Summer Mummers runs for three months each summer and attracts audiences from around the world. The show comprises a 'Melodrama' interspersed with 'Moviola' segments, with the second half of the evening featuring a rapid-fire set of skits known as the 'Olio'. Boisterous crowds are the norm, with popcorn-throwing encouraged; for that reason, a relatively powerful sou
"I wanted to create a physical space of lighting within the performance area", explains Watson. He planned a three-dimensional array of 548 x Element Labs Versa Tubes HD that frame the band and act like a virtual stage forming a low resolution 3D video 'screen'. The Versa Tube HDs form curtains of six and nine meter long vertical strips from the back to the front of stage. The entire array is controlled from a custom 3D version of Catalyst, specially written by Richard Bleasdale for the tour.
Additional audience and band lighting comes from 48 x i-Pix BB4 and 48 x i-Pix BB7 LED fixtures. Floor lighting is from seven Color Kinetics iW Blasts, seven Pulsar ChromaFlood 200 TriColour and 12 i-Pix Satellites. A 2
Visibility of the equipment guided the system design for over 30 venues on the ship, including the largest and most challenging Royal Court Theatre, a three-story, 800-seat venue that features opera-style box seating, professional theatres and movie screenings. "Cunard wanted to break from the traditional theatre model often found on ships, so they've created a venue that rivals anything you'd find on Broadway or London's West End," says sound designer Alan Edwards.
Royal Court Theatre's main system comprises two hangs of eight Mica line array loudspe
BHS's Adamson inventory has grown significantly over the years; adding SX's and a RA system in 1998, and then upgrading to the Y-Axis Line in 2000. Now with the added T-21 Subs and M15 Monitors, their inventory includes practically every Adamson box ever made, and the BHS shop could practically be considered an Adamson museum.
Apart from live events, BHS also has their hands in the area of consultin
"The Snakes have proved themselves absolutely bomb-proof. We had them up and running within 10 minutes of being delivered. They cost a bit more money than the analogue copper cable alternative, but they are completely cost-effective. If you run over this multicore in a van, you can still use it."
Merlin PA has a contract to provide PA for the popular Newmarket Nights evening horse-race meetings held at Newmarket Racecourse which are fol
In both locations, Gabisom deployed a JBL Vertec system with four array locations for the main (World Stage) system. A total of 120 VT4889 large-format line array elements and 60 VT4880A Ultra Long Excursion subwoofers were deployed in the main suspend arrays. The main system consisted of four arrays across the front in the normal L/R (front), LL/RR (outfill) configuration.
Each array consisted of three separate hangs: dual Vertec VT488
Jens Schmidt from installation specialists Trendco and Norbert Sangermann, the acoustics expert from Camco GmbH responsible for fixed installations, joined forces to design a system tailored precisely to the Congress hall.
For Jens Schmidt and Norbert Sangermann, the concept design had to accommodate possible future requirements while offering the clearest possible signal transmission. Decision-makers at the Halle Münsterland focussed stron
The scalable system was specified by Bernard Mani, head of London integration company Systems Etc, after witnessing its launch at PLASA 2007 and seeing it immediately adopted in the US for Star Trek The Tour .
The Kingly Club is owned by Dezzi Mc Causland, founder and creator of the original award winning members club of the same name in Soho - on which Systems Etc also worked.
The new operation in St Martin's Lane consists of a contemporary Japanese restaurant, Kyashii, a lounge bar, a VIP mezzanine area and al fresco seating during the summer months.
Overlooking the ground floor with a private bar, DJ and the large floor to ceiling screens, the VIP mezzanine area offers views over th
The projection system, which helped the previous exhibition, ,I>First Emperor: China's Terracotta Army win the Museums & Heritage 2008 Award for Temporary or Touring Exhibition, was specifically designed to be reconfigurable - a technological 'first' both for the UK and the British Museum - thus maximising the Museum's investment in technology.
It features an array of 10 Barco HD Icon H250 projectors, arranged to project onto a variety of screens in different formats around the Round Reading Room's circumference - a space whose ornate domed roof was itself originally inspired by one of Hadrian's most iconic bui
The city of Zaragoza, the fifth largest in Spain, has built an architecturally remarkable campus to house the Expo 2008, spread over 60 acres and featuring designs by leading architects such as Zaha Hadid. Running from July to mid-September, the event is expected to attract up to seven million visitors. More than 100 countries are participating, as well as private corporations, and live entertainment on-site will come from 350 international artists ranging from the Cir
Done and Dusted managed the event for Channel 4, bringing in production manager Tony Wheeler of Nine Yards to look after all aspects of the live production. Wheeler comments: "This year's event grew most significantly. We like to keep our team consistent and once again entrusted Power Logistics to ensure there was uninterrupted power, particularly important for an event driven by its live television show. As ever they have been exemplary and taken all of the late changes an event of this nature throws up in their stride."
Tony Harpur led the Power Logistics te
Organised by 46664, Nelson Mandela's global HIV AIDS awareness campaign, the concert was a celebration of Mr Mandela's 90th year and marked the 20th anniversary of the Free Nelson Mandela concert staged at Wembley in 1988. The concert also raised funds for his 46664 campaign to fight HIV and AIDS worldwide. This was the fifth 46664 concert that Sennheiser has supported, continuing a long standing relationship with the charity.
