More bananas for the Canaries
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SmarTmasts, a Summit designed and constructed product, have become hugely popular with PA companies, production and site managers for their rugged load bearing capacities, easy construction, elegant aesthetics and small footprint.
In Portsmouth for Mice International at the Trafalgar 200 event, Summit supplied eight SmarTmasts used as PA towers for Capital Sound. These were dotted all over the Portsmouth Royal Naval Dockyard site at various performance stages and screen sites.
For the Leeds Castle Summer Concerts in June and July and for Clear Channel 's Summer Nights in July at the same venue, Summit supplied two SmarTmast2s and four SmarTmast1s, for PA companies RG Jones and Major Tom. Summit is also providing Major Tom with a single dela
They were given the opportunity to test drive the system's modular, dual-redundant architecture - which includes the D-Show mixing console, Mix Engine and Stage Rack I/O unit (with recallable, remote-controlled preamps) - firstly in the production area, under the supervision of experienced Digidesign engineers such as Bernard Natier (from Paris's Studio Garage) and Ian Nelson. Here they were able to tour the surface's topology and familiarize themselves with the main desk/sidecar arrangement prior to the real thing.
The company responsible for getting the 96-input desk, with full support for industry-stand Pro Tools plug-ins, onto the Montreux rider were S
For FOH engineer Rob Coles, VerTec was an obvious choice for Blue - they needed a rich, powerful and full sound capable of dealing with the band's dynamic and energy charged shows. Coles has mixed this type of band before and is familiar with the specific nuances and requirements.
Coles first used a VerTec system when mixing the Dandy Warhols, opening for David Bowie's 2003/04 Reality tour, for which Adlib was also the audio contractor. "The system sounded great, Tony is one of the best VerTec t
"We hope the Sienas will recreate this success in the monitor world," explains Mike Moen, MD of PA Compagniet. "We purchased them mainly because we needed monitor consoles that weren't large or heavy, but were capable of meeting the riders for the outdoors festival season, and at the same time would be suitable for indoor use in Norwegian clubs dur
However, with the addition of a number of Claky Paky Alpha Spots to the rig and an increasing number of high-risk attractions, Ionut needed a console that could handle moving lights and offer a full back up system - which led him to Zero 88's Frog range. Roberto Campana from Z
The latest addition to Syncrolite's Architectural and Theatrical Xenon Series, the SXB-5/2 is the most versatile, compact, powerful and lightweight Xenon fixture in the world, say the company. This fully automated/moving dual scroller architectural and theatrical fixture delivers 5000W of Xenon power for use as a long-throw wash or skybeam/spot. It allows a wide range of mounting options for flown and ground mount, and is ideal for concert, event, and architectural use. The unit is powered
Bandit's Vice President Mike Golden said "Working with the event production staff is a sincere pleasure and makes this event a yearly favorite for all at Bandit".
Four Semi's of Bandit equipment were delivered to this project and a partial list of the equipment provided includes 84 Mac 2K Wash fixtures, 80 Mac 2K Profiles, 72 Mac 600s, 40 Mac 300s, six eight-Lamp bars, s
Kassan Productions originally produced the Irish/English love story and five years on and it returned to Cork Opera House for a technical preview period before moving to the larger venue in Dublin.
With a miniscule amount of rear projection depth, the original production made inventive use of projection for the main scenic and location elements, dispensing with the need for excessive amounts of backcloths and scenery. Back then Driscoll used Pani large format projectors and slide changers combined with an arsenal of traditional VSFX projectors and luminaires with animation effects.
This time he decided on a combination of high p
Based on their experience, Biddulph provided identical W8LC hangs on either side of the pros arch, grouped
This was one of a pair of 48-input D-Show consoles in the venue for the NIN shows; while Prowda was multitrack recording the opening show at Brixton the experienced Jim Warren was providing the house mix - as he has since first being exposed to the Venue back in March. He was also using the desk's FireWire capability at FOH, providing a multitrack back-up in the event of HD multitrack failure at the stage.
Warren is best known for his work behind the mixing board for Radiohead, and he believes t
(Lee Baldock)
The Portsmouth Guildhall, home to Portsmouth City Council, was opened in 1890. It was bombed to a shell in 1941, and reopened after extensive rebuilding in 1959. Measuring approximately 60m wide by 40m tall, E/T/C UK's projections stretched across the entire front fascia of the white stone structure.
