West London-based HFM Lighting, a specialist in the design and supply of integrated lighting systems, has become a Vari-Lite UK Rental Associate and has augmented its inventory by adding eight new Vari*Lite VL2402 wash luminaires which it has supplied for Gatecrasher 2001. Colin Booker, Vari-Lite Europe’s regional sales manager, commented: "We are thrilled that HFM Lighting has become one of our rental associates, and they have decided to choose this exciting product which is now available for their clients."

Specified by LD Simon Barrington, and supplied by HFM, eight VL2402s were incorporated into his designs for the Radio 1 stage at Gatecrasher's 2001 dance festival at Turweston Aerodrome last month. The impressive pyramid-shaped Outdoor Live stage hosted key acts such as Craig David and international DJ's, Seb Fontaine and Judge Jules. Drawing from HFM's extensive i

The organisers of Entech 2002 have released preliminary details relating to next year’s event, which takes place from February 4-6 at Darling Harbour in Sydney. The visitor programme includes keynote summits for audio, vision and lighting practitioners on 4 February. The summits will cap the opening day’s educational programme set to feature new format seminars held in the lecture facilities within the Sydney Exhibition and Convention Center. Day One features a Venue Design Forum, an afternoon session with leading lighting designers, two pro audio seminars and a vision/video seminar.

Additional events on Day One include a rigging workshop, an opening day reception on the rooftop at closing time and Mark Cunningham’s famous pop quiz at sundown. A complete programme of events, including the sixth and largest Entech Awards Dinner, will be released ahead of an extensive

Essential Lighting Group have increased their stock of the increasingly popular Studio Beam PCs. These automated luminaires feature high-output colour mixing, intense beam shaping and a large zoom range in a compact housing. The Studio Beam employs a special pebble convex lens to produce a variable soft-edge beam without light spill and is ideal for creating strong aerial effects and long throw highlighting.

Essential's Martin Locket and Simon Dunnell used Studio Beam extensively in the recent election rally tour. Working closely with set designer Spike Kilburn, they planned and designed a system using cyclorama behind interlocking translucent panels that would be workable in a wide variety of different venues.

MAC 300 washlights were also chosen to uplight the Cyclorama and provide a number of different looks and effects to the presentations. A box structure of Slick Minibeam truss

LGH Group has amalgamated its Customer Training operation with its Lifting Equipment Training Institute (LETI). Working across all industries, the Institute aims to promote the cause of safe lifting in the workplace. The institute has found that most companies are aware of the new LOLER and PUWER legislation, yet struggle to answer how they are complying with the new regulations.

LETI is seeking to help bridge this gap and is keen to offer help to companies to ensure their compliance with the legislation. A large part of this initiative is the provision of Lifting Operation Audits. These will serve to provide managers with a complete report, detailing all the measures the company would need to undertake to assure themselves they are compliant with the new regulations and lifting operations. In addition, LETI is also offering comprehensive training to companies in all industries in the

The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.

Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live

This month, Ground Zero BV, the Dutch system integrator and show-control specialist has opened a branch office in Germany. Show-control specialist Franziskus Scharpff will represent Ground Zero Berlin. Scharpff has over 15 years experience as a lighting technician and operator. He travelled the world with various artists and has programmed more than 200 moving lights on his Whole Hog console for numerous live TV Shows and the Gold-Medal-Lightshows. But his key interest is show control systems and the network environment. At the Hannover World Expo 2000 he programmed the show control for the Planet-M pavilion (Bertelsman), Planet of Visions pavilion (IBM) and the Mediaversum pavilion (Siemens).

"I’m very pleased with this opportunity to build Ground Zero Berlin to be as successful as I expect it to be," says Franziskus during one of the first formation meetings with Rut

Sam Neuman was the lucky winner of a hot air balloon trip in the iLight interactive iWish website competition. Lighting control specialist iLight created the competition as part of their launch campaign and invited visitors to the site to compile a wish list for their ideal lighting control system. Neuman is a lighting designer with design agency Imagination, and works on a broad range of projects in the commercial, leisure and retail sectors. Our picture shows him receiving his ticket from iLight’s business and development director Merlin Milner (left) and sales director Ashley Goddard (centre).