Working in association with the event's audio production company, Britannia Row, Sennheiser not only supplied equipment but also a high-profile technical team to the event, including Mark Saund
Located in the Atlantic Coast resort town of Myrtle Beach, this $400 million music fan's dream boasts themed rock 'n' rollercoasters like Led Zeppelin: The Ride and Eagles: Life in the Fast Lane among its 50 rides and attractions, and dedicates entire sections of the park to pop-music movements such as the British Invasion, '70s era rock and even country music.
Peavey worked closely with Hard Rock Park and systems integrator Electrosonic to create an unparalleled music experience. As the first new major attraction built in the US in nearly a decade, Hard Rock Park benefits from the evolution of te
A new construction, the Children's Theatre hosts local and regional productions as well as other events. The iLive-80 provides FOH as well as monitor mixing duties and the iDR-8 takes care of all main loudspeaker, monitors, and zone speaker management. There are a variety of Allen & Heath PL wall plates installed in various locations throughout the theatre providing remote control of the system.
"The iLive/iDR integration is the perfect solution for theatre," states Sales Reps Audio Associates' Charles Cassell. "It is infinitely flexible and has a ton of features that will allow the system to grow w
The B'z is Japan's best selling rock band. They have sold over 75m records and they were the first Asian artists to have their handprints and signatures put up in Hollywood's Rock Walk. For their Action 2008 tour, they worked together with renowned set designer Mark Fisher from Stufish. The mastermind behind stages for U2 and The Rolling Stones designed a 'magic carpet', a grand carpet-like LED screen, flying over the band.
The Stufish team worked closely together with Barco's Innovative Designs to turn their vision into reality. A total of 1,152 MiSTRIPs were used to create the experience
The Festival has included performances from over 60 bands - from established acts such as The Feeling, Suzanne Vega, N*E*R*D and James Blunt to up and comers such as Hadouken! and The Ting Tings.
Stuart Turvill, who runs Bury St. Edmunds-based W1 Productions, says he had planned to upgrade his hire fleet - which already includes a large inventory of Martin Audio components - "but the iTunes Festival provided the trigger, as we needed to move up to a bigger box." And so he purchased 14 of Martin Audio's flagship monitor.
He added, "These have proved very popular and
Clifton supplied lighting for all the festival's auxiliary stages, all of which featured Robe at the core of their rigs. The event was project managed for them by Michael Parsons, who states, "Reliability was the key factor we looked for here, and that's why we chose Robe for this event."
For the Sydney and Brisbane legs of the tour, lighting for the main Future Music Stage was also operated by Parsons during the afternoon. He chose Robe ColorWash 2500 fixtures fitted with PC lenses, which were hung on side trusses and positioned so as not to impede on the Chemical Brothers' rig.
These were used to wash the stage and audience. "Their brightnes
The Alphas created custom lighting for each artist so that each performance was characterised by a studied play of effects and colours. The light show was made attractive to both the large audience in the Arena and home viewers by the attentive layout of the numerous and different light sources including 120sq.m of Barco OLite 510, 24 sq.m of Barco 10 and about 400 sq.m of M LEDs LC2140. As in 2007 and 2006 the event was again controlled by a grandMA system.
PROCON Event Engineering Germany, was the general technical supplier and provided lighting, sound, video, stage building, rigging and power. Production designer was Goran Joksimovic. Sven Stojanovic worked as art director
"We gathered a group of mics from various manufacturers, set them up in our studio rehearsal space in New York, and had a shootout," Koenig says. "We soon found the N/D468 and N/D868 to be the best-sounding mics for our application. They won fair and square, and were judged by people who really know drum sound, as that's such a huge part
Putting theory into practice, the students Sennheiser employees from the US, the UK, Denmark, India, Russia, China, Singapore and Germany learnt the nuances of RF equipment and potential problems before spending a full day installing and troubleshooting RF mics and IEMs for a nine-piece band under the watchful and demanding eyes of two very experienced live sound engineers. Digico donated their new flagship SD7 console for front of house, and a D5 for monitors, and with Georg
The objective of CBA Wireless Events, the networking operations part of CBA, founded by Chris Beale in 2005, is to transform communications between the myriad companies and people scattered across event sites spanning hundreds of acres - Glastonbury's Worthy Farm being a prime example.
Today, Beale says that wireless is in demand across major event sites to an unprecedented extent. "It was our second year at Glastonbury in an independent role, contracted to supply IT, netwo
Hosted by club promoter, Cathy Guetta, the event 'unighted' five of the world's best known DJs - David Guetta, Carl Cox, Tiësto, Martin Solveig and Joachim Garraud - in a swirling, high energy multimedia mix of aesthetics and emotions enjoyed by 45,000 enthusiastic party people.
E/T/C Paris was asked onboard by long-time collaborators Skertzò, who were chosen to create the show's scenic elements and image design.
In addition to the video projection and Onlyview system, E/T/C provided equipment and crew for all the image capturing and relaying elements of the show.
A total of 23 cameras were used - five broadcast, two w
Technical manager of fabric, Sanjeev Bhardwaj commented: "This is fabric, our reputation is everything and we have to have to have the best equipment available for our artists. Having road tested the Vestax PMC-580, this mixer is superb."
He continued: "The 580 is a very powerful, high level mixer, making it not just suitable for a large club like fabric, but smaller clubs too.The features are excellent, it's easy to work with and it's not cramped at the back. The 580 has every feature set you could want on a mixer; analogue and digital mode, MIDI, master out
FOH engineer Larry Mignona comments, "The 5235 has a warm sound without the unnatural high-end boost that's so prevalent in many wireless mics. In my opinion, that high-end boost is there to flatter singers who can't really sing. But Alicia can really sing. In addition, the rejection from a Sennheiser
