New universal transformers from iLight
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(Ruth Rossington)
(Ruth Rossington)
The camera system ran a serial digital feed to the new Barco DLite 7 LED screen, supplied by Screenco, whilst the audio system, in what was potentially an acoustically challenging venue, was installed by Dimension Audio - making this a real Avesco family affair. MCL Manchester supply full digital camera systems, giving greater flexibility over location, cable runs and reliability as well as allowing digital effects to enhance the presentation. MCL took this opportunity to trial the Sony MAV 555 hard disk recor
Laauser & Vohl has successfully completed projects in a variety of venues including multi-purpose halls in the Swabian Alps (MC1250 for front-of-house) and Donaueschingen (T500); a recording studio in Berlin (MC650 driving control-room monitor); a video studio (T1000 for the control monitors for sound pre- and post-production); churches using a mix of T1000, MC450 and MC650; an indoor swimming pool (T500) and a home cinema showroom (T1000).
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It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Tourmate Multilock connectors are available in Line Male, Line Female, Panel Male and Panel Female versions with a choice of solder or removable crimp connections. They are manufactured in compliance with the stringent CE, UL1977 and EN60529 specifications and are fully compatible with Socapex and
Blitz consultant, Dave Perry, explained: "Although we had built up a relationship with producer Sacha Brooks when he did The Graduate, we still had to tender for the show." The Full Monty is essentially a strong musical show - with a 12-piece rock band and 21 in the cast - and Mike Walker's sound design for the production needed to reflect this. The production uses a distributed, highly-automated system with a lot of discrete channels. According to Dave Perry: "All 32 matrix outputs of the desk are being used
The musical’s story is set 300 years in the future, when the world is a bland place in which music and musical instruments have long been banned, but a bohemian subculture is determined to bring them back to life. The show is designed by rock’n’roll veterans Willie Williams and Mark Fisher and directed by Chris Renshaw. The upper, everyday world is represented by such
The show will draw on MCL Manchester’s considerable experience in staging large-scale events, with previous projects including Creamfields, Party in the Park, Manchester Millennium Celebrations and many more. MCL will be providing audio, video, lighting and staging requirements for the organizers and will be preferred suppliers
Wright commented: "Carlsbro's new 'Fatboy' amp is one incredible tone monster! After 25 years as a professional guitarist, I've seen and heard a lot of amps come and go, and can truthfully state that the 'Fatboy,' is a guitarist’s dream! It's got everything from massive crunch, to warm creamy Blues tones, and lush rhythm sounds, all in one powerful package! Those familiar with me know how seriously I take my tone - it's the musician's voice, and I'm proud to have the 'Fatboy' do my singing! In fact, you'll be hearing the 'Fatboy' on my new 2002 CD release 'Freak Flag Blues."
Carlsbro Elec
Byrne is also delighted to be awarded the Spirit business as part of the distribution package. "Who else can boast such a range, starting at a £120 Notepad, and expanding to top-line live and broadcast consoles. The support we receive for both brands is excellent."
While Audio Warehouse’s strengths are in broadcast - they recently supplied a B400 to RTE and have equipped a total of six on-air studios using Soundcraft consoles since t
"While we are sad to leave our Evanston home of nearly 46 years, Shure is a growing company, and we needed to find a new home that could accommodate that growth," said Sandy LaMantia, President and CEO of Shure Incorporated. "When the opportunity to purchase this new, architecturally significant building just a few miles from our current home presented itself, we jumped at the chance."
(Ruth Rossington)
Ego 01 is a razor sharp flower effect featuring a host of new and original gobo designs that add a touch of individuality to any light show. Gobo and rotation speed are easily controllable. Ego 02 features a new patent pending colour system offering more than 200 colour combinations and a manually selectable image effect (etched gobo or textured gobo pattern). Gobo slots
David Edelstein, managing director of Triple E, commented: "Steve and I have known each other for many years and will continue to supply product and equipment to each other, just as we have done for nearly 12 years. But we simply concluded that it would better for our two respective companies if we operated independently."
