Lake Contour for Kiss concert 2005
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For Sweden's annual Hultsfred Festival, Starlight AB is powering the four main stages. M3D line arrays anchor the Hawaii and Pampas stages (25,000 and 12,000 capacity respectively), while MILO curvilinear arrays cover 5,000 at the Atlantis stage and M2D compact curvilinear arrays service the indoor theatre.
In Spain, major festivals that are scheduled to use Meyer systems include Metro Rock in Madrid, Festimad Sur between Madrid and Toledo, and the Festival International Benicassim (FIB) on the Mediterranean Coast near Valencia.
Meanwhile, on the shore of Lake Geneva, Switzerland, Meyer is about to notch up its 19th consecutive year as a sponsor of and official sou
The Kinesys - Vari-speed System for high capacity lifting solutions is billed as "a dynamic, fully programmable vari-speed hoist and winch control system, complimented with 32 double brake CM Lodestar Hoists capable of running at speeds of up to 21m/min." The system provides accu
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
CTI's president Gary Fails said: "I have admired Alan Crawshaw and his products ever since I met him. He's an inventor and innovator as well as being a well-known stagehand who knows the professional lighting world and its electricians and designers. This
The main dance floor at Pure is a rectangular room flanked on two sides by raised VIP platforms. There are eight Turbosound TQ-315 loudspeakers, four TQ-425 dual 15" subwoofers, and two TSW-718 dual 18" subwoofers covering the dance floor. In addition, Turbosound manufactured six custom horn clusters with four drivers each that hang over the dance floor. An additional four TQ-308 loudspeakers cover the VIP platforms. Surrounding the main dance floor are two more TQ-308s, eight TCS-59s and three TQ-115 subwoofers.
The VIP facility, the Red Room, has a system comprising eight TQ-308s, three TCS
Falls from height and particularly from ladders, are responsible for the majority of accidents and serious injuries within the work place, with as many as 50 deaths and 4,000 injuries sustained across all industry sectors in a single year. Looking in detail at how to conduct
Of the Diamond 4, Whitehouse observes, "Apart from the fact it's one of the few consoles with the ability to run this many DMX Universes, It's also great for hands on work, and allows you to grab the elements you want and improvise immediately if you wish."
The D4 is fully loaded with 8 universes of DMX, including large quantities of moving and generic lights plus assorted video sources. Avolites made some specific software customisations for the console at the request of Whitehouse & Leitch, and Whitehouse
White Light will be showing examples of the latest lighting technology, including conventional lighting, automated lighting and LED lighting. Conventional lighting will include the Arri Studio Theatre 1K and Studio Theatre 2K fresnels. Moving lights will include the new, tungsten Alpha Wash Halo washlight from Clay Paky. LED lighting will take the form of the ChromaQ ColorBlock, which has been put to spectacular use on a number of recent projects lit by White Light's events team.
Also on show will be products from manufacturers for which White Light is the exclusive UK distributor,
Hawthorns supplied lighting, sound and rigging and power distribution for the events with in-house personnel on site throughout.
(Lee Baldock)
The first five cases in this new line, specifically designed to hold and cool some of the most popular DJ gear in the market today, including popular equipment from Pioneer, Denon, Technics and Stanton.
(Lee Baldock)
Kylie's front-of-house engineer Chris Pyne and system technician Tony Szabo have been with the singer for some considerable time. They have used a variety of equipment along the way, but Chris says he would opt for DiGiCo consoles any time. "I've been mixing Kylie for nine years now and she's one of the best live pop acts you could ever see," says Pyne. "I like mixing her on the D5. My personal opinion is, as an engineer, that you want as much information in front of you at any one time as you can possibly
(Lee Baldock)
The 1,600-seat Opera Hall, the largest of the Grand's four theatre halls, premiered in August 2004. ETC Asia equipped the hall with a 4,600-channel Obsession II full tracking console system, which controls more than 300 ETC Source Fours lighting the massive stage. The 600-seat Concert Hall opened in early 2005 and has an ETC Express console for lighting control.
Later this year the Grand will open a mult
Visual Act recently provided all the stage & flying automation equipment for the Eurovision Song Contest finals in Kiev. The staging for the event, one of the most advanced ever, included 46 separate moving components. VA control was used to create a range of stage configurations and dynamic scene changes during each act.
(Jim Evans)
Tasked with making the lighting of an overall area of 2,200sq.m look stunning, TLD pulled out all the stops to ensure that the show was a success for Mercedes Benz' and Manufaktur Maybach's parent company DaimlerChrysler AG. TLD began work four months prior to the show's opening, when chief LD Richard Profe analyzed how the vehicles would look under the different colour temperatures of various fixtures. Profe then moved on to specify the lighting for the service areas, offices and confer
Lighting for The Twilight zone was designed by DHA's Peter Fordham. He also created the original lighting design for the popular attraction when it opened in 2002, in which LTP was also involved in the supply. Once again, he approached LTP's Terry Reeves to commission and programme the Color Kinetics fixtures once they had been specified and installed.
Dark blues, purples and rich UV hues are the predominant colours in the Twilight Zone. It was imp
Designed by Peter Bingemann, the Awards set used video screens and lighting for all the visual elements, with the video content provided by specialists Hello Charlie.
PRG Europe supplied 56 G-LEC ClassicFrames covering some 112m2 with five linked graphics computers. Configured as eight columns of seven panels each, four columns of G-LEC were used as static elements, while the other four were mounted on tab tracks, moving the lightweight screens across the stage as required.
Lighting designer Al Gurdon used a large lighting rig provided by
A total of fourteen high-power RGB (Red-Green-Blue) CFLD200 fixtures provide stunning changing colour to the building facade with a maximum power requirement of only 2,500 watts, a figure that is reduced to about 1,250 watts for most of the programmed scenes.
Control is provided by a Pulsar Masterpiece Replay Unit that performs the pre-programmed scenes that are then transmitted by DMX to the fixtures in real time.
QEII production manager, Derek Chalmers who conceived and implemented the project commented, "This is an amazing st
GSP's Director, Emma Gold comments, "This was undoubtedly a challenging event, but one we so enjoyed perfecting. We drew from our experience to create a movie set with a twist that offered the Wow factor that we feel is essential to stand out and leave a lasting impression."
(Jim Evans)
"It gives us great pleasure to make this award to our friends at Lexon in their home town, particularly at a time when the market for pro audio products in Spain is so vibrant," said Jones. "José and his staff have worked very hard as our distribution partners in Spain for more than eight years, and we are sure that Lexon will achieve continued success with future HHB products including the new CDP-88 Professional CD Player launched here at the AES Show."
(Jim Evans)
The Color Block accessories range now features new Color Block pixel cap and 30-way power supply products, making the multi-purpose LED fixture suitable for a wider range of effects lighting applications.
The pixel cap is designed for applications under studio lighting conditions, where lens flare can appear on the TV camera image as a result of shooting into a bright light source. Designed to fit over individual RGB LED cells on the front of units, the cap blends together the RGB to show only the resulting colour, and because the light output is diffused, eliminates camera lens flare. Pixel caps can be used on all or any of the Color Block's 4 separate cells.
The 30-way PSU is