FX Range of LED club effects
- Details
(Lee Baldock)11 March 2004
(Lee Baldock)11 March 2004
Outline's H.A.R.D. 212 is the lightest 2 x 12" configuration in its class. Weighing only 26kgs and standing at a less than 13" (33cms) high, it also boasts a revolutionary wave guide utilizing absorption, reflection and diffraction. The H.A.R.D. is fast becoming the on-stage sound reinforcement tool for the world's top musicians. Steve Howe joins Eric Clapton in the ever-increasing list of acclaimed performers.
(Lee Baldock)
The Y-10 is a full-range, medium-format, three-way line array featuring a single, patented Adamson mid/high drive module. The Adamson drive module has a co-axial co-entrance and a co-linear exit comprised of a high frequency sound chamber mounted within a mid frequency sound chamber. The drive module is powered by a proprietary 9" Kevlar mid and a JBL 2451 compression driver. Together, the drive module and trapezoidal cabinet design create a smooth, slightly curved, seamless wave front with no gaps between cabinets, say Adamson. Highly regarded in b
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Jan Crutelle, system engineer with EVI Audio's Belgian partners Prevost, was advising the rental company Omega Production at the time and remembers: "Many of the Omega technicians simply refused to believe that so few - and such compact - enclosures really could be capable of covering an area of 100 x 80m. They soon learned differently!"
The technical tandem of Omega Production and Prevost opted to fly an approximately 6m high main system (right and left), consisting of
The T-Servis team was at L-Acoustics premises in January for a three-day training animated by Paul Bauman, technical support director at L-Acoustics. As T-Servis has always focused on technical support for different events, Paul Bauman was impressed by the level of technical expertise of the team.
Following the training, their dV-DOSC system was put to use on various projects, including a tour with Illustatosphere, the well-known Czech group.
(Lee Baldock)
Free to all theatre technicians and lighting designers, around 30 industry professionals attended each of the workshops. In total, six workshops were held in venues across the UK, from RADA in London to the Gateway Theatre in Edinburgh, taking in the Northcott Theatre, Exeter, the Sherman Theatre in Cardiff, the Contact Theatre, Manchester and the Gilmore Centre at Glasgow University. &
Based in Barcelona, the Vieta group of companies has a turnover of 50 million. Group president Francisco Márquez was the founder of Gedelson, a well-known distributor of pro audio products in Spain, including Akai, Hafler and DPA Microphones. In 1997, Gedelson was merged with Vieta, Spain's leading company in the home electronics sector, to create Vieta Audio.
Now, Vieta Pro will debut at Frankfurt with a range of loudspeakers for the professional market. The company says it will launch its pr
(Lee Baldock)
Since RCF launched the original ART Line in 1996, the products have seen success in both the MI and fixed installation markets. But, say RCF, after listening to their global customer base it became clear that different cosmetic and hardware facilities were needed to satisfy both market sectors. The company's R&D listened to these comments and have answered the majority of the requests with ART II - the major features bein
Thus the station felt comfortable in asking the Hertfordshire-based resource to devise and project manage a rear-projected display wall solution for their newly revamped ITV News main studios at their London HQ. While on site, the company was also tasked with providing a similar infrastructure for the London Tonight studio.
"We realised that the limited space behind the four large displays also had to incorporate walkways for fire exits,&quo
In re-designing the show for the Cambridge Theatre, lighting designer Rick Fisher was looking for a moving spotlight that packed a considerable degree of punch and could be used to create a wide range of effects. With its 1200W HMI lamp, 10-60° zoom range, colour mixing and three wheels of rotating and indexing gobos, the VL3000 Spot luminaire proved ideal. Vari-Lite were able to get the 17 units to The Moving Light Company in time for the production; Fisher's design also called for 14 VL2000 Wash fixtures, three VL1000TS luminaires and three VL5 units which The Moving Light Company were ab
Arts director Anthony Cartlidge explained: "We really wanted to make the viewers realize that although they were tuning in to the same channel and the same time slot, OK!TV is very different from This Morning. We have a 'bar' area where presenters and guests can sit and chat casually, a soft seating area, a performance space and a fashion runway which is built using LiteStructures ChromaDeck."
