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USA - Audio-Technica reports that its SpectraPulse technology has been selected for the newly-remodelled boardroom for a high-profile Menlo Park, California-based venture capital group. California corporate system integrator Anderson Audio Visual chose SpectraPulse to provide clear, secure wireless audio for the boardroom's teleconferencing system.

"In boardroom settings, clients often have problems with group conference calls, in which the parties on both ends of the call have difficulty hearing the audio," said Andrew Hancox, Anderson Audio Visual representative. "So we had to design a system that would help them make the calls more effective. In addition, security was a concern, as these calls are often confidential and they need to be certain that no one else ha

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USA - ESP New York and Wizard Studios recently deployed a Vi6 for the Veterans Day Celebration on the USS Intrepid. The Vi6 was used to simultaneously broadcast the live feed directly to the White House Communications Agency while maintaining 32 inputs from the celebration that provided countless obstacles.

ESP New York audio engineer Glenn Davis, who provided audio support for the event, comments, "The Veteran's Day celebration was a tremendous opportunity to showcase the capabilities of the Vi6 on a worldwide scale. A lot of technical requirements from the White House required us to pre-programme a majority of the presets, however there were a few vocal obstacles that required us to subgroup vocalist and insert graphic and sound via the console on the fly."

The Vistonics provided ESP New York engineers with an intuitive interface that is conducive for live sound ev

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UK - Over 50 I-Pix BB4s and BB7s were used to great effect for lighting the ITV's new prime time games show, The Colour of Money, presented by Chris Tarrant.

The lighting was designed by Tom Kinane and Svend Pedersen, who made the bold creative move of not including a single moving light or any smoke in the rig. They wanted to introduce a completely new style of illumination for the show, utilising a substantial quantity of digital light sources to match Patrick Doherty's heavily LED based set.

Recorded in Studio 1 of the London Weekend Television HQ, space also restricted which lighting instruments could go where, and budget was also a consideration.

Around the top level of the multi-layered set were 22 BB4s, rigged just above three G-LEC LED screens, defining the top line of the set. They were used to add punch and brightness for accenting stings, and for snaps-to-s

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Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

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Mexico - Sound production company Serpro Producciones (Monterrey, Mexico) recently provided Electro-Voice sound reinforcement for the first Zero-Fest music festival, which attracted a crowd of nearly 30,000 to Parque Fundidora in Monterrey.

The show local acts Zoe, Kinky, and Jaguares, along with international artists Thievery Corporation, The Mars Volta, and Junkie XL. Renowned Latin American bands Calle 13 (Puerto Rico) and Fabulosos Cadillacs (Argentina) also appeared, with Fabulosos Cadillacs headlining the event.

Zero-Fest required two stages to accommodate its long line-up of performers. The festival's Red Stage featured an EV X-Line system with two main hangs of 10 Xvls and two Xvlt per side, with low-end support via 12 ground-stacked Xsubs. The system was powered by P3000 amps and processed through a NetMax N8000 with FIR filters.

The Black Stage also featured

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UK - Since its launch at PLASA08 in September, DiGiCo's new entry-level console, the SD8, has surpassed all expectations, with over 350 sold - and they have been rolling off the production line since September, says the manufacturer.

Dundee-based Apex Acoustics was the first hire company in Scotland to invest in a DiGiCo console, having purchased a D1 a little over a year ago. Apex was also the first to invest in the SD8.

Apex owner, Paul Smith comments: "When we bought the D1, we immediately sent it out on tour with Kasabian and it's been working ever since. I'm investing in the SD8 for all the same reasons that I invested in the D1."

(Jim Evans)

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USA - Harman Professional has announced the promotion of Bill Raimondi from market development manager, Crown Audio to group-wide director, sales US distribution/strategic accounts. In this new position Raimondi will manage and direct sales of the US distribution channel and strategic account activity for Harman Professional.

Scott Robbins, Harman Professional vice-president of sales, to whom Raimondi reports, comments, "Bill Raimondi is a proven sales professional with extensive background in consumer and professional audio distribution. In this new roll Bill will be directly supporting our 'One Harman' initiative by aligning our business practices in a way that promotes growth, profitability and improved customer service for US dealers and distributors."

(Jim Evans)

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Germany - Dortmund's Domicil Jazz Club opted to replace its existing sound system with Adamson SpekTrix Series. The fairly new Domicil was recently voted one of the top 100 Jazz clubs in the world by Downbeat Magazine.

The entire club's footprint is about 1500sq.m and includes a café, a clubroom for smaller concerts for up to 100 people, and the main concert hall with 300 seats and standing room for 500. Hamburg based Adamson European Tour Support Jochen Sommer executed the sound design using Shooter v.2.7.0. The new P.A. in the main venue consists of L and R flown arrays of two Spektrix (5 degree) with a two-box Adamson SpekTrix W (15 degree) under-hang.

