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14 March 2016

Established nearly 20 years ago, New Delhi-based White Eagle International (India) supplies products for prestigious audio-visual projects, with a full consultancy, installation and maintenance service. The company prides itself on supplying the best products to clients ranging from bars and clubs through to cinemas, shopping malls and stadia, making it a the perfect partner to help Apex reach further into the rapidly expanding Indian market.

"I have been aware of the growing reputation of Apex in the region and was really impressed with the products on offer, especially the class-leading Intelli-Series of system processors," says W

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14 March 2016

The Embassy Keicho was an official Japanese delegation which stopped in a number of European countries between 1613 and 1620. An important landmark in Hispano-Nippon relations, the quadricentennial celebrations include a range of cultural, political, economic and technical exchange events taking place in different parts of Japan and Spain.

Featuring Yamaha CL5 and CL1 digital mixing consoles, together with two R-series i/o units, the inaugural gala was performed in the presence of His Imperial Highness Crown Prince Naruhito of Japan and Their Ro

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14 March 2016

To handle audio production duties for this year's 46th annual bash, Milwaukee World Festival, the non-profit organisation that runs the event, once again turned to local provider Clearwing Productions, which specified the use of more than 340 L-Acoustics loudspeaker enclosures for FOH throughout the grounds.

According to Bryan Baumgardner, Clearwing audio operations/logistics manager, eight of Summerfest's nine largest stages - including the 25,000-capacity Marcus Amphitheater

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14 March 2016

Thorneycroft joins the existing four-man board with immediate effect, working alongside Chris Headlam, managing director; Eric Simpson, event and comms director; Bill Addison, technical director; and Tom Byrne, sales director. His primary role is to oversee all operational aspects and processes of Orbital's rental business, across warehousing, engineering and logistics.

Prior to joining Orbital in 2007, THorneycroft gained several years' experience working as a production stage manager around the world, while his initial duties at Orbital involved establishing the engineering departments in the company's UK and North American warehousing operations. He is also closely involved with Orbital's apprenticeship scheme.

Chris Headlam, managing director of Orb

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14 March 2016

Arctic Monkeys, Dizzee Rascal, HURTS and Chase & Status all performed headline shows with production support from the stage & set, equipment rental and studio complex based in Wakefield, West Yorkshire.

The rental company welcomed Glastonbury's Friday night headliners Arctic Monkeys to the 17,664 sq.ft rehearsal studio for six days full pre-production in June where the band and crew made use of the 14 en-suite bedrooms on site to work round the clock.

Production manager Ian Calder oversaw the production build, which incorporated two huge letters 'A' and 'M' clad in LED lighting on stage, to represent the band's name, part of a show that frontman Alex Turner later hailed as "one of the best gigs we've ever done".

LS-Live was

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14 March 2016

"Most people on the tour, including Paul's team of Lauren Sass and Bree Ishikawa have been working with Mark for many years; they're great people to work with and Mark has such a good work ethic," says Hopgood. "We're doing 71 shows over four months during this tour, which started in mid April and will finish at the end of July, with around five or six shows a week, most of which are back to backs. We do a residency at the RAH for six days, which normally falls in the middle of the run."

The current tough economic climate means that

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14 March 2016

The Pixel Pulse Bar comes equipped with the added feature of five-zone pixel chase effects. Users can highlight five different colours on the fixture and create a striking spectrum of energy-driven chase effects for "a thrilling high-velocity lightshow".

As a result of its five-zone pixel control, the Pixel Pulse Bar allows entertainers and designers to be more creative and gives them the power to enhance and broaden the scope of their lightshows without adding multiple units to their lighting arsenal, said Alfred Gonzales, national sales manager for ADJ.

"The Pixel Pulse Bar is versatile LED colour strobe/wash fixture because of its ability to create 5-zone pixel chase effects," said Gonzale

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14 March 2016

Now the Chinese manufacturer's Mexican distributors, Hermes Music, have confirmed that an even greater number of PR Lighting's LED sources have been deployed at the larger Liverpool store in Puebla, which was recently remodelled. And this time Hermes have specified 104 of the super bright XPar 390 spots to bring the building to life after dark.

Each RGB head contains 90 x 3W LEDs (24 each of RGB and 18 white) with full colour mixing and linear CTO. Critically, it also has a beam angle of 14° and field angle of 28°.

Explaining the choice, Hermes Music's lighting specialist, Ricardo Segura de la Cruz, said the decision was based on space and the need for

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14 March 2016

The innovative Soho Club bears an exclusive interior design, conceived by the renowned professional design team from Goev Studio. In complete synchrony with the complex concept of the club is the music, which is soft during daytime, and challenging and edgy after dark as the venue metamorphoses from coffee and food bar into a full-on night club.

Forming the bond in this unconventional combination is the sound quality of Martin Audio's premium architectural AQ system, with the atmosphere further enhanced by the impressive lighting as Soho stages a tight schedule of events.

This programme itself varies depending on the climate. For example, as the weather grows warmer, Soho offers a summer garden (and children's corner for the club's youngest visitors). Fo

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14 March 2016

Helping to bring this heavily themed venue to life with some inspired LED and discharge lighting that recreates the zeitgeist is the Sound Division Group. Said their MD, David Graham, "LED wasn't even around back in the '70s but the way in which we have mixed it with beam and flower FX represents the idiom sympathetically."

