Sennheiser at AES
- Details
Sennheiser's star performer at the AES was the SK 5212, one of the smallest body
Sennheiser's star performer at the AES was the SK 5212, one of the smallest body
"One of the main reasons for developing the ILA is to make true line array performance accessible to a far broader range of applications," says QSC's director of product management, Gerry Tschetter, explaining the underlying goal driving the product introduction. "Most line array systems today are manufactured for the touring sound market, which means that overall, system costs lie well beyond the means of many facilities that could gain direct benefits from the technology. By focusing on fixed installation needs with a moulded encl
"I had to realize a lighting effect that could be adapted to both programmes, which both required completely different lighting setups," explains Carboni. "The choice of the motorised projectors and the layout of the same was carefully studied before installation, because we were aware that, once installed, they would not be touched again for the whole week, which did not apply to the scenography, which changed each time."
Carboni has been using Clay Paky pr
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
The venue is one of the most successful independently owned casinos in the country, and is a complete new build on the footprint of the former old Royal Opera House Theatre, which had a colourful history dating back to the 19th century.
After many years of dereliction, the old building was demolished in 2004 and replaced with a new construction designed by architects Frame International. Frame also created the interior design and asked PAI onboard to work closely alongside them on the specification of a complete technical infrastructure.
PAI's Paul Adams, LTP's Terry Reeves and Frame International collaborated to
We use the DP428's on almost all the Rat tours," says systems and tours director Jon Monson. "In fact, we are presently planning on upgrading all of our XTA DP226 units for DP428's in our house systems, and we are adding DP428's for all of our wedge amp racks in our monitor systems. We use them almost exclusively for speaker control, and all of our house systems utilise a slight Rat modificat
Organisers of this major corporate event were keen to provide a highly efficient, high-quality and yet discreet sound reinforcement system that would do justice to such a splendid occasion. The system had to meet a range of different demands, including the chairman's speech, a guest presenter and the Big Band and the Musical Show, as well as a Top 40 band and DJ. All signals had to be transmitted in the highest possible quality, and the client wanted a powerful dance-floor sound as well as even sound distribution throughout the entire hall, which was up to 90 metres long.
The job of drawing up the sound concept was given to Knut Winkler, one of the specialists at the Frankfurt branch of Ambion GmbH. His choice
The number of exhibitors is growing each day. At present over 30 exhibitors have already reserved their spaces including American DJ/American Audio, ADB TTV, Chromatica, Sonoss, Verbiest, Show Solutions, Meyer Sound, Laser System Europe, ADC, Barco, ZAJ/Discotechnika, Balogh Studiolighting, Mikropo Systemhouse LTD, Panasonic Madyarorszag, Rexfilm, R-Digital, Whirlwind Digital Europe, Ampco - Flashlight, Luminis, Highlite International, Doremi, Audmax, etc.
The fully renovated Hunguest Europa Congress Centre site will host exhibitors and visitors on several floors and in different halls. The Congress centre is less than half an hour from Budapest international airport
With the new digital models KM 183 D, KM 184 D and KM 185 D, three different directional characteristics are being offered initially; four others will follow in 2007. The modular construction of the new microphones permits the passive omnidirectional, cardioid and supercardioid capsules to be combined with the KM D output stage.
In the microphone, the proven Neumann A/D converter from the D-01 is located immediately next to the capsule. With a dynamic range far exceeding that of the capsule, the converter allows optimal
With exterior applications a growing trend - in both entertainment and architectural areas, no moving light range is complete without its own weather protection facilities. Robe has spent considerable time researching into the best solutions to protect their fixtures from extreme environments and has come up with the ultimate in weather resistance.
The 1200 and 575 LightDomes are very easy to rig and are designed to encase Robe's popular 1200 and 575 series of luminaires. The luminaire's base is fixed onto the LightDome's luminaire holder by four quick-lock fasteners, and this in turn fixes to the base of the Dome by another four quick-lock fasteners. The cables are run i
Video forms a simple but high impact visual component of the show, and was integrated into the overall live stage look by lighting designer Mark Cuniffe, who also shot some of the footage. The initial video aesthetics were devised by artistic director and choreographer Luca Tomassini, working closely with tour director Steve Martin and Cuniffe.
XL's crew for all sections of the tour are Richy Parkin and Mark Davies. Unusually, the four Barco R12 Plus video projectors are mounted in portrait format (i.e. on their sides) attached to specially made brackets fabricated at XL Video UK and attached to four Genie 25 Superlifts, positioned at the rear of the stage.
