City Theatrical makes Donation to Light Relief
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(Ruth Rossington)
(Ruth Rossington)
Originally built as a cinema in 1930, the Rialto in Limassol has been dogged by bad luck. But four years ago, it underwent a total re-fit to create the Rialto Theatre, since when it has gone from strength to strength and is now recognised as a significant cultural institution. At the time of the re-fit a temporary fore stage was installed and this year, to complete the metamorphosis, MultiStage International contracted AVW to design and manufacture controls for an orchest
The new spot platforms were purpose-built in 2002, as prefabricated structures to provide a safe working area for the technicians on the platforms. The custom-built handrails and lifting points make it a quick and easy system to install. The modular systems are highly adaptable and can be increased as required from 8ft in multiples of 4ft sections. On this occasion there were two single spot platforms, one holding four lights and operators and one adapted to carry the amp rack for Wigwam’s PA. Star Rigging also rigged Wigwam’s flown speaker equipment,
A total of 274 exhibitors took part in this ground-breaking event, covering a gross exhibition space of 15,000sq.m. Feedback from both exhibitors and buyers was excellent overall, and many commented on how the dynamism of the market and the Chinese peoples’ appetite for music could be clearly felt within the
The event has been completely redesigned and rejuvenated, by organizer, Inside Communications, whose business manager, Clair Whitecross, explains: "We are very excited about the new developments, which so far have been received very well . . . We can promise January 2003 will see a spectacular event."
For 2003 The Event Show has moved to the professional, easily accessible National Hall, Olympia, in the heart of London, where over 250 companies including AV and lighting contractors, marquee and temporary structure suppliers and productio
The tour began at the Bakewell Arts Festival on Sunday 11 August. It then visited The Palace Theatre, London; the An Grianan Theatre in Letterkenny, County Donegal; Waterfront Hall, Belfast; Leisureland, Galway; The Everymen Palace Theatre, Cork; The University Concert Hall, Limerick, before finally stopping on 28 September for two performances at the RDS (Royal Dublin Society) Concert Hall, Ballbridge, Dublin.
Graham Simpson of Thames Audio, says of the desk: "The Aztec was sonically very tr
The display is very complex, and will be fired with a pyro digital system. It runs just under 15 minutes and is set to the James Bond theme tune. It will beg
SPS has been developing the event format with BSkyB over the past eight months, working together on the stage and set design, as well as planning the seating layout, lights, sound and cameras. Neil Smith, the manager of the project at SPS said: "We have had a good working relationship with BSkyB for the past six years now, so we were delighted to be working on the forum again this year. An event of this size and content takes extensive planning in the months leading u
The installation was completed by audio specialists, Georg Vanek and Frank Bocksteiner / Ton&Technik, who chose EVO because of its functionality and ease of use. Aside from audio quality, another factor in the decision to choose EVO was its compact and elegant design and ability to be mounted horizontally, allowing for speaker placement below the ceiling line. Vanek, pleased with the installation, stated: "It sounds very g
Filmed in front of a live audience with a live band, the format includes music, comedy, chat and celebrity guests, and is captured with a seven-camera shoot and some 70 channels of audio to cater for the large band and 24 channels of radio microphones. The sessions are recorded direct to digital multi-track with a full PA system and monitor setup from Welsh company AB Acoustics, provided through Audio Logistics. The audience mix is engineered by Clinton Cast with the monitor mix by AB Acoustics owner Huw ‘Buzz’ Evans.
