spaced out between Atomic strobes in the same frames - which form the lower part of Hurst's multi-layered design.
Hurst chose BB4s for their brightness and because he likes the softness of the light output. "A lot of LED sources are harsh and intrusive... And I wanted something refined that was nice and easy to look at." The BB4s blast right into the audience at eye level, reaching out and beaming the vibes and spirit from stage to auditorium.
Hurst test drove the original prototype BB4s (BB16s) at the Isle o
"The architect designed the building with a number of areas on the exterior walls that the retail outlets in Dukenburg can rent for advertising purposes," explains Hecla's new business manager, Jos den Hartog. "JVH believed that LED screens were the perfect visual medium for two of these areas, with one screen situated next to the main entrance of the centre and opposite the bus and train station, whilst the other is close to the busiest roundabout in Nijmegen. Both are ideal for maximum exposure."
However,
This was the first time McGrath has used Midas digital, and to reassure himself it could provide all the familiar characteristics of the company's analogue boards, he carried out some A/B testing prior to spec'ing the PRO6.
"I wanted to find out how much of the Midas analogue sound had been captured and transferred into their digital domain, and I was extremely happy to discover that the PRO6 sounds very like the XL4," he says. "The EQ reacts like EQ should - as you choos
Kevin Mignone of Island Park-based KM Productions was brought in to design and install The Studio's system, which now benefits from three ARCS per side flown in a horizontal array and powered by two LA4 amplified controllers. Four SB28 subwoofers, driven by a single LA8, are positioned end-to-end behind a sturdy steel grille under the front lip of
16 actors wore miniature radar-frequency UWB transmitter TT Tags which were tracked by six TT Sensors installed around the stage and the auditorium. The TiMax Tracker software used an automatic calibration routine to instantaneously map the stage area in three dimensions based on some simple measured Sensors location data. Thereafter the system followed the actors' movements around stage and sent this information via MIDI to the TiMax showcontrol softwa
Best-known as Japan's leading composer of electronic music, Ikeda uses both sound and visual imagery to produce intensely physical experiences for his audience. His new retrospective is being hosted by Museum of Contemporary Art Tokyo, which opened on 2 April and will continue to 21 June 2009, is titled '+/- [the infinite between 0 and 1]', and includes new commissions, sound works and large-scale audio visual projections.
Three F32 series will be used to power 'data.tron [3 SXGA+ version]', an expanded edition of Ikeda's floor-to-ceiling screen of art, which seeks to physically overwhelm visitors with a staggering array of binary data such as the numbers 0 and 1.
Ken Sampei, director of Mix Wave, comments: "In today's
After more than 40 years of existence, the Prague Quadrennial International Exhibition of Scenography and Theatre Architecture is changing its name to the Prague Quadrennial of Performance Design and Space, with the goal of breaking down the often imaginary differences between the performance fields. "In the next edition we want to include a wider range of disciplines and genres connected to performance design and to observe current trends in contemporary performance," explains Sodja Lotker, artistic director of the PQ. This is also the reason for widening the international team of cur
The show's video design was the work of creative director Justine Catterall, who also produced custom content for 12 songs of the set. All the hardware - including MiTrix LED screen, Catalyst control, 2 camera systems, projection and PPU - plus crew were supplied by XL Video, project managed by Des Fallon. Matt Askem directed the live IMAG mix and Stuart Heaney crew chiefed. The playback content was programmed onto two high spec Catalyst digital media servers, operated by Richard Stembridge.
Catterall's design brought a quirky and fragmented look to the stage using 36 panels of MiTrix LED screen arranged at jaunty angles, suspended on three overstage trusses, providing additional depth and dimension
Although the venue at the Stockholm International Fair is not ideally suited for a classical event of this nature, with some subtle amplification and careful design of the QSC WideLine-10 line array configuration by sound production and design company, DM Audio (part of EM Nordic AB), the concert was a big success.
Held in the A-1 hall, the 3,500 seats are spread wide across the auditorium, and thus WideLine-10, with its 140° horizontal dispersion characteri
Kenner explains: "We discussed conventional set styles but we agreed none were edgy enough. I proposed the idea of flying the entire five piece band - I thought a completely empty stage prior to Wayne's appearance - would make for a dramatic intro. Maceo loved it, but still wanted to include a complementary basic static set."
The finished product was five 8'x8' risers with clear plexi bottoms flown by a computer controlled system with a stationary ground set to match. The dramatic moving design fabricated by BRS Rigging, incorporated intense flame effects that demanded an entirely grated stage - a rolling 60' wide x
"We want to hear about your beer-drenched VLZ Pro that still works; the time you dropped your SRM450 off a building by accident and it powered up for your gig the same night; your original CR-1604 you still use religiously; your world-record for the largest collection of Mackie vintage swag; your Running Man tattoo that you had to get to show your devotion for Mackie," said Shaunna Thompson, Mackie media and pr manager.
"Whatever your story, funny or heartfelt, long or short, old school or new school... we want to hear it. Send in a photo too. If you really want to wow us, create a video on You Tube."
The entrant with the best Mackie story, based on creativity, ori
CGA Integration has worked with Le Manoir for a number of years, developing a relationship originally through audio-visual maintenance within the 32-room, listed hotel. Chris Gunton's company is now the chosen contractor for new works. The meeting room installation follows a contract to provide a new IP television network throughout the hotel bedrooms as well as complete suite automation including DD
This major structure, which was previously underlit and one of the two main police crime 'hotspots' in the Borough, has been completely transformed into a pleasurable scene of activity between North and South Kensington. The new work includes striking artwork on some of the walls designed by Miles Watson, and a colourful lighting scheme by a creative partnership of Miles Watson and Lightscape Projects, part of the Light Projects Group. The innovative combination of art and lighting has transformed the oppressive and uninviting area into a safer, warm and visually-appealing street scen
The high-tech stadium is located at Pemberton, Llanelli, UK, with close links to the M4 and surrounding areas.
VSI's long and established partnership with Whitehead BS includes work on numerous projects together. Whitehead were the electrical sub contractor to main contractor Andrew Scott on this, for end client Llanelli RFC and Scarlets Region. The project was a partnership between the Scarlets and Carmarthenshire County Council.
VSI's history with the club also dates back, including the installation of a public address system at the famous Stradey Park ground in 1999, for the Rugby World Cup.
VSI opted for the Community range
Stage Technologies was on site at the Lyric for installation, commissioning, show programming during technical rehearsals, operator training and the press performance. The equipment installed consisted of an Illusionist console, a Maxis PTS control system, eight BigTow Classic winches, four counterweight assist winches (used to propel in-house flying bars), two point hoists installed in the grid (used for a platform eleva
