Yamaha PM5D for Queen World Tour
- Details
With a stated preference for the old Midas analogue warhorse, how's he finding the Yamaha? "Overall it's sounding great, the band think so too; it's a busy show with lots of
With a stated preference for the old Midas analogue warhorse, how's he finding the Yamaha? "Overall it's sounding great, the band think so too; it's a busy show with lots of
As one of the cathedral's preferred suppliers, RG Jones was contracted to undertake the work by St. Paul's Dean and Chapter, acting on the advice of Martin Stanc
Installed by contractors Alstom Australia, the LED Wall is one of the most ambitious feature lighti
Music is a massively important part of th
BSR E1.4, Entertainment Technology-Manual Counterweight Rigging Systems, describes the design and construction of manually powered counterweight rigging systems. The primary purpose of the standard is to enhance the safety of these system, which
The screens are the most spectacular of several unique LED effects devised for the latest U2 tour by show director Willie Williams, with whom Kinesys has previously worked on the last U2 tour and the ongoing West End blockbuster, We Will Rock You.Conceived by Williams and designer Mark Fisher, the seven custom engineered trusses each carry 27 strings of 63 Barco MiSphere 'balls', totalling 1,701 balls per truss, weighing approximately 500 Kgs each.
Each truss, specially designed by Brilliant Stages for U2, is one metre square in width/height and five metres long, with an open bottom. Each s
Lorraine Kelly and Jim Rosenthal hosted 300 guests through a light hearted evening with a serious fund-raising purpose. A fast moving fashion show entertained guests with models including ex bond girls Maryam D'Abo and Caroline Bliss, joined by D'Arcy Bussel, Jilly Johnson and sporting icons David James, Richard Dunwoody, David Ginola and (hotly tipped as the next James Bond) actor Colin Salmon.
Sound engineer Richard Ryan skilfully mixed James Bond tracks to create a dynamic feature of the evening, he commented: "The fashion show was quite complicated due to the number of different tracks behind the catwalk parade. I introduced the stings behind each of the couples whilst keeping the backgr
This year saw a whole new format to the show, which was broadcast across Italy on national TV station RAI. Hosts were Paolo Bonolis, director of the show, and popular TV personality, Antonella Clerici. Guest Stars included Mike Tyson, Vasco Rossi, Gwen Stefani, Michael Buble, Wil Smith and Argentinian singer Lola Ponce. The competition resembled Pop Idol, with two members of each group voted out and the remaining artists merged into one group, this continued until the winner was decided.
AV rental company Eurovideo developed a new concept in set design by placing Lighthouse LED modules in the risers of stairs at the rear
With a low ceiling height and no provision for rigging Hawthorn decided to make a bold feature of the truss and created a ground support structure with lots of long spokes covering both the stage and the rest of the room. As UK dealers, Hawthorn used Prolyte's X30V truss due to its lightweight but superior strength, allowing large spans of truss with the minimum number of truss legs.
With only a 3m clearance, Hawthorn specified Mac 250's and Mac 300's - due to their small size, uplit with Thomas PIXELline battens. Working in conjunction with Mask Event Design and Production, Hawthorn sponsored the Event Talks area. Hawthorn draped the room in its white Expo Cloth, a fabric it imports for its light reflective abilities. These dra
Panacea is the brainchild of one of the City's smartest young local party people and entrepreneurs, Joe Akka. Superlative acoustics was seen as absolutely crucial to creating Panacea's essential atmosphere. Akka contacted Adlib Audio's Andy Dockerty via recommendations from Kennedy Street Enterprises, and asked him to design an appropriate system - keeping the speakers as invisible as possible.
Dockerty - renowned for his attention to detail and quality and Dave Fletcher, who produced all the cabinet work, designed, specified and built a tailor-made system for Panacea. This involved embedding four speakers into each of Panacea's structural pillars with a minimal extrusion to ensure the preservation and integrity of the inter
Apart from the broadcast audience of many millions, the crowd in the Arena numbered around 8,000. For Rental Pro, the choice of the PA system was clear: Nexo Geo T (10 T4805s and three T2815 per side), with Nexo Geo S cabinets (nine S805 and an S830 per side) for the sides of the arena. Powered by Camco Vor
Lighting director Bernie Davis used his own Vector Green control system to control a discreet rig of conventional lighting, supplied by ELP, as the aim was for an unobtrusive installation and a natural look. Console operator Roy Adcock was using a Compulite desk for the first time, but reported no problems getting the hang of the Vector's versatile graphic user interface.
