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14 March 2016

Since opening in 1913, the NHM's mandate has been to preserve, protect and research those artifacts, and to curate ever more immersive exhibitions in an effort to inspire "wonder, discovery and responsibility for our natural and cultural worlds" in visitors. With the 2013 addition of The Otis Booth Pavilion, which features a cutting edge AV system that relies heavily on Tannoy's QFlex, VLS and CMS Series loudspeakers, the NHM has created a space that will allow them to do so more effectively than ever before.

Made possible by a $13m gift from the Otis Booth Foundation and designed by CO Architects, the construction of the pavilion was part

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14 March 2016

JHS exec sales & marketing Alan Smith said, "We often have trade customers coming to our head office demo facilities in Leeds and it's not always convenient to pull our field based pro audio managers in. Chris has the knowledge and expertise to advise, rig and demo the gear as well as providing additional telephone and email support."

As an industry stalwart, Chris Walton joins with many years' of pro sound industry experience. The last 22 years have sent Chris around the land facilitating both live and install audio solutions as well as music production and design. Chris has worked extensively with Yo

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14 March 2016

Simon joins from his previous position as sales manager at Bose UK and will work closely with and manage Sennheiser UK's extensive pro audio sales team. Simon will also liaise with key accounts and partners in each sector, helping to serve them and, in turn, Sennheiser's end users better.

"Originally coming from a background of B2B and B2C sales in the aftermarket automotive industry, and then spending the past seven years in the pro audio industry heading up the professional systems division for Bose UK, has given me a wealth of experience in sales and sales team management," says Simon. "My experience in the Pro Audio market spans a multitude of market segments and customer/account types. I will draw on this experience

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14 March 2016

Suitable for professional work in small studios, it offers accurate monitoring capability with ease of installation. The outstanding sound quality makes the 8010 ideal for small editorial studios and OB vans, and a perfect companion for portable recording devices and other mobile production work.

Featuring a balanced XLR input, 3-inch bass driver, 3/4-inch tweeter and efficient Class D power amplifiers - one for each driver - the 8010 produces more sound pressure level than might be expected from a monitor of this size. The Intelligent Signal Sensing ISS circuitry saves

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14 March 2016

A world premiere to be held on Friday 12 September 2014 at noon will present the IBC audience in Amsterdam with a brand new audio mixing console that "extends Lawo's application range and rounds up the company's product portfolio". This addition to the product family boasts high performance and a new face, with an advanced feature set based on proven Lawo technology. It is, in the company's words, "simply unbelievable".

The new crystal radio console offers a cost-effective entry point into the Lawo world of mixing, bringing comprehensive out-of-the-box functionality plus all of the flexibility and customizability for which Lawo is renowned.

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14 March 2016

The event, compered by Keith "Cheggers" Chegwin brought two days of the very best music from the 1980s - indie rock from the Boomtown Rats, Big Country, Heaven 17, etc.; classic pop from Jason Donovan, Boney M, Go West - and contemporary pop with Union J, 911, Stooshi and many more to the leafy heartlands of Tring.

Chilfest was started last year initially as a novel and interesting way of celebrating UEP's 15th year of successful operation. As the idea gained momentum, it took on the format of a full scale two day music based festival with fun and entertainment for all the family.

The Chilfest event and concept went down such a storm that Steve Butcher and his team decided to go ahead and do it

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14 March 2016

Sound Reinforcement for Technicians (SRT) is a three-day seminar that covers the theory behind how sound systems work and demonstrates how to use instrumentation to troubleshoot systems. The seminar is will be offered in Charlotte, NC on 17-19 September, 2014 and again in Dallas, TX on 6-8 October 2014.

During day one and two, instructor Pat Brown provides hands-on exercises that use a signal distribution system and an iPod Touch loaded with software apps that allows attendees to measure voltage, impedance, polarity, SPL and STIPA. Attendees learn what these measurements mean along with how to use them to troubleshoot systems and make sure they are performing opt

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14 March 2016

The visual concept for these shows was developed jointly by Ben Miles, Paul Normandale, Misty Buckley and Phil Harvey.

The shows were managed for XL Video by project managers Phil Mercer and Gareth Jeanne. In contrast to their Mylo Xyloto stadium shows, the performances for Ghost Stories called for an intimate ambience, bringing the audience closer to share the new songs.

For the global album launch event at the Sony Pictures Studios in LA, XL Video were asked to create a planetarium-style 360 degree projection all around the space and across the entire ceiling above. To achieve this XL supplied 46 Panasonic PT-DZ21K projectors contr

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14 March 2016

The headset provides users with an augmented reality driving experience giving a 360 degree view of a virtual world. Beginning in April, the tour went to the Metro Centre in Newcastle, the Arndale in Manchester, the Bullring in Birmingham and Westfield in central London and Stratford. The same equipment and software was then used at Peugeot's stand at the Goodwood Festival of Speed, which ran from 26-29 June.

Neil Dickinson, managing director of Arcstream comments, "If you want your visitors to remember you, it's vital to give them a memorable and engaging experience. Arcstream supplies a myriad of solutions to help you achieve this, and

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14 March 2016

With a 50 per cent increase in entries, nearly 100 of the event industry's leading suppliers, agencies and technology providers have made the shortlist. The projects submitted are from all sectors of the industry and include some of the UK and Europe's largest festivals, conferences and exhibitions as well as numerous high profile brand activations. To view the complete visit www.eventtechnologyawards.co.uk.

