Tryka LED
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Version 3.4 has custom serial port settings and strings, which allow the iDR system to communicate with a wide variety of third party equipment, such as CD and DVD players, software programs, and alarm and lighting systems.
The new software also allows more PL remote control devices to be connected and uses chain/star configurations, which reduce the need for extensive wiring. The number of automated, programmable presets has been increased to 250
"In terms of the way we have been restructuring the company in recent months, this is a move that makes complete sense," affirmed Wiggins. "As technology continues to develop apace, so the interaction between the two brands becomes increasingly important. We are already seeing this at a product and therefore R&D level; for example the ability to link any Heritage or Legend console to Helix via the auto-solo function to name but one example. It therefore follows that the same strategy should be reflected in sales
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Among its other launches were the ColorSpot 575E AT - an electronic ballast version of its popular ColorSpot 575 AT, offering flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight, while the same large LCD display and Ethernet connection add to its user-fri
Rackz will now be offering a full back up and repair service for the above products. Mike Butt former senior electronic engineer from Hz and Dave Roberts former technical designer will be dealing with the loudspeaker problems. However the company is unable to perform any free guarantee work on behalf of the former HZ International Ltd. All work will be charged out at £22 per hour or part thereof plus parts and carry a three-month guarantee.
(Sarah Rushton-Read)
But let's not be too negative; this was a busy show for the most part (although the organizers' claimed 70,000+ visitors seems to have more th
Martin Architectural say that this year's stand will be unconventional and experiential, a statement of the company's passion for dynamic light. With customized themes, seasonal colour changes, interactive zones, music and graphics - Martin will draw upon its knowledge of theatre and performance. Martin believe that in creating a space that generates curiosity through a degree of interactivity, it is recognizing an educational element to their mission. The stand will be comfortable and inviting, with the intention of illustrating dynamic light's ability to change architecture by developing bet
Lighting Logic's Mick Cocker worked closely with Brit School technical manager Andrew Smith to design and specify exactly the right equipment for the studio. The space is used constantly by students from the School's Media Department for project creation, and also by students and staff from other courses. Cocker has worked on two previous Brit School installation projects.
A major feature of the installation is a flexible Manfrotto IFF Top Rail advanced studio suspension grid system. This tracking mechanism is movable, allowing all overhead lighting fixtures to be moved around the studio quickly and easily without using cumbersome and complex access gear. Effectively
New to Martin's DJ product range is the Mania PR1 high precision gobo projector. This 250W unit can take steel or glass (D-size) gobos, and offers adjustable gobo rotation speed and a colour slot for interchangeable colour filters. Also new for the DJ market, the EF1i is a 100W fixture which comb
High End Systems (HES; Austin, TX) is now segmenting its Media Server products into Catalyst Pro and Catalyst DV offerings. In 2003, HES introduced the Catalyst Pro v3.0 Media Server, featuring four video layers and twin outputs. Now designers also have the option of the Catalyst DV v1.0 Media Server and Software, which offers three crossfadable video layers and one output, sized for many new budgets and projects. The Catalyst DV v1.0 Media Server and Software has RS232 and RS422 serial control capabilities, allowing it to control a multitude of video switchers and playback devices.
Catalyst DV v1.0 Media Server gives the user the ability to apply more than 80 visual and colour effects to digit
The original vintage tube 49 microphone is still the gold standard in studios around the world, due to its incredible flexibility in any application from distant orchestral recordings requiring a neutral sound quality to close up micing where the tailored proximity effect is well known and valued for achieving big vocal sounds.
Like the original, the Soundelux E49 is a remote variable pattern tube mic that uses Soundelux' KK47 large diaphragm capsule and a unique head grille design that replicates the original's acoustic and mechanical sonic signatures. A specially designed Soundelux SteadyState(r) fixed-bias type tube amplifier (similar to the original) is used but has lower no
"In previous years, the show depended heavily on a conventional rig with 3K and 5K Fresnels," said lighting designer Matt Endicott of Cornerstone. "For the first time, I requested a full line of Vari-Lite products, complete with VL 3000 Spot luminaires, VL 2000 Spot luminaires, VL 1000 TS, VL5 Wash luminaires, and VL6 Spot luminaires, because we were really blown away by the performance and flexibility of these lights. The s
A bespoke solution designed for the National Theatre in London is now offered as standard - a 6 x 2.5kW dimming pack switchable to 3 x 5kW.
Also from Coemar, the ShowColor 3200K and ShowColor 1200 have a halogen lamp and a discharge lamp with electronic ballast respectively. These moving head spotlights are designed for stage and TV studio applications, and form part of a new range of luminaires engineered to provide maximum light output from the source, say Coemar. Both offer colour mixing via an "innovative radial CMY system", while the discharge version additionally offers a strobe effect.
The iWash LED brings LED technology to Coemar's moving head fixtures. Addi