When Luminar Leisure CEO, Stephen Thomas, contacted consultant and solution provider Ivor Green with the brief to help him use available technology to differentiate his company from its competition, he quickly produced an audio-visual blueprint that would be future-proof. Luminar’s successful brand models, reflected in the company’s current share price, is no better encapsulated than in the evolving concept of Life, their year-old bar, restaurant and dance concept, which began life in Cardiff. Ivor Green has developed a long relationship with the Luton-based company during its growth cycle and now - as Ivor Green & Associates - he is specifying dnp’s leading-edge rear-projection new wide angle optical rear projection screens, distributed in the UK by Paradigm Audio Visual, as the way forward.

This month, using a unique rig that cuts down installation space, two 6ft sc

Pioneer GB Ltd will once again be exhibiting the Pro DJ range at this year’s PLASA 2001, Stand D40. As well as live appearances from top DJ’s including Roger Sanchez (Sunday 9 September), there will be competitions to win Pioneer Pro DJ equipment and signed copies of Roger Sanchez’ number 1 hit single ‘Another Chance’. There will also be the chance to try out Pioneer’s latest creation; the new CDJ-1000 Digital Deck, the world’s only CD turntable capable of True Vinyl Emulation. In addition to a celebrity DJ line up, with the chance to see and hear some of the best DJ talent around today, Pioneer will have some exciting news . . .

Pioneer can be found on Stand D40.

James Thomas Engineering has completed the design-and-build of an ambitious new concert stage for Leeds-based production and rental facility 3D Productions. The stylish, streamlined structure, based on a series of four arches, was designed, engineered and project-managed by James Thomas’s Paul Young who worked in conjunction with JTE’s regular structural engineers The Broadhurst Partnership.

The four arches form bays 4.8 metres apart and are built from standard 52 cm Thomas SuperTruss - eight pieces per arch - which fit at the base onto an integral stage decking system giving a full area 19.2 metres wide and 16.8 metres deep, complete with thrust plinth along the downstage edge. Headroom is an impressive 10 metres at the apex of the arches. The front edge of the stage also features an elegant cantilevered ‘eyebrow’ protruding five metres over the thrust at the t

A major collaboration between companies within the Avesco Group has resulted in large stocks of leading-edge equipment from their respective inventories being shipped to Le Bourget Airport for the Paris Air Show. The newly-created Creative Technology London - set up specifically to provide trade show AV and IT solutions - had a presence on 10 stands and chalets after being contracted by exhibition production company, Photobition Ltd.

CT Hire Manager, Matthew Hunter, explained: "Having gauged the basic specifications and requirements from their clients, Photobition passed this information onto us, and we worked it into the most cost-effective way to apply the technology." For the first time they fielded the new 24in Samsung widescreen LCD screen. "Essentially it was being driven by an aviation-specific piece of software on the Motorola stand, and being video and data ori

As DHA's dealer base flourishes throughout Europe in line with company success, it has recently selected the Munich-based international company Dedo Weigert Film GmbH to become its newest stockist in Germany. DHA's second German dealer to be appointed in recent months, Dedo Weigert will distribute both catalogue and custom gobos. A specialist company dedicated to the film and TV, photography, architectural and display markets, Dedo Weigert already supplies lighting systems to a vast network of lighting professionals and holds a large range of luminaries and accessories, including DHA gobos. Dedo Weigert will be looking to share in the successes that the other European stockists have been enjoying of late, having received many enquiries since issuing the latest DHA catalogue.

The appointment of DHA's new German dealers complements the company's long-standing relationship with Lightpower

AC Lighting Inc has been running a series of product workshops in several cities across the US. At Impact Lighting in San Francisco, three days of workshops were held on the grandMA console from MA Lighting, giving both Impact staff and local Union members a greater understanding of the state-of-the-art console as well as a sneak preview of the new V2.6 software. The workshops utilized Impact's own two grandMA light consoles as well as an other grandMA Light and a full blown grandMA provided by AC Lighting.