Design wise, Disco showcases a cool and quirky interior, featuring entire walls of retro televisions beaming out music videos and a nostalgic collection of iconic images of revel

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14 March 2016

He has specified 83 of the compact 'S' fixtures, which introduce a new level of functionality, incorporating RGBW homogenous colour mixing, a 7 to 50 degree zoom range and high output level within a smaller footprint than the original X4. Supplied by Bandit Lites, they dominate the set for Keith's current Hammer Down tour.

Jackson had been seeking a fixture with the ability to travel in the new Bandit GoGo Truss, a modified version of the 20.5" standard truss, developed by Dizzy Gosnell and Mike Golden (hence 'GoGo'). "We needed the lights to sit in the centre of the truss and keep our vertical towers centred with weight," he explains. "GoGo allows the lights to s

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14 March 2016

"We went from a non-flexible frequency situation to one where you can switch everything around and select whatever frequency you want," he added. "The diversity system is very good and means you're much less likely to get drop outs on stage. The PSM 600's had that HA and HB etc so it was complicated from an inventory point of view - you could accidently send out the wrong transmitter for the receiver - whereas now everything is the same so you're just hiring out a system."

The ability to do point to point wireless signal linking set up was a major drawcard for Wilkie as Coda do many outdoor festivals.

"One of th

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14 March 2016

This year marks the 50th anniversary of BBC Television's Doctor Who - an institution that the Radiophonic Workshop's extraordinary music helped propel into the consciousness of the British public. To celebrate both the return of RWS and the anniversary of Doctor Who, the RWS joined a 200-strong cast of musicians for the BBC Doctor Who Proms at London's Royal Albert Hall in July. The concert, broadcast live on BBC Radio 3, will also be shown on BBC television in November as part of the Doctor Who anniversary celebrations.

The RWS will also be curating and headlining a mini-festival celebrating the Workshop's legacy and their return to the stage at the London Roundhouse in

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14 March 2016

Responsible for the distribution and support of GLP products across North and South America, the new GLP US website features extensive information on the other brands that the company distributes, including the full range of Cosmic Truss structure and support products, the G-LEC range of creative video products, and the Scenex Lighting range of LED based scenic lighting elements.

The fresh new design of the website features an extensive download section for each product, along with a large selection of photos and videos across the site showing a wide variety of product applications.

(Jim Evans)

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14 March 2016

"The increased breadth and depth of the company will provide clients with an extensive palette of cutting edge technologies, which will include eChameleon, Navigator, F:Light, Sculptor toolkit for 3ds Max, plus a comprehensive range of winches and staging solutions for concert touring, theatre, corporate events, film and television and permanent installations."

B

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14 March 2016

Southampton based GLS took 24 and Bristol-based Fineline took 12 units in this initial delivery ... which was co-ordinated by Ian W Brown of Robe UK.

However Fineline's fixtures also went directly from Robe to GLS - and straight out on their first cross-hire - on European shows for the Flaming Lips, with lighting designed by Eric Cathcart.

After that, they finally found their way to Fineline where they went out again on the Eden Sessions staged at The Eden Project in Cornwall for which Fineline was contracted to supply lighting and rigging for the first year.

Fineline's Rob Sangwell comments, "We are delighted with the Pointes. They are small, bright and really versatile units that do a whole load more than the nearest competit

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14 March 2016

XL Events, working for client Shelton Fleming and their producer, Dan Rees, supplied an innovative interactive audio and video package for Audi UK's brand activation at the 20th Anniversary Festival of Speed event.

Audi's stand, the largest at the show, was located in the manufacturers' area and incorporated 1,700sq.m of external show space and a 400sq.m pavilion in which the experience was staged.

Based on Audi's victories at the 24 Hours of Le Mans 2012 & 2013, the experience presented a series of Audi innovations that were designed for high performance racing and now feature in road cars.

Teaser and competition promotion videos were presented on four waterproof outdoor plasma screens from XL Events as

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14 March 2016

The Alex Followspot is a 2500w Tungsten unit and suitable for television studios and theatre productions. It contains a mechanical dimmer, which allows a constant colour temperature during dimming while additionally maintaining the flat beam which, as we know, is important when using sensitive camera equipment. Having a tungsten lamp allows for the units to be used with conventional theatre and television lighting, making sure no hot spots are visible.

With a G22 locking system exclusive to all Robert Juliat products, a localised on/off switch, and 7° to 14.5° zoom, the Alex Followspot is a product designed for big impact and ease of use.

Steve Wells, operations manager at RML said of the purchase, "Investing in Fol

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14 March 2016

Although the Formula One and other races are the site's main attractions, A/V systems play major supporting roles. Architect Tilke's Formula One designs include race control systems and basic audio and video systems but Circuit of the Americas chose to upgrade and/or supplement the A/V systems in many areas.

Circuit of the Americas retained consultant Acoustic Dimensions for many of the venue's networks and for the audio and video system upgrades. Acoustic Dimensions value enginee

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14 March 2016

Written by Tim Firth with music by Madness, the new production is directed by Peter Rowe, with choreography by Francesca Jaynes and musical direction by Dai Watts. Set and costume design is by Mark Walters, with lighting design by Ben Cracknell, sound design by Simon Deacon and video design by Will Dukes and Mike Higgs. Casting is by Debbie O'Brien.

Our House's original production won the Olivier Award for best new musical in 2003. It ran for 10 months at the Cambridge Theatre and was directed by Matthew Warchus. The musical was revived for a UK tour in 2008, also directed by Warchus.

Theatre Fundin