All Change at ACDC
- Details
The company will continue to work with designers to develop lighting solutions and will launch a new dynamic range of high intensity LED products later this year.
(Ruth Rossington)
The company will continue to work with designers to develop lighting solutions and will launch a new dynamic range of high intensity LED products later this year.
(Ruth Rossington)
(Ruth Rossington)
With his detailed knowledge and experience of the professional audio and music industries, Vivian will now be taking on marketing responsibility for the entire Professional Division, which includes the growing range of Professional Component (raw-frame) loudspeakers. "Since I joined Celestion, I’ve been closely involved in the ongoing initiative to design
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
A Bose Freespace 3 system, consisting of eight satellite cube speakers and two bass units, has been installed in the Turnberry Restaurant - a large room with traditional high ceilings. Freespace 3 systems are also employed in the Spa Terrace and Ailsa Lounge. The Turnberry has also chosen Bose for its new development of 12 luxury lodges and nine cottages, located in the grounds of the hotel. Bose Wave Radio/CDs have been spec’d in each of the lounges.
(Ruth Rossington)
The series - divided into three elements - consisted of various open auditions staged in hotel conference rooms throughout the country, followed by the ‘semi finals’ which took place at a staged ‘rehearsal room’ in Teddington Studios, ending with the ten week finals hosted at Fountain Studios in Wembley. Walmsley - who also designed the worldwide-copied ‘Who Wants to Be A Millionaire’ studio set - told us: "Pop Idol has been fascinating as a design brief, especially because the series has been in three parts. We started with a large video cube wall and one lonely plasma screen at Teddington S
"I am very happy that the offer has been accepted," says Anders Fauerskov, CEO at TC Group. "The timing is perfect for a co-operation in technology like this, as the market of today clearly shows a need for an innovative fusion of technologies. Within the new TC Group, we now have the acoustics knowledge, driver technology, digital signal processing know-how, and amplification and power supply skills to make a major impact in the future market for integrated solutions."
TGI plc is a holding-company which covers four companies in the speaker market - Tannoy, Martin Audio, Lab Gruppen and GLL.
TC Group repr
The move adds further strength to Animatec SA’s distribution portfolio, which also includes top lighting brand such as MA Lighting and Pulsar along with pro audio brands such as Ecler, Stanton and D.A.S. Audio.
(Lee Baldock)
CP Sound’s Colin Pattenden reveals that they excelled themselves in the invisibility department. By the time the CP Sound team had finished the install, the only visible evidence of any sound was four neat volume controls by the downstairs bar. CP Sound utilised JBL speakers throughout, as they have in other Conran establishments, using speakers from the
i-Vision was approached for the project - part of the ongoing scheme to light landmark building in the City of Liverpool - by Tony Woof, chief executive of Liverpool Architecture and Design Trust (LADT). I-Vision’s brief was to produce an interesting and cost-effective design to transform this somewhat imposing looking building into an attractive, integrated element of the landscape.
LADT has been overseeing the River of Light project, which started with a massive light, laser, projection and visuals show for the town on Millennium Eve. It completes with the lighting of eight key buildings in Liverpool - the last of which is the Police Authority HQ. Wit
Explaining the rationale, Dave Beck said: "We specialise in single events for promoters such as Metropolis and SJM - whether it be rock ’n’ roll one-offs or classical spectaculars - as well as corporate shows. We don’t do sufficient arena work to warrant a line array but we wanted a system that was flexible, at the same time offe
Nine panels of Lighthouse LVP20 (20mm pixel pitch) screen have been installed. Regular maintenance is provided by Lighthouse, but at the BIC, there is no facility to do this from within the building so to cater for this, a special mounting structure allows the screen to be hinged forward for maintenance work. The screen also has the ability to show two independently-controllable images on the screen at any one
If anyone has any information regarding the whereabouts of this equipment, please contact Dirk Bosloirs at EML Productions NV in Brussels - telephone: +32 16 61 71 18 or at the e-mail address below.
(Lee Baldock)
(Lee Baldock)
Chitty Chitty Bang Bang the musical will open at the London Palladium in April, in a new production adapted from the film by Jeremy Sams and directed by Adrian Noble, the artistic director of the Royal Shakespeare Company. The show is being designed by Anthony Ward, with lighting by multiple Olivier-award winner Mark Henderson - a nominee for this year's lighting Olivier.
With the show set to fill every inch of the Palladium stage - and beyond, with a sequence involving Chitty flying out and over the heads of the audience being planne
Designed for use straight out of the box, the 328XD control surface needs little explanation, and virtually all functions are easily accessible through the mixer’s unique ‘E-Strip’. This can act as a horizontal channel strip, controlling EQ and aux sends, or a dynamics control panel, or as level controls for the tape returns.
The 328XD also boasts a new
The specta
The addition of the ‘B’ versions comes at the same time as two new products: for ENG use is a new single-unit, camera-mounting dual-channel diversity receiver (the WRR-862B), while a new handheld transmitter (the WRT-847B) with five interchangeable capsule options (female vocal, male vocal, speech, shotgun and ENG) brings greater flexibility to a range of applications.
The new additions are all compatible with the existing WL800 ‘A’ and Freedom models, but can operate in any 24MHz frequency block between 470MHz and 862MHz, including the lower TV channel ranges which were previously unusable for wireless microphones because of the size of components require
Richard Passman heads up a highly-trained specialist projects team including programmer Nick Nurock, sales engineer Dave Pritchard and AV engineers, Andy Macdonald, Steve Dishon, Derek Heeps and Graham Lawton, who recently rejoined the company from Dubai. The
"As with all things, the key to success lies in good forward planning and design. The rigging design involved a great deal of CAD drawing," said Summit Steel’s Chris Walker. "Having been awarded the contract on 1 November, by the time the tour went into rehearsal on Jan 10, we were already working with draft 8 of the rigging plot. Our extensive touring experience allowed us to co-ordinate all the rigging information from the tour’s various designers and suppliers," continued Walker. "We then liaised extensively with all the venues and their house rigging contractors to ensure that load-ins would run smoothly."
To rig the s
(Lee Baldock)
ColorDial’s control knob allows users to change between a variety of pre-programmed colours and colour changing effects - fixed colour, colour wash, three chasing rainbow settings, random colour, random fade, and white light - without any added programming or setting of dipswitches. Users simply press the dial-knob to select the desired effect for their lighting set-up. Once the effect has been chosen, users can then change the speed of the