ChromaDeck combines the strength of LiteDeck
"Our customers strongly indicated that they were in need of a cardioid headband that would have a comfortable and secure fit and would be able to handle that loud stage sound experienced in some live shows and television," says Craig Parrish, sales and marketing manager at DPA Microphones. "The DPA 4088 opens up new opportunities in the live performance market to us, and we are extremely excited to be working with a product which has been carefully designed to meet the requirements of this market."
The 4088 enjoyed its first two outings on native Dan
Engle has 17 years experience in the professional entertainment lighting industry, dealing with lighting designers, architects, specifiers and consultants. Blaine joins James Thomas after two years as U.S. and Canadian sales manager at Hubbell Entertainment.
Blaine explained: "James Thomas Engineering has a great reputation for manufacturing quality, affordable products and exceptional customer service. I am very excited to be part of the JTE team, and look forward to working with everyone in servicing the growing entertainment and architectural LED markets. The Pixel
CSA is a method of increasing directivity at low frequencies without the need for very large arrays. The principle is the introduction of a second sound source at a defined distance behind the main source, which will cancel the sound energy radiated by it to the rear. Three, or multiples of three, subwoofers can be stacked with either the
Hosted by the Academy of Motion Picture Arts and Sciences and broadcasted in High- Definition on ABC, the 2004 Oscar program featured DPI's Lightning 28sx displays projecting video images onto a variety of projection surfaces throughout the venue. For the first time in the show's history, DPI's projectors also displayed the High-Definition signal for the viewing audience on the 'Best Picture Screen' inside the Kodak Theatre.
The most intriguing projection element was a 24-foot tall trapezoid-shaped screen
The initial order comprises 24 each of the Compact (W8LC) and Mini (W8LM) Line Array, along with 12 of the complementary WLX subwoofers and associated flying hardware. Powering the system, which will join the European tour of Lord of the Dance - a long-term Wigwam contract - will be a combination of 27 Martin Audio MA2.8s (1500W into 4-ohms st
No less earth moving is the video content for the play, devised and designed by cinematographer Jon Driscoll. XL has worked with Driscoll on a number of other West End projects including Madonna's Up For Grabs the Madness musical Our House, and most recently; Jerry Springer The Opera.
Featuring both front projections using Barco SLM G5's and rear projection using NEC XT5000's. The latter is located behind the set and features wide-angle lenses throwing a single, wide screen image onto a 7 x 3m upstage surface. The 3m deep set frames the rear proje
The Catalyst stores video clips, graphics and animations on its hard drive, which can then be called up and manipulated as easily as a moving light, via any DMX lighting desk. Fusing the technology and ideologies of lighting and video is creating an exciting and flexible presentation medium: up to this point, lighting and projection have been treated as separate departments in television - now, lighting and video cues can be changed simultaneously and instantly from the lighting desk.
Kenyon, Charles and their Catalyst systems are in action on the current series of the BBC
Speakers at the event included Mark Jonathan, well-known lighting designer and manager, who represented members of The Association of Lighting Designers (ALD) - an organization Northen founded with Joe Davis and later became chairman and then president of in 1995. Also speaking was Robert Camac - Michael Northen's long-term partner whom he was with from1948 until his death in 2001, and Giles
Scissor Sisters are tipped for greatness in 2004, and Ross caught their eye with his work for Royksopp and by his impressive dance music CV. Wanting to capitalize on Scissor Sisters' onstage energy, and having to contend with limited stage room, no additional crew and a difficult get-in, he chose 10 James Thomas Pixelline fixtures and a PixelDrive PC-based control system as the core of the rig.
Entec supplied this, plus six Martin MAC 250s, a Wholehog II lighting console and two mirror balls - the latter specified by the band. The system - apart from the mirror