Two SpekTrix double 18" Subs per side are placed on the floor. The previous system was made up entirely of GAE Panorama speakers and some still remain as near fills and as a delay line for a balcony, as wel

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UK - Promoted by the Scottish Chamber Orchestra (SCO), the closing event of the Edinburgh Festival sees a performance from the gardens beneath Princes Street, culminating in a spectacular fireworks display. The concert is broadcast through to several parts of the city, not least the length of Princes Street itself, where thousands of revellers congregate. In terms of audio it has always been an ambitious finale, and as the event has grown in stature, this was SCO's 26th year, so the expectations placed upon the PA system provider have grown with them.

"We've always seen the need for a PA system to deliver to the crowds up on Princes Street," said Cameron Crosby of Edinburgh-based Warehouse Sound Services Ltd, the company contracted to fulfil all audio requirements for the night.

"From the gardens the orchestra faces uphill and across the street, rather than down

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UK - No.1 Leicester Square is recognised as one of the most famous clubbing sites in London. The place where Home launched, (prior to the Penthouse moving into the sixth, seventh and eight floors), it has now reopened as the 750-capacity Vertigo, under the new ownership of Alan Dugard's Interguide London.

With Sound Too trading further down the building, the new management team quickly realised that the inherited hybrid sound system was something of a mismatch.

One of the club's experienced DJ's, Southend-based Andy Smith, told marketing and promotions manager Arron Curtis that the seaside town was awash with high-octane KV2 systems, installed by local integrators, Essex Sound & Light - and soon ESL's MD, Mike Glover, was up in Leicester Square measuring up.

The first stage of a phased upgrade has seen him install a KV2 ES system in the main sixth floor clubbing area and the

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UK - Storm Lighting used a City Theatrical SHoW DMX wireless system to help them achieve their design for the annual switching on ceremony of London's Trafalgar Square Christmas Tree lights.

They recognised the advantage of having a wireless DMX link from the control position, situated on the terrace level of Trafalgar Square, to a dimmer location situated under the tree itself.

Martin Chisnall of City Theatrical London commented: "This is a classic use of wireless DMX. To bridge a physical barrier which otherwise would have taken a long and time consuming cable run through a public area. SHoW DMX was able to offer a fast, secure and reliable wireless link to replace this cable run. SHoW DMX's patented frequency hopping technology ensured the system worked flawlessly, even though several other WiFi networks were also present in the square."

Dave Knapp of Storm Ligh

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UK - United Visual Artists' Constellation is a light-based sculptural intervention which has been designed especially for the London's Covent Garden Market Halls.

For this project, Tarmled supplied a total of 578 2m long, double-sided, LED-strips, and 37 DPDUs (Data Power Distribution Units), to power the installation.

Tarmled's engineers developed double-sided, video-compatible LED-strips based on its Tarmled Strip 25-modules that were premiered at PLASA 2008. The LED strips were incorporated into polycarbonate tubes coated with a semitransparent reflective film, in accordance with UVA's design.

Together with customised Tarmled DPDUs, the tubes are allowed to hang elegantly in the space, as the DPDU's allow for cable runs of maximum 20m from the fixture using a single Cat 5e cable carrying data and power to each fixture. The 25mm pixel spacing of the strips and UVA'

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UK - WindowGain, the UK based outdoor media contractor and technology company, which recently launched its Hi Max (High Definition - Maximum Impact) network of strategically located large format digital projection screens in flagship UK shopping malls, has commenced its roll-out of iconic London sites network at the easyInternetcafé on London's Oxford Street.

Supported by AV distributor and custom engineering company, Paradigm AV, they evolved a solution in which two large format HD rear projection screens have been installed - measuring up to 40ft on the ground floor and up to 80ft on the first floor - with full audio capability.

The dual screen site (situated in the heart of Oxford Street, close to Bond Street tube station) has been created in association with Eyeconic Outdoor (the outdoor division of London based Media 7, who specialise in media sales at prominent ci

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UK - XL Video UK worked with artist Martin Firrell on a special installation art work to celebrate the 300th anniversary of the 'topping out' of London's iconic St. Paul's Cathedral.

The Question Mark Inside was commissioned by the Dean and Chapter of St Paul's, and involved projecting video texts onto three separate locations at the Cathedral. Outside, this was onto the south elevation of the dome and the West Front at Ludgate Hill, and inside, around the famous Whispering Gallery.

Firrell's text included blog postings from the public plus comments from interviews he conducted with some of the UK's foremost thinkers and his own observations. All were based on the question: "What are the things that make life meaningful and what does St Paul's mean in contemporary contexts to us in 2008?"

XL has worked with Firrell on previous projection projects at the Roya

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Sweden - In the wake of the success of Lab.gruppen's PLM 10000Q Powered Loudspeaker Management system with built-in Dolby Lake processing, the company has announced a powerful new addition to the range, the PLM 14000. Built around a two-channel amplifier platform optimised for high-power requirements, the PLM 14000 pumps a massive 7000 W per channel into 2 ohms and 4350 W per channel into 4 ohms, making it suitable for demanding subwoofer and low-end applications.

