Yamaha Solution for CPS classical shows
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Taking on the task of providing the audio equipment for a show which included more than 80 instruments, Simon Kenning and Phil Palmer from Roland Systems Group took full advantage of the flexibility of the V-Mixing System.
For the performance, which needed to be recorded as well as having many live considerations, they chose two M-480 Live Mixing Consoles in cascade mode, one S-4000 Rack with 40 inputs, 10 M-48 Live Personal Mixers for the band, conductor and organist and two of the new R-1000 Audio Recorders to do synchronized 80 track recording in 24bit 48kHz. Abbey Road provided a digital split from their recording truck
When Watermark Community Church decided to relocate to a new, larger facility to accommodate its growing congregation, it seized upon an opportunity to upgrade and expand its audio visual platform with the latest technologies. The church desired a more robust, flexible system featuring today's advanced capabilities in video, audio and lighting.
Clair Brothers' understanding of modern technical worship environments was a critical factor in developing a plan that would fulfill the church's desire to inspire its members with thoughtful media support for its sermons. Barco was the clear choice for executing their vision, meeting their needs with two of its f
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
"Architects, their clients, engineers or even movie sound designers will enter into a new world of possibilities to engulf listeners in the sound of a virtual surrounding," says Frank Melchior, CTO at IOSONO.
"Just imagine that a number of listeners can all enjoy an identical acoustical experience at the same time, no matter where in the room they are sitting," adds Stefan Feistel, manager of AFMG. "Architects will hold their presentations not only with a slideshow of photo-realistic pictures but talking live within the acoustical situation of the room simulated in EASE. Designs of concert halls, cinemas, soun
At a total project cost of £35 million, the new attraction is due to open in late 2012, 30 years after the nation watched as the hull of the 450-year old Tudor warship was lifted from the Solent. Visitors will be enticed with the promise of being able to look into the glass hotbox where the final stages of the 30-year conservation process of the ship are taking place. Alongside this, there will be the opportunity to view a huge array of previously unseen personal, domestic and military artefacts. In 2016, the final phase of conservation will be complete and with the glass removed, visitors will be able to pass through the viewing galleries containing the
"At this year's Infocomm the interest in Audica Professional from contractors was excellent," commented Audica Professional's sales director, Derek West, "They appreciated the styling and audio quality, but it was clear that UL approvals were needed before the product was going to be specified on a larger scale and in most public buildings. We have a great distributor, with TC Group Americas, and now with North American approvals we are confident that we will see significant growth in the American markets".
Audica Professional's MICROseries offers audio
Also on display will also be the newest iteration of Renkus-Heinz's Iconyx low-profile digitally steerable arrays, the IC8-R MkII and IC16-R MkII, featuring triple tweeter technology. Along with demonstrations of Renkus-Heinz technologies including RHAON Renkus-Heinz Audio Operations Network and BeamWare Iconyx digital beam steering and configuration software, the company will also be exhibiting their CF-101LA modular point source array loudspeakers.
Away from the booth,
Almost 300 Chauvet MVP video panels were interlocked into a large-scale wall framing out the booth on three sides to create an immersive experience. Against that backdrop, a truss spider held over 200 fixtures, including the premiering COLORado Zoom Tour wash lights and Legend 412 LED moving yokes. At the floor level, a runway was flanked by Q-Wash 560Z-LED moving heads and the new Épix Series of pixel mapping fixtures running on ArKaos Kling-Net protocol.
four days for the Chauvet team to set up the 'Infectious' booth, using seven un
On stand 410 will be the KLA 600 Softlight from Galaxia, offering flicker free soft light with adjustable colour temperature (2700 - 6500°K). It can be controlled locally via a handset, which allows accurate settings to be replicated across multiple standalone units, or via DMX. Robust & reliable, it offers a 30% reduction in power consumption over fluorescent softlights.
Robert Juliat's Aledin 330LF offers a high output LED, a 200mm Fresnel lens; the fixture gives a very powerful wash effect. Economical, the330LF extends colour media life due to its low heat output, and requires fewer maintenance calls thanks to its extra-long-life LED.
The RevEAL Studio from Prism Projection is a pro
The venue is able to hold a seated audience of between 70 and 100 people. These audiences are entertained by productions that are exclusively audio, so a dedicated sound system has been designed for an exclusive listening experience. The system is made up of 21 loudspeakers in discrete channels, that surround the listener from floor to ceiling.
Designed by Marcus Wrangö, technical producer at Audiorama, the soundscapes are proj
The Arts Club was reopened by restaurateur Arjun Waney and property entrepreneur Gary Landesburg to provide an exclusive meeting place for actors, writers, musicians and other creative artists.
