CIE-Audio, exclusive UK representative for the Inter-M commercial and pro audio range, has announced the launch of the latest addition to the ‘PAM’ Series of modular amplifiers. With a successful track record gained from the smaller 60W and 120W versions, the new PAM-240 and PAM-360 benefit from many of the features which have made this product so popular. In particular, the PAM’s unique modular ability to ‘slot-in’ two music modules from the choice of tuner (PAM-T), CD (PAM-CDA) or cassette player (PAM-D). These new 240W and 360W 100v line amplifiers also feature selectable priority outputs and six mic-line inputs with selectable phantom power. These desktop units also come supplied with an optional rackmount kit.

On Friday, January 11, 2002, Brian Croft, Chairman of Vari-Lite Europe, will be honoured with a Lifetime Achievement Award. Created by Pro Production 2002, the award is dubbed the ‘Parnelli’, in memory of respected tour manager Rick ‘Parnelli’ O’Brien, who passed away in October 2000. The Parnelli recognizes outstanding individuals in the live event production industry and their contributions to the field.

Terry Lowe, executive director of Pro Production 2002. "We’re very pleased to establish the Parnelli here at Pro Production 2002. And there is no more fitting recipient for a lifetime achievement award than Brian Croft." Croft, whose production career spans 40 years, was a founding member of Britain’s National Youth Theatre, and studied at the Old Vic Theatre School in Bristol. He broke into the business as a theatrical stage manage

Already recognized for the success of its Soundweb product in the installation market, BSS Audio has released a new processor for this expanding area, aimed particularly at integrated system solutions.

The ProSys PS8810 is a fixed path digital processor, with eight inputs and ten outputs, that each have a dedicated processing path which includes EQ filters, gates, compressors, auto-mixers and delays, as well as other processing objects. With its fixed path design, system installers need only configure the routing matrix and decide which of the processing objects will be utilized. Once these are established, the set-ups may be stored as presets and recalled via the PC, contact closure or the 8810’s own internal events scheduler. All functions of the PS8810 are set-up and controlled from a PC running IQ-WIN software, the control suite that can run a variety of types of audio equipm

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Indochine X PixMob Fan Immersion

It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!

Read more about the Indochine tour in the latest issue of LSi

25 of Pulsar’s new LED ChromaBank fixtures were featured on a recent ‘Cliff Richard Special’ recorded at Fountain Studios. Lighting designer for the show was Brian Pearce, assisted by lighting operators Darren Lovell and Ian Reith. Pearce chose the ChromaBanks because they were the only product that could provide an even colour wash to light two upright opaque raised step areas that divided the stage into two levels.

Supplied by leading TV rental company Richard Martin Lighting, the ChromaBanks were hidden in the stage. Each of the fixtures feature 12 ChromaHearts packaged together in one linear lighting source - providing a high level of illumination from the 960 LEDs, numerous built-in internal effects and infinite RGB colour mixing possibilities.

Pearce was very impressed by the results, and commented: "Not only do they provide an even colour wash, but the b

The Production Factory, the Netherlands-based lighting and production specialist, has announced that the company headquarters is moving from Utrecht to a new home in Arnhem. From the end of October, you can contact the company at the following address:

The Production Factory BV, Delta 46, 6825 MS Arnhem, The Netherlands.

Telephone: +31 (0)26 38 40 110, Fax: +31 (0)26 38 40 111.

Luminaires purchased from Vari-Lite Inc by John Conti Lighting Inc will be used by NBC on a new, syndicated version of the quiz show, ‘Weakest Link’. Lighting designer John Conti purchased the Vari*Lite automated lighting equipment, consisting of 22 VL2202 spot luminaires, 14 VL2416 wash luminaires and a Virtuoso DX console for the syndicated version of the show.

"Basically, I loved the gear so much after seeing it, that I went out and bought it," Conti said. "We’re using the same, purchased set of luminaires and console on the syndicated version of the show as we're using for the primetime version. The 3D programming you can do with the Virtuoso DX console is great, and it's a real time-saver."