In Huntsville, Alabama, Theatrical Lighting Services played host to a mixture of demonstrations and training sessions on the Fat Frog from Zero 88 and the grandMA. A wide range of current users and potential future users from local churches and theatres as well TLS's own staff made for a busy and varied series of sessions. Bandit Lites in Nashville held a two-day interactive worksh

Blackout Triple E's David Edelstein (pictured left) and ETC's Mark White (right) were appointed to the ABTT Council at the AGM held in June at Regent's Park Open Air Theatre, in conjunction with a visit to the theatre to look at the new technical installations. The Association of British Theatre Technicians (ABTT) is run by a Council of 11 volunteers and for the next two years David Edelstein, joint Managing Director, Blackout Triple E, will serve as Chairman and Mark White, ETC Sales Manager for UK and Ireland, will act as Honorary Secretary.

After studying engineering and training in stage management at LAMDA, David Edelstein began his career working in repertory theatre, moving to the National Theatre in stage and then production management from its opening in 1976. David founded Triple E Ltd in 1983 and has since designed and developed a number of innovative, award-winning products

On Saturday 14 July, London’s Hyde Park once again played host to the legendary Luciano Pavarotti for his ‘Picnic in the Park’, produced by Solo. He was joined by guest stars Vanessa Mae, Russell Watson and Charlotte Church and sang to an 80,000-strong audience. The event, backed by Safeway, was set to raise £1 million for charity. Three Lighthouse screens augmented the main stage screens, providing downfield video reinforcement. All the screens were provided by Screenco, in conjunction with French audio visual company Lumison. The central delay screen comprised 5 x 5 panels of Lighthouse LVP20 20mm pixel pitch modules with video delay provided by Screenco, with two further Lighthouse delay screens left and right using processors provided by Lumison and overseen by Lumison’s chief technician, Pierre Heyligen. The left and right stage screens were Screenco 15mm LE

Vertigo Rigging has completed a demanding project at the fantastic new high-tech factory of premier Spanish tile company Porcelanosa. Porcelanosa is renowned throughout Spain as a manufacturer of the most stylish, top quality natural stone products. Vertigo were brought in as rigging consultants by Fisher Productions, who produced a special celebration dinner event in the factory space - marking the acquisition of the new building. The creative brief was to transform the factory from its everyday working state to a comfortable, stimulating, chic and slightly magical environment for the occasion . . . which was attended by dignitaries and VIPS.

Sets and environments were designed by Johnny Roxborough, and for Fisher Productions by Nigel Prabhavalkar. This involved large areas of the factory being draped off to create new and interesting spaces, with Vertigo supplying the rigging infrast

The first ever Cadac R-Type lightweight touring console to perform in the UK featured on the Picnic with Pavarotti concert, staged in Hyde Park, London, on 14th July. Sound Engineering Director for the event was John Pellowe, who handles all technical aspects of the Pavarotti and Three Tenors concerts, together with Alexander ‘Thorny’ Yuill-Thornton II, who handles the sound system design and system optimisation. Audio equipment for the concert was supplied by Sound Hire.

The R-Type uses Cadac's unique ‘plug-anywhere’ modules for fast installation. Contained within a easily re-configurable package, it provides comprehensive facilities for both FOH and monitor mixing, and features a new lightweight monocoque design and a slimmer module width. The desk continued its Hyde Park theme with Route of Kings which ran from 20-29th July, and featured Lord of the Dance, An

West London based Ampekko have recently won the sole UK distribution for American loudspeaker manufacturer SLS and will display a selection of their expansive range on stand no S4, at PLASA 2001 in London’s Earls Court. The range from SLS offers huge potential and complements Ampekko¹s existing portfolio comprised of WHD and Commax pro audio equipment. Since the early 1970s, SLS Industries has been designing and manufacturing some of the most innovative hand-crafted loudspeaker systems in the industry. Suitable for a variety of applications from studios, to installations and live productions, the range has been engineered to the highest level of sonic excellence. Pat Bradley, head of Ampekko’s product sales, explained: "The SLS range has enormous potential. Its outstanding clarity and quality designs are combined with its unique Ribbon Driver Technology to make this ran

