TiLE is Official European Show of the TEA
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The winner, Robin Carter (pictured with DHA MD Diane Grant), is a freelance lighting designer based in Brighton, East Sussex, and his winning design, called ‘Smoke Screen’ (inset) was one he created for a production of The Glass Menagerie at The Northcott Theatre, Exeter. Carter, who began his lighting career in New Zealand where he grew up, came to the UK four years ago, and has been designing for regional theatre productions ever since.
The winning design will now be published in the DHA gobo catalogue, and instead of receiving royalties for his design, Carter has opted to donate these to the Light Relief fund, set up last year to provide help and assistance to freelance lighting designers in times of personal crisis.
The idea is to demonstrate the contribution made by our industry to technical theatre. Project director Derrick G Knight told L&SI: "My motivation is to enhance Birmingham as a host city for performing arts. This will be achieved through the development of a network of performance venues in partnership with the performers, venue owners and production companies associated with performing arts."
The initial idea is to include a sound and lighting exhibition alongside the festival, which takes place in July and August, and Derrick Knight is exploring the availability of no-cost exhibition space at a number of venues near the performance spaces. If you are interested in participating call +4
The ‘Scouser’ Going Live, which will run in Liverpool at the end of April, will feature a panel of engineers who all started their careers in the city.
The formula of Going Live is a simple and proven one. Soundcraft provides comprehensive and professional PA equipment for the students to work on, including a wide variety of mixing consoles for front-of-house and monitoring. All the course tutors are working engineers who tour with the biggest acts in music today. All the usual topics from how to operate front-of-house and monitor consoles, to microphone placement and outboard electronics, will be covered in the three-day agenda. There will also be a special class on digital mixing in a live situation. PA systems and tech support for the seminar will be provided by Liverpool’s Adli
Paula J. Dinkel, principal lighting designer for Walt Disney Imagineering, is currently leading the lighting design teams at Walt Disney Studios in Paris. Her paper ‘Theatre to Theme Parks’ owes much to her 20 years’ experience with Disney theme parks and retail projects, amongst them DisneyQuest in both Orlando and Chicago, the Port Discovery Children’s Museum in Baltimore and Club Disney.
John Rayment, the man responsible for the exciting lighting design of the opening and closing ceremonies of the Sydney 2000 Olympic Games, will discuss this experience in his paper ‘Olympics’. Beginning his career in seventies London, Rayment went on to become associated with the Sydney Dance Company, and was also