The lifts are wound
With brightness levels ranging from 5,000 to 12,000 ANSI lumens and 1,500-2,000:1 full field contrast ratio, the Christie HD series packs a wide range of power, flexibility and features. The new HD series models are also available with colour-corrected optics, known as the "Kc" models. Designed for the rigors of rental/staging, post-production, broadcasting and houses of worship, all five models feature built-in edge-blending,
Recognised for their innovative approach Trantec's team based at their south London HQ,design practical and reliable RF solutions for the most challenging broadcast applications. Ideal on location or in the studio says the company, the S6000 range can be supplied in either 8-channel, 2-channel or single channel variants, complete with advanced beltpack and handheld designs.
The 8 channel receiver is easily configured through an intuitive user interface running on its own built in PC . Maximising operations, its miniature transmitter only uses one AA battery to run for 8 hours. Plus its compact profile and lightweight design scores highly both on a practical and aesthetic level.
Perfe
Event sound was supplied by Nottingham-based Merlin Productions using the Ethos line array from Logic System Pro Audio. The rig comprised of 30 VA enclosures, 12 B2 bass cabinets with eight SB2 handling the sub-bass. The front-fill role was covered admirably by the new ML-8 enclosures and on-stage monitoring by the LM-20 series, say Logic System.
Organiser Liz Hobbs, of Liz Hobbs Event Group, commented: "We use Logic Systems Ethos rigs on all of our racecourse shows. We particularly like the consistent high quality sound. In fact, on the night we had another five shows confirmed, all based on the success of Lincoln Live, in which Ethos played
The jury eventually selected Prolyte on several grounds, recognising Prolyte's capacity for innovation, their continuous growth and their worldwide recognition as a manufacturer of high quality and reliable products. For both Anne and Fokko Smeding it was an unexpected surprise, as Fokko says: "We were flattered to have been nominated, but didn't really expect to win. We are very proud of all the people at Prolyte who are the heart and soul of our company, and who bear this success."
(Lee Baldock)
"The experience of using the entire shop front as a canvas creates an extraordinary retail experience for an unassuming passerby," says Danish Farhan, chief executive of Xische Digital. "In line with Harvey Nichols' global initiative to showcase some of the most eclectic window dressing in the world, this is a first in many respects, merging the digital domain with the real world."
Designed by the award-winning team at Xische, and deployed together with Multisell Technology and AWEBCO, the ret
Summit won a competitive tender for the work which is being project managed for them by Jay Call. Coincidentally, Fuerzabruta production manager Jonathan Bartlett, knew Call from Summit's work at the Royal Albert Hall and Call is also acquainted with The Roundhouse's technical director, John McKinnon.
Call and the Summit team worked closely with Fuerzabruta technical director Ale Garcia throughout. The show contains a myriad of aerial stunts, lots of water, and plenty of audience interaction.
The mother grid - measuring 22 metres at its longest point - is suspended on nineteen static points and tensioned off to the external ring of roof bea
Lighting designer Ken Billington won a Tony Award for his lighting design for the revival of the classic Kander & Ebb musical when it first opened on Broadway. When the show moved to London, White Light supplied a rig including over three hundred ETC Source Fours plus three Robert Juliat Aramis followspots, and Wybron ColorRam 4" scrollers and an ETC Obsession 2 console, both the scrollers and console making their UK debut on the show.
The show's move to the Cambridge Theatre was to make way for the new production of Evita, soon to open at the Adelphi also using a rig from White Light. But the move was very tightly scheduled, with
In its standard 50° x 70° dispersion configuration it provides a precisely defined coverage area on stage. The M4 can optionally be operated in 2-way active mode by changing the d&b D12 amplifier's configuration without any modifications to the loudspeaker. For its compact dimension and mere 20kg (44lb) it produces 138 or 140dB SPL, when driven in passive or active mode respectively.
The latest firmware for the d&b D12 and E-PAC amplifiers now contains the tricks mentioned above, a dedicated MAX configuration for passive operation of MAX or MAX12 cabinets. The "linear" configurat
Paisley, who opened the show with a grand entry from the rear of the hall performing with a UHF-R/SM58 wireless system from Shure, was but one of many Shure endorsers appearing at this year's 41st annual event, the third to be held in Vegas after departing LA. Among others present who maintain a place on Shure's roster of allied artists was Sara Evans, who picked up a very big win as Top Female Vocalist, and performed
With a musical upbringing Pearce was destined to end up with a career in sound but at the age of 18 when he took his first sound job he could have hardly dared to hope to be doing what he's doing now.
"I wasn't quite sure what to do with an insert at that point," he laughs, "but one day a week turned into two which turned into seven and here we are! I have toured with several Broadway shows and music acts. The most notable are James Brown, Three Mo' Tenors, Cook, Dixon and Young and John Legend."
Pearce is already a huge Focusrite fan. "I buy Focusrite gear because I like the way it sounds.
"At 1000mA, Luxeon K2 delivers more than twice the light output than can be produced at 350mA while maintaining the lifetime, quality and robustness of the device," noted David Eastley, Luxeon K2 product manager. "This paves the way for an explosion in the quantity and variet