PLASA’s Standards Office is appealing for help from the industry. The office is currently reviewing a number of standards-related issues and would value feedback and input from the industry in general, but PLASA Members in particular. Current topics under review include the Event Stewarding Standard - a new British Standard is to be written; EN 55103 - the EMC standard for audio, video and lighting control systems is under revision; EN 60598-2-17 - the electrical safety standard for stage and studio luminaries is to be revised. Also being reviewed at the moment is the Draft Revised EMC Directive - the European Commission's proposed revision and the ESTA Power Cabling Survey - which examines the usage of single conductor feeder cables. If you have an interest in any of these issues, please e-mail Tim Cox at the PLASA Standards Office on tim@p

GPA Hire's XTA SiDD processors demonstrated their versatility at a number of consecutive Brixton Academy shows serviced by the company during the summer. The shows incldued dance/DJ events, as well as live performances by Outcasts and Basement Jaxx. "We first used SiDD on the Leftfield tour last year," says GPA's Chris Hinds. "We had six units on those shows and have since added another six." The one-off Basement Jaxx show was the first time that the band's sound engineer Shan Hyra had used SiDD. "I believe you have to give new equipment a try, so I was very keen to get my hands on a SiDD unit," he says. "And I wasn't disappointed. As it was a one-off show, I didn't get chance to really 'get into' it, but I can see a lot of potential for it. I'd really like to take one on tour to properly get to the guts of it."

For the Academy shows, GPA ran the

It was free, it was ethereal and it used a hell of a lot of sticky tape. Born out of a burnt-out church in Stockton at the Riverside Festival in 1998, developed further for Glasgow's Year of Architecture and Design in 1999, the outdoor event that is Sticky most recently appeared as the culminating event to the Croydon Summer Festival on July 21. The show, which requires, amongst other things, a mobile crane, opened with performers pulling and twisting roll after roll of 2" wide clear sticky tape (3M's the best so far) out of the shadows, forming a web of tape. High above the performance area, a winged figure fluttered, faltered, then fell into a spidery limbed, translucent carcass. Over the next hour, with the help of some stunning lighting and fireworks, the shimmering mass transformed into a tower of filigree pinnacles, a clock - complete with flaming pendulum - and finally a mach

Formula Sound will be showing its latest modular mixer - the PM-100. This mixer replaces the award-winning PM-90 and is proving to be as popular. One important feature of the PM-100 is the single universal input module which can be configured to accept virtually any type of input source. Also featuring VCA controlled crossfade with punch; contour control and inserts at either end for connecting external signal processing equipment. With its many other facilities and its combination of sizes, layout etc. the PM-100 is the most versatile small production mixer around. The full range of products for mixing and noise control will also be on show.

Formula Sound can be found on stand E26.

Avolites’ sales team members Steve Warren and Koy Neminathan have just returned from a highly successful workshop and demonstration mission in India. The two-day workshop, held at the King’s Banqueting Hall in Central Bombay, was a hands-on product awareness exercise aimed at increasing knowledge and enlightening existing and prospective owners about the many advantages of Avolites equipment, specifically Pearl 2000 consoles and Art dimmers.

The idea was initiated by sales director Steve Warren, and organised with the help of Viraf Pocha of LIDE and Atul Sonpal of Jagmag Electric. The workshop was attended by over 35 people from more than 10 companies based in and around Bombay. Lighting designers, rental companies and a host of individuals linked directly to the burgeoning 'Bollywood' film industry (now the second largest film production market in the world) attended. Pear

The first Hard Rock Cafe opened its doors to the public in June 1971 in London. To celebrate its 30th anniversary, the classic diner put on a concert by Grammy-nominated superstars Matchbox Twenty at The London Apollo, Hammersmith, followed by a celebrity reception at the original Hard Rock Cafe.

Blackout Triple E was contacted by Hard Rock Cafe to install black wool Serge drapes over the crowd-control barriers for the VIP guests, plus starcloths to create the desired atmosphere within the Apollo. Additionally, a 6x8ft printed Foamex logo board was rapidly constructed featuring the Hard Rock Cafe logo at the entrance to the venue, presenting an ideal location for taking photographs of the celebrity guests. Accustomed to operating to tight deadlines that also require a high degree of flexibility and quality, the Blackout Triple E team had just two days notice to fulfil this time-sensiti

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