As with the existing four-channel PLM 10000Q, the PLM 14000 integrates Dante networked audio distribution, Dolby Lake drive processing, and load verification with real-time performance monitoring into a single 2U hardware unit plus unified software controller. The PLM Series is now the exclusive hardware platform for new Dolby Lake processing, and the addition of the PLM 14000 enables even more complete and extensive s

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UK - Curve, the new performing arts centre for Leicester chose White Light to supply the complete lighting rig for the new building, which opened last month.

The new building, designed by Rafael Viñoly Architects and intended to replace the Leicester Haymarket and form the centrepiece of the city's new Cultural Quarter, will provide a versatile series of performance spaces: a principal 750 seat theatre and smaller 350-seat studio theatre with back to back stage, but with the ability to remove the divide between the two stages to create one traverse performance space, or even open the stages up to the spectacular glass foyers and to the world outside if required by a particular production.

Such a building needs a versatile stock of lighting equipment to expand upon the range of equipment which will be moved to the new venue from the Haymarket. Curve's 'wish list' was arrived a

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UK - From the production and distribution of live pictures and real time data to operating the largest fleet of satellite uplink fleets in Europe, Satellite information Services (SIS) is constantly reviewing its facilities based on the changing requirements of its customers.

The company recently commissioned two new dual antenna HD trucks, equipping each with 20-channel Soundcraft BB100 production/on-air mixing consoles.

Designed to offer complete diversity and unparalleled transmission resilience, each vehicle contains two fully-isolated/fully redundant SD/HD transmission chains, and comprehensive audio/video test and monitoring.

Dave George, project manager for SIS Live, says, "We looked into the marketplace and found the BB100 to be a high specification desk at a competitive price. It offered an excellent featureset, such as the mix minus facility, and we use the sub

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UK - Brilliant Stages once again takes to the high seas designing, building and installing sections of set for the Bill Dudley designed show Once Upon A Dream aboard the Princess Cruises' Ruby Princess.

Once Upon A Dream is one of a number of shows which play in repertoire during the liner's cruise schedule. Brilliant Stages' components for the set comprise of huge moving walls which frame the stage to the side and rear. The side walls each measure 6m wide x 4.1m high, and the back wall a staggering 9m wide x 4.1m high - and all are designed to move at speeds up to 0.5m per second.

The moving walls are used to transform the set into an ever-changing series of different shapes and sizes. The side walls are attached to the proscenium by hinges on which they can pivot, whilst the back wall can be tracked up and down stage to meet with the sides. Side wall ang

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Germany - One of Bremen's most popular late night lounges has been equipped from the ground up with Monacor International's IMG Stage Line sound reinforcement systems.

Situated right in the heart of the city, The Loft plays host to a wide international audience and regularly welcomes players from local Bundesliga football club, Werder Bremen.

The venue is owned by Canadian Steve McMinn, who had earlier developed the 450-capacity Paddy's Pit - an Irish Bar situated underneath.

"But Paddy's became so busy that we needed a new place upstairs, with a different concept," says general manager Phil Seling. Thus the Loft was born, specialising in a friendly atmosphere, relaxed lounge music and waitress service.

Opening from 4pm-2am daily, the owners realised that such a long duty cycle would require sound reinforcement components that were not only reliable, but also ver

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Korea - The Main Hall of a Korean high school has been equipped with an ILA Installation Line Array system from QSC Audio, who have also supplied all the amplification and network processing.

The rectangular, multipurpose hall at the Daesung High School in Seoul needed a versatile system that could cater for the diverse range of school activities - ranging from its use as a gymnasium/basketball court, to hosting entrance and graduation ceremonies.

The old system had deteriorated badly and Sama ProSound, QSC Audio's Korean distributors, were brought in to respecify the system.

Sama ProSound felt not only that the ILA's compact footprint and attractive external design complemented the interior design of the main hall, but that its vertical array attributes would allow an optimum dispersion pattern from the tightly spaced speaker arrangement. Furthermore, by excluding some of t

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Austria - High quality in speech and music, especially optimal speech intelligibility at all seats of the theatre and an inartificial support of dialogues were some of the main demands for the new public-address system in the theatre of St. Pölten in lower Austria.

The theatre includes a large hall for 360 visitors and a smaller studio stage with 120 seats. As music and sound effects are now part of a contemporary play, a flexible, multifunctional sound system is essential. Besides drama, the theatre also presents live concerts and the theatre's premises can be rented; the sound system had to be highly adequate for all these applications.

The new sound system with Alcons loudspeakers fulfils all these requirement profiles. Additionally it was possible to fit the components into the tight budget, which was available for the new sound system. This now includes a DiGiCo D1 mixin

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Ireland - The inaugural evenTech Ireland (18-19 November, 2008) has prompted a satisfied response from exhibitors and visitors alike, according to the organisers.

The show included networking events and education in the form of seminars, spread across two-days, enabling key regional decision-makers a chance to see, feel and hear the latest technologies and solutions for the first time in Ireland.

Buoyed by the success of the third regional networking exhibition in the evenTech series, show organiser, Darren Brechin, comments: "Our initial ideas for the format of the show have now been realised through the positive response from our exhibitors and the calibre of the visitors. We reached both our exhibitor and visitor targets and this is a direct reflection of the need for a dedicated show for Ireland."

(Jim Evans)

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