E//T//C UK was approached by Heather Todd from the Council's Arts Services Department, who was aware of their work on Buckingham Palace. She thought that projection would be the ideal medium to produ
A seventy two minute film by Russian director Georgy Paradzhanov which was inspired by author-designer Sergai Davitiaya and the official Russian information agency, Novosti, cleverly used newsreel and contemporary images to mirror the haunting themes of the music. Projection was by two Barco projectors running overlaid images.
Another Harkness Hall screen, measuring 14.8m by 9.5m featured in an earlier Flux Events open air produ
Cobrin said: "After a very successful TV series and UK tour with X-Factor it was no wonder that the bands debut album shot straight to the top of the charts earlier this year. Their voices are so powerful and dynamic which appeals to a very wide audience. G4 are a completely different act to what is out there at the moment. I'm not in the least surprised this tour sold out."
Choreographer Gary Lloyd and G4's producer Ashley Tabor had initially come up with an asymmetrical stage view, which was then developed into a more industrial scaffolding based set by Production North's Steve Levitt. Jensen used the set as the starting point for his li
Commissioned during the late 1980's the building's ceiling is split into awkward asymmetric segments within a polygon-shaped building. But the infrastructure had become tired, the sound element needed upgrading and a visual dynamic introduced.
TMC's hire department had enjoyed a long relationship with the church's events department over the years. The contract sales team were consequently introduced to the project, and invited to work with the client to develop the scheme.
It was evident that the existing low pressure sodium lighting, with its familiar yellow hue, was inadequate and TMC were asked to design a concept in which the mood
With a speech by Her Majesty, Simon Callow hosted the event which featured readings, humour and music from World War II. The cast included a choir of 184, a 157-piece orchestra and a host of celebrities including TV host Bruce Forsyth, singer Petula Clark and actors Jane Horrocks, Robert Hardy and Clare Sweeney. There was also a special appearance by Dame Vera Lynn, while in a symbolic gesture; veterans' groups handed over their standards to the younger generation.
Working for Unusual Services to a sound system design by Imagination's John Del Nero, Wigwam Hire provided four Martin Audi
The custom-built 2,087 seat Wynn Theatre, which houses Le Rêve, features a one million gallon pool in its centre and a domed roof 80ft overhead. Lighting designer Koert Vermeulen uses 32 Clay Paky Stage Profile Plus SV fixtures, along with 13 Stage Scan moving mirror fixtures and nine CP Color 150E colour changing fixtures. "I'm an LD who designs a lot with gobos," said Vermeulen, "and Franco loves gobos on his shows. The Stage Profile was the only fixture that gave me two gobo wheels and s
"We received literally hundreds of excellent applications for this program and it was not an easy task to choose just one international and one domestic winner," said Mackie's Kyle Ritland. "But both Elijah and Shane demonstrated exceptional talent, a clear vision for their future and a strong commitment to achieving their goals. We're confident they will both be excellent representatives for Mackie and hope that this opportunity will help the
Used on stage two, sound engineers Alan Ashford and Nick Pemberton (also Audient's UK sales manager) said they were impressed by how smooth the EAW KF850 system sounded.
Pemberton says: "I've used KF850s for years, it's a great box. It's very 'rock'n'roll' sounding; I've heard them with all sorts of processors and amps before, but the combination of the ONE speaker processors and the LAB Gruppen amps sounded amazing. Even for such a small system [six stacks] it sounded huge without the usual bark at 2.5k!"
As
In addition to training courses and presentations of the latest pro audio products from Electro-Voice, Midas, Dynacord and Klark Teknik, the team of Erin Lim (vice president, South East Asia), Mathias von Heydekampf (president, Pro Audio) and Martin Traut (marketing director, EVI Audio) were anxious to make good the information deficit on the subject of intercoms. A special seminar was therefore devoted to filling in participants, who had made the journey from all over south-east Asia, on the latest developments in the intercom sector and the wide range of applic
Bryce Keachie's company turned to a combination of German-made Camco Tecton and t&m Systems products - both brands distributed in the UK by Fuzion plc. He says he was assisted in his decision by a visit to last September's PLASA Show - when he was gearing up for the project. Keachie arrived in London accompanied by Lynnet Leisure's general manager, Craig Amner. "It enabled me to see all the different amplifier choices
Reviewers are also asked to look for protected intellectual property in the draft standard. ESTA and Accr
According to Stage Expert partner/production manager Alexandru Calin, EAW offers a high quality complement to his existing portfolio of brands. "EAW remains one of the biggest names in concert touring and has a well-earned reputation for being world leaders in technical audio advancement and creative loudspeaker design. We are very proud to represent EAW in Romania and look forward to a mutually beneficial relationship."
EAW's Sean Martin is equally pleased with the appointment: "In addi