With the fullest order book the company has ever had, Triple E is busy installing its specialist track worldwide - including for Bombay Dreams at London's Victoria Apollo, the Concert Hall in Gothenburg and Theatres on the Bay, Hong Kong - as well as recently cont
The lighting for the visitor attraction was devised by Lighting Technology’s Davie Bell who, in conjunction with the technical expertise offered by LT’s Andy Elsegood, specified, installed and commissioned a wide range of lighting and sound equipment. In order to enhance the Living Robot theme Davie specified Clay Paky Mini-scans, Martin Robo Colours, Strand Profiles, Pulsar C
Independently specified, the tender involved a four-way shoot out between different proprietary systems. NEXO won the contract with a Geo line array system, featuring 18 clusters of 4 x S-805s to cover the large concrete and asphalt Concourse, which covers the underground parking facilities and is home to four Villages of sub-attractions. The 1,750,000 sports and music fans who attend events at Stade de France can visit Animations for video game action, buy apparel and gear at the Boutique Officielle, get refreshments at Kiosque Coca-Col
Kingston Inmedia, a leading supplier of satellite-centric broadband applications, are contracted by Services Sound & Vision Corporation (SSVC) to handle all the technical facilities and engineering support for British Forces Broadcasting Services (BFBS), and transmit to military bases throughout the world, with all programme streams assembled in studios at Gerrards Cross. The content travels from SSVC's Central Technical Area to Kingston's Master Control Room for uplinking to satellites from earth stations situated a few hundred yards away.
Broadcast engineer Dave Gill told us: "SSVC had asked us to investigate alternatives to the analogue copper links between the two areas. W
"The light had to have a big zoom because of where the truss had to hang and based on what had to be lit," said Tom Thompson, account executive of Island Creative Management, contractor and a supplier of automated lighting for the event. "Because of its shutter capabilities, the VL1000 ERS was able to cover the entire area, yet avoid the various video screens that were also being used."
The primary purpose of the fixtures was to light with colour and texture, a pair of 20ft-tall fabric pieces that curved and wrapped around the stage. Close to the surf
The facility is run by producer/engineer, Tony Taverner, and ex-Dreamhire general manager, Keith Knowles. Ex-Dreamhire chief copyroom engineer, Nick Kirkland, is handling and overseeing the day-to-day transfers and archiving, with a staff of a further two engineers. Explained Keith: "We are able to accommodate all the formats used in today's (and yesterday's) recording processes - ranging from multi-track analogue through to the very latest hard disk formats. We also have an on-site tape incubator allowing our engineers to safely bake any tapes that are in danger of shedding, or show
The high-technology show featured an all-digital fibre optic linked audio set-up using a Stagetec Cantus/Nexus control system and a JBL Vertec PA. For the first time, the show’s set was designed around an LED screen, with no less than three Lighthouse LVP1010 screens. Stefano Montesi, RAI’s technical head at Sanremo, says the idea for the LED screens was set designer Gaetano Castelli’s. They were supplied by Eurovideo, a Lighthouse rental partner based in Casarsa Della Delizia, who also handled inst
The latest redevelopment saw changes made to several areas. The tender documents included the reuse of several existing products in the nightclub area, amongst which were a range of Coemar products including Mini UltraScans (compact 200MSD moving mirror units) and Synchros (club effects lighting) - a testament to their quality and longevity. Additional specifications for the nightclub area included reference to the popular Reel EFX DF50 Diffusion Fogger - one of the world’s most popular effects units.
The lighting of the Atrium area, the large glass dome that is a major visual
Westminster Sound has been involved in the planning and design of the event, codenamed ‘Tay Bridge’, for over two years. According to Paul Dobson, who was responsible for much of the design, the system itself was reasonably straightforward. Nevertheless, it involved some 96 d&b loudspeakers along the route, and literally miles of cable, none of which could be run at ground