It's clear that lighting and other effects greatly enhance the intense moments on the most popular game shows," said Rusty Brutsché, chairman and

Following the events of 11 September, PRG companies have contributed their support to US relief efforts by filling several requests to provide equipment and crew to charitable and commemorative productions. On Friday, 21 September, the nationally televised 'America: A Tribute to Heroes' became the most widely distributed television production and the most successful charity fund-raiser in history. Fourth Phase's New York and Los Angeles facilities provided scenic projection equipment, film and crew for the projection imagery designed by Jean Doherty under production designer Roy Bennett's direction, while Fourth Phase New Jersey supplied both intelligent and conventional lighting systems to the East Coast portion of the production. Yankee Stadium hosted several thousand people on Sunday, 23 September for a commemorative service. PRG supported this event by providing a variety of services

Creative Solutions and freelance production manager Eddie Campbell teamed up with Blackout Triple E at the Birmingham ICC in September to create a staff convention, complete with fashion shows and party, for the TopShop and TopMan stores for client The Arcadia Group. The brief to designer Stuart Stanley was to develop a scheme offering two different looks for two retail brands, achieved primarily through the choice of drape fabric, lighting treatment and subtle scenic changes with the turnaround time between the two looks being very tight.

Delegates were seated on a block centred around a catwalk, thrust from a wide stage area that served as both a business meeting forum and a scenic entry-exit point for the models. Blackout Triple E was responsible for providing trussing, 28 electric chain hoists, the tracking system for a huge rear-projection screen and the suspension for the lightin

Mark Henderson is an LD of long standing and someone with considerable experience of the business of being a lighting designer. L&SI caught up with him recently at The Peacock Theatre in London, where he was in the midst of lighting Victoria Wood’s new live show. We took the opportunity to invite him to unravel a few of the mysteries of lighting design.

"I think 75% of what a lighting designer does is solving problems. So much of the design thought process is about creating the best picture within the limitations you’re working to - and there are always limitations! If you remember the basics of lighting design you can usually get a good end result - it may not always be the end result you were hoping for, but it can be a pleasant surprise.

"Don’t ever forget the basics: cover the performance area in a simple way and hopefully leave yourself something to p

Distribution company Coemar De Sisti Australia has announced the availability of the CAT (Colour Advanced Technology) from Space Cannon. This is a professional exterior and interior wash/spot luminaire that represents the state-of-art in specialized outdoor floodlighting. Small, light, efficient and environmentally friendly (without IR and UV rays output), CAT is designed to meet the specific needs of the architectural lighting professionals, combining impressive light output with unlimited colour mixing, variable photo metrics, all in a fully weatherized IP66 static unit. The CAT provides a cost-effective, full-featured alternative to other architectural fixtures available. The full colour mixing system, able to supply more than one million colours, is an innovative world-wide patented tubular quartz dichroic system which provides smooth and saturated cross fades throughout the entire c

Major manufacturers across the entertainment technology industry are gearing up for this year’s LDI trade show in Orlando in a strong display of industry solidarity. Responding to a call by ETC CEO Fred Foster, manufacturers across the spectrum of entertainment technology have confirmed that they are following through fully with plans to exhibit at LDI 2001. So many exhibitors have voiced their resolve that a separate website link has been established to showcase their responses (see below).

Not only will companies be at LDI, many have reported that they will indeed be expanding their presence this year. AC Lighting, Arriflex Corporation, Bandit Lites, Color Kinetics, Le Maitre Special Effects, Martin, Tracoman and Vari-Lite are among those who have announced that they have planned for their largest showing at LDI to date, and many more are preparing to unveil brand new product

Having been using Stanton i-Track, Trackmaster and 500AL cartridges for some time, London superclub Fabric recently signed an endorsement agreement with Stanton’s UK distributors, Lamba plc, which will see them continue to use these products - as well as the new 890SA - exclusively in the Clerkenwell venue.