Lighting designer Patrick Woodroffe was amongst several high profile names in the performing arts commissioned to help craft a special ambience in the venue. To create the lighting scheme for the basement's intimate 100 capacity Club Nouveau, Woodroffe approached A.C. Special Projects (ACSP) to collaborate in sourcing and installin
"The success of the Elements can be attributed to its modular design, the fact that the system can scale as per the client's requirements and most importantly it sounds good," commented Dino Drimakis, business development manager at Melody House. "The hotel will surely be pleased with their investment and will see immediate return as it can be adapted to any other events or activities in the hotel property."
(Jim Evans)
A 'turnkey' lighting system for nightclubs, stage productions, concerts, mobile entertainers, retail displays, trade shows and special events, the Event Bar DMX is easy to set up and operate, says the company. It is also a very versatile lighting tool that can handle everything from illuminating a large dance floor, to table or cake spotting for that big wedding day or corporate event.
"The Event Bar DMX is a true, go-anywhere scanning light system that has virtually endless uses," said Alfred Gonzales, national sales manager for American DJ. "One of its coolest features is that it has a strobe effect and dimming on each pinspot head, so each of the heads can be operated independently of the others to cr
As part of this refurbishment, Network 10 lighting director Pete Koole examined ways to make his lighting rig more cost effective, reliable and easier to use. During his research he came across the Philips Selecon PL1 LED luminaire. "I could see straight away that the PL1 LED had great potential as keylight in the news studio", he says. Koole now owns 18, all fitted with wireless receivers and he is delighted with them.
The PL1s have addressed a number of issues. Koole's newsroom is situated at the bottom of a five-story atrium and vulnerable to fluctuating colour temperatures from the changing ambient natural light
The system will be featured at Gemini's annual open house, with location details available at www.geminilightsoundvideo.com.
Parasol's CEO, Hermann Fruhm, remarked that this first important sale is "a milestone that will be indelibly marked in Parasol's history, much like the first use of automated lights by Genesis in 1981."
(Jim Evans)
The contest began with a call for entries posted on the W-DMX Facebook page and various trade e-newsletters. The challenge was to submit the most interesting use of W-DMX, with the best story to win an iPad2.
Hollywood-based Thatcher won for his use of W-DMX on the movie Super 8, a Steven Speilberg film released in June 2011. Thatcher has also used W-DMX in other major feature films including Cowboys & Aliens and Pirates of the Carribbean.
"This was a nice surprise," said Thatcher, "I use W-DMX on a lot of motion pictures but Super 8 was special. We wer
Located in the fashionable Corso Vittorio Emanuele shopping district in the heart of Milan, the store opened in June showcasing a dynamic front window LED display made up of 39 Martin Professional EC-20 LED panels.
Lead designers for the Foot Locker brand across Europe is design and consultancy company rpa:group. James Breaks, associate director of rpa:vision's design division, comments, "I was at Euroshop earlier in the year together with the client who saw the EC-20 panels at the Martin stand. Foot Locker wanted the potential to create something startling and bold. They were looking to stand out and make a massive impression. The EC-20 display was just what they were lo
Solutions in Steel has considerable experience with Lighthouse screens, having worked with them on projects such as the Two Towers on London's Hammersmith Flyover, Eat Street and Ariel Way at West London's Westfield Shopping Centre and the H Junction Bridge at Shepherd's Bush.
"We provide a 100% turnkey solution, from initial design, through structural engineering, to finished installation and even finance, which makes things as simple as possibl
The Dunorlan Park firework event was the first outing for the dBTechnologies DVA T12 system supplied by rental company Phonophobia. "We have been in this industry for many years now, and once you are established you tend to think the tool box is full of everything you will ever need," said Phonophobia's Mark Chant, initially sceptical of what dBTechnologies and its largest line array system could add to his inventory. On 5 November, however, it was a different story. "It was a total success! We provided clear, clean audio at high SPLs across a large audience area, flying a to
"The VLX fixtures in the system replace the VL3500 wash and VL2000 wash fixtures that I used last year," commented Ian Anderson, production lighting director for the show. "There wasn't a specific reason for choosing them this year other than I really just wanted to give them a go."
This is the first time that he has used an LED source as one of the main workhorses in the rig and he is delighted with the result.
"The VLX fixtures provide the entire colour wash on the stage," he explained. "They have been working very reliab
In a new commission for Lumiere, French fire alchemists Compagnie Car