Post production is handled by Toby Alington
MixArt are based in Moscow, with a satellite facility in St. Petersburg and plans for another in Siberia. Allen & Heath's sales and marketing director, Bob Goleniowski, explains why MixArt was chosen to receive the award: "Rather than just looking at overall sales figures, we consider criteria such as the way that the distributor looks after our customers, how well they communicate with us and how fully they get
Claire Sampson of So Just Add Water contracted Fourth Phase to supply lighting for two stages, plus production crew. Amongst the lighting rig were Martin Mac 500s and 600s, Clay Paky Stage Scans, Molefays, L&E MiniStrips and Source Four PARs, all of which was controlled by two Flying Pig Whole Hog II desks, one for each stage. Paul Cook was
Production management for the factory is already in place, and the challenges of opening up a manufacturing facility in China have been smoothed by the hiring of a Customs Clearance Administrator. Larsen and his team will be hiring a further 30-40 employees in the coming months. "We are aware that local development and sourcing is necessary in o
Creating the touring version of such a large scale musical has required the innovative and dedicated work of many disciplines. Stage Technologies, having worked on numerous Cameron Mackintosh productions in the past, such as The Witches of Eastwick, Oliver! and the Netherlands production of Miss Saigon, were pleased to have been asked to rise to the challenge once more and provide the stage automation for the tour.
The show itself is highly automated and Stage Technologies ha
The equipment
(Lee Baldock)
"The central core concept is that the musical numbers take place in different theatrical environments," Eisenhauer explained. "There is a contrast between the real-time scenes and the 'fantasy' musical numbers. All of the lighting in the film was achieved in a wonderful collaboration with the Cinematographer, Dion Beebe. In addition to lighting the musical numbers Jules and I collaborated with Beebe on many of the transitions between reality and fantasy."
Eisenhauer and Fis
The EYR website received thousands of hits and significant media coverage was gained for Eastbourne and the many participants including links with BBC Southern Counties, Sovereign and SouthernFM radio stations. Bolstered by this huge success, Eastbourne Education Business Partnership is working on arrangements to run EYR again for 36 hours on 28-29 November 2002. Programmes will contain a mix of live and recorded interviews, local performance work and music. In particular, EYR will help to raise awareness of SRB6 ‘Pooling our Resources’ and other community proje
(Lee Baldock)
The interior is furnished with comfortable sofas and couches, alternated with loungers and dark wood tables, which set off the numerous white cushions, large lampshades and huge ashtrays. Clay Paky’s Mini Scan HPE and Tiger CC lighting fixtures embellish the dance floor with colour, graphic patterns and varied effects. Colour also takes the centre stage outside: the outdoor Clay Paky CP Color 150-E colour changers create a cosy atmosphere in the relaxation
As well as introducing visitors to a whole series of products drawn from the current Electro-Voice range, such as the Eliminator Double, the Eliminator kW, the EVID speaker and the new Co-11 and Re510 condenser microphones, the team, led by Gregory Ronin, had laid on a rock band, ‘The Vinyl Steam Locomotive’, whose powerful sound quickly established them as one of the biggest draws at the show. The band - all dedicated EV users - were showcasing the EV Eliminator Double and Eliminator kW enclosures, as well as the new Fri-2082 monitors. This allowed music dealers as we
With a 50,000-strong audience at the Beijing Worker's Stadium, Bei Ao used more than a hundred of Martin’s MAC series moving head fixtures, including MAC 2000, MAC 500 and MAC 600s, hung on the curved trussing system above stage and projecting innumerable changes of lighting and patterns onto the stage and set.
(Lee Baldock)
The brief for Rustom Pavri, director of Performance Audio India, was to equip the venue to handle the wide mix of music, from rock and pop to techno and country. This he achieved using Turbosound Floodlight speakers powered by MC1250, MC750 and MC450 amplifiers with T1000 amplifiers being used for the Turbosound TCS-35. Pavri says: "Since we installed the system, everyone has been very impressed with t
This is the first Robe installation in Ireland since Northampton-based Coe-tech took on the UK and Irish distribution in July this year. The lighting rig for the newly revamped club was designed by Wayne Winstanley and installed by the Carrickdale’s own technical team led by Brian O’Keeffe. The space consists of a large, single multi-purpose room that’s also utilized as a Sunday carvery and occasional restaurant. It is also used as a venue for a miscellany of events including business conferences and weddings - and the lighting scheme was required to be as versatile