Davis comments: "While the effects engine and sixteen DMX universes were not used to their full potential on this occasion, the easy to read touch screen controlled groups made programming extremely quick and easy. The lighting control position was from the world's smallest Portakabin - only 12'
Rod McKinnon and Jeff Shoesmith from Jands worked closely with Justin to map functionality throughout the various audio zones of the venue. D
Briefed to create a signature stage piece for Westlife's recent No1s tour, it soon became apparent that neon lettering wouldn't be practical, because it's made of glass, but then Mark remembered seeing Neonflex at PLASA. Marketed by Batmink, Neonflex is a flexible PVC light tube which closely replicates real neon, but uses LEDs as a light source. Much more rugged and roadworthy than neon, it was the obvious choice. LiteStructures made up an individual Neonflex letter, which Production North and the band agreed was just what they wanted.
Although the original design, a 20x10ft Perspex signature, was intended to be invisible when not lit, it was then decided, by the band and Production North's S
E//T//C was initially approached by Event Lighting from Bermondsey to undertake the project, which needed a great deal of artwork produced with just 10 days of lead time. The show was an enjoyed by 350 guests after dinner, located in a translucent-fronted marquee in the middle of the courtyard. The guest list included businessmen, film directors, actors, musicians, designers and writers both Russian and English. "We wanted to
"The response to our upgrade promotion was tremendous! Our customers have been asking us to entertain a further promotional period. It only makes sense for us to re-introduce this promotion ", says Gil Densham, president & CEO of Cast Software. "We've made the best lighting design package in the industry and are allowing our users to upgrade for the great price of only $639 US. Plus, these upgrades include a
Being in the heart of the city, the HOGC converted a whole floor of a prime commercial building into a beautiful new training and facilities centre for the church, allowin
Together with Ben van Berkel of UN Studio in Amsterdam, van der Heide and his team developed a lighting scheme for the building skin that changes, chameleon-like, at night, and during the day reflects the subtleties of natural light on the opalescent façade of dichroic glass discs. At night, the discs are individual
According to Marquee's Spencer Brooks: "The reliable performance and audio quality of the Midas consoles keeps them in demand with our customers. Recently the volume of sales has been especially high for the compact consoles, first the Venice, and more recently the Verona."
Marquee has supplied Venice desks to Cloud One, Lost It, Blue Audio and AVE. Customers for the Verona model have included Entec, W.E. Audio, Thames Audio and Chaps PA.
(Sarah Rushton-Read)
Pyro for the two-hour extravaganza titled Once Upon A Time, enjoyed in real time by 35,000 people and broadcast live on Danish TV and across Europe by the European Broadcasting Union, was designed by Paul Mann from Machine Shop. He collaborated on the task with whom HSL's Tom Owen: the two have enjoyed a long and fruitful working relationship. The overall Once Upon A Time show design team and production included some of the best names, suppliers and rental operations in the UK production industry. The special effects all had to be very big and v
A ground-supported truss was used to form the basis of the stand, before Lycra sails were stretched over the back wall and used as projection surfaces for the vehicle branding. Par 64s and ETC Source Fours were used to highlight the cars. Embee lighting's Mark Bailey used the cubes and spheres to attract people on to the stand. He explained: "The built-in effects were used to play random colour patterns and made a visual work of art for people to look at as they visited the show."
The feedback from Proton was extremely good, Bailey
After signing up to the free information service on the newly re-designed website, users will be automatically e-mailed whenever new US patents are issued that are interesting or relevant to the entertainment technology community. Subscribers will receive an e-mail from the system at most once a week and can cancel their subscription at any time. The e-mail will contain brief descriptions of the newly issued patents and links to allow direct downloading of full pdf files.
The patent database is fully searchable and currently contains over 500 US patents includ
Staged at the Impact Arena in Bangkok in front of a live audience of 10,000 people and a TV audience of several million, the lighting design/direction team from the UK was headed by DOP Eugene O'Connor who also operated the key lighting console. Main stage LD was Theo Cox and Mikey Howard looked after stages B and C plus the extensive audience lighting. All were working with The Show Company from Singapore, MTV Asia's principal technical production contractor, and headed by Joseph Gan. In addition to supplying all lighting, the company also provided two Catalyst digital media servers for the video clips, and both high resolution and 'break-up' LED screens for the event.
T
Blackout's project manager Kevin Monks collaborated with Nick Levitt, and set designer Bill Laslett to help transform Parken into a magical fairytale environment. Working to Laslett's exacting specifications, Blackout supplied over 3km of silver voile. Specified for its silky texture and semi-translucency, it played a major role in his design, used by Blackout