Paul Allott, event director of the Event Technology Awards said, "We knew that we delivered a solid first event last November but the number of award submissions and the calibre of the entrants for 2014 really confirms that the industry is behind the ETAs."

Winners will be announced at an awards ceremony and gala dinner which will be held on 13 November

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14 March 2016

The company was established in 2011 and specialises in supplying creative lighting and visuals for TV shows and live events of all types.

Light Image works closely with directors and DoPs to produce the full visual design package required for a show, including lighting, set design, LED elements and control, all adding up to a coherent and harmonious visual picture.

This includes specifying the equipment and sometimes sourcing and tech'ing it on site. They are working increasingly with Robe products on almost every show.

"Our working relationship with Robe all s

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14 March 2016

LD Peter Greenbaum (Illumination By Design), the lighting director for the Today Show, used 12 Nexus 4x4 panels to accent Bareilles' dynamic Toyota Concert Series performance on the popular morning programme. Greenbaum lined the upstage area behind the platinum-selling recording star's piano with two banks of three Nexus panels to create a focal point behind her as she performed. He also lined two upright truss sup

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14 March 2016

Built in the form of a pentagon, the striking Huainan Theatre cost $48m US and covers an area of 24,500sq.m. Capable of accommodating up to 1280 people, the building's internal design caused considerable difficulty with designing a PA system that was suitable for the variety of performances and conferences it is required to host.

After lengthy discussions with the theatre's owners, technical installation company Zhejiang Tongbo Electronic Engineering Co Ltd - otherwise known as Tempo - specified a Coda Audio system.

The system is configured as an LCR arrangement and features Coda Rx35 full-range units as the main speakers, with PW418 subs, K5 compact two-way units

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14 March 2016

The venue is a UNESCO World Heritage site and this high profile annual cultural experience was broadcast live by national TV station ORF1 and also beamed around the world on via various satellite channels. It was also live on radio.

Various Robe fixtures were used to light four key areas in the extensive and beautiful gardens - the main stage; the flower beds left and right of this, the Neptunbrunnen Fountains at the back of the stage and the Gloriette structure which is at the top of the hill directly behind the stage location.

It was the fifth year that Vienna based Krammer h

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14 March 2016

Unassisted by giant video screens, lighting effects, or pyrotechnics, CfaN events rely heavily on exceptional audio reinforcement. "Clarity of speech is our primary concern at these events," says Derek Murray, head of sound operations for the ministry. "The Leo system is able to cover very large areas with high intelligibility, as proven by positive reports from the perimeter of the field."

The s

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14 March 2016

Beginning with a set at Radio 1's Big Weekend festival and culminating in a performance at London's Roundhouse, audio production for the tour was managed by Britannia Row. Paolo was on four d&b M2 wedges run as a stereo mix, there was a guitar player on two M2 wedges, and then nine other musicians all on in-ears, plus Tom's PFL wedges, run "a little unusually" in stereo.

"It was very interesting to mix a different act on the same iLive system. Having spent many years working with Paolo this was an excellent opportunity to properly compare the iLive to past experiences. I ended up with only half a dozen unused input channels and because of the

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14 March 2016

"Our previous system was 17 to 18 years old, and it was designed for our needs at that time," says Mike Jones, who oversees worship production for the church. "We wanted a system that sounded better and had better coverage. Also, we wanted a system that had the capability to handle everything we've been working into the worship service."

Based on these goals, North Boulevard Church retained a consultant to do a survey and provide a basic system design. After a

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14 March 2016

Kramer Electronics is recognized for developing creative, reliable and value-oriented audio, video and computer signal processing solutions and distributing them worldwide. Over its 30-year history, Kramer has been at the forefront of inventions and developments in the signal processing industry including the world's first combined video/audio processor.

"We see 2014 to be an important year for Kramer's expansion of delivering reliable and value-oriented audio solutions", stated Ezra Ozer, VP marketing of Kramer. "We evaluated other audio over IP networking technologies and it was obvious with Audinate, we did not need to place a bet, as it is the most requested audio networking technology in the market."

Dan

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14 March 2016

The Tones on the Stones production team brought a well-trained group of thirty-five candidate lighting designers, of which only six passed the selections and secured a place at the final evening. Among those present and the members of the jury were the well-known lighting designer Giancarlo Toscani, the Tones on the Stones lighting designer Nevio Cavina, the event organization manager Tobia Piazza and Clay Paky's lighting designer Marco Zucchinali.

The two days at Clay Paky were very busy and were marked by a course for the budding lighting designers on contr

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14 March 2016

On the upside, the organisers had overturned the decision to relocate from the wonderful site on the banks of the Thames that has been their permanent home for three decades - meaning that RG Jones could call on pre-existing site data; on the more arduous side, their Martin Audio MLX subs had just returned from the Pyramid Stage at Glastonbury Festival and gone straight on to a Tour de France event in Trafalgar Square.

The theatrics of Arcade Fire at Glastonbury had filled the grilles with pyrotechnic residue, necessitating the grilles of the subwoofers to be resprayed. Given the tight turnaround time between Trafalgar Square and the