The i-Track features a spherical super high polished diamond and is thus ideal for club/dance DJs who need better tracking ability during heavy backcueing. Fabric technical manager Dave Parry explained: "We are quite specific about who uses what cartridge; for example Room 1 generally has i-Tracks, Room 2 uses Trackmasters for the drum ’n’ bass DJs, with i-Tracks on a Saturday. Room 3 usually uses i-Tracks - although we use the 500 for the scratch DJs we have on a Friday, and some DJs request 500s during the weekend sessions."

The deal was confirmed at

Orange has announced the second year of its student union tour that marries innovative and interactive technologies with quality music. Following the overwhelming response by students to last year's tour, enjoymusic v.2 is set to transform unions by taking cutting edge DJs, one of the largest audio and lighting rigs ever seen on campus, and its own distinctive brand of marketing to over 40 universities across the UK.

The tour will showcase the interactive technologies that Orange has used to transform Manumission in Ibiza, the UK summer music festivals and the Q Awards. These include giant text messaging boards, a glow wall, entertainment pods, video postcard facilities and wirefree games, and are designed to align Orange to music in a technological way. The DJ line up for the tour includes The Stanton Warriors, Deadly Avenger, DJ Touche, Cut La Roc, and Grand Central Records.

PLASA Media has learned that Philip Norfolk has joined Martin Professional UK, in the role of stage and studio products manager, with effect from 1 October. Norfolk is a well-known industry figure, having worked for many years with Lighting Technology. It is understood that he will be taking over the role previously held by Mark Ravenhill, who is relocating to the Martin Professional HQ in Denmark. More details of the recent moves at Martin will follow.

The new MPro Series MP418SP from JBL Professional is an 18" subwoofer with its own Crown two-channel integrated power amplifier. Designed for use with other MPro Speakers or powered speakers such as EON G2 models, the Mpro 418SP is a versatile solution for low frequencies for live music and DJ applications.

The MP418SP is a powerful, single 18-inch (457mm) subwoofer in a compact bass reflex enclosure with a frequency range of 30-150 Hz. It features an integral dual channel amplifier/ signal processing module designed and built by Crown Audio specifically for it. This provides two channels of power with 660W at 4 ohms. The second amplifier channel can be used to power a full range speaker or a second subwoofer (such as the companion MP418S non-amplified version of the MP418SP). The amplifier module also passes through line level signals for powered satellite speakers.

Roadworthi

AVW Controls has announced that John McBryde joined the company as a project manager in November. McBryde was the chief electrician at Her Majesty's Theatre in London's Haymarket for many years, working on productions such as Phantom of the Opera and West Side Story, as well as numerous Sunday shows. Coincidentally, he also used to work for Stage Drives & Controls, where both AVW's managing director Anton Woodward and recently promoted director Mark Brown were once employed.

As a project manager at AVW Controls, McBryde will be responsible for organizing and ensuring the smooth running of the diverse range of AVW projects. "Working at AVW Controls will be a welcome change for me and I am delighted to have the opportunity to join the team," said McBryde. "At the moment, in addition to planning ahead for a number of projects which have yet to be announced, we're finalizing

A unique production of ‘Rigoletto’ has been staged by Dutch opera specialists, the Companions production company, on a specially-built stage on the waters of Rotterdam harbour. The elaborate production involved a 56-strong chorus and 11 internationally renowned principals performing on two large pontoons and a boat moored in the water beside Wilhelmina Pier in Rotterdam. A 70-piece orchestra was housed on a third pontoon, playing to an audience of 7,000.

But, for sound engineers struggling to contend with open-air environmental extremes that included winds of Gale Force 4, the key to success was a tiny miniature microphone from DPA Microphones. Sound designer and front-of-house engineer Cees Wagenaar from BV Oorzaak, supervised the critical matter of miking the artists. Wagenaar specified 114 of them in all, making it one of the biggest shows to standardise on a DPA type.

The summer is about Festivals and this year was no exception: in late August, L&SI mingled with the crowds at the Reading Festival, part of the Carling Festival Weekend, which also plays in Leeds and Glasgow.

Sound for Reading (and Leeds too) was supplied by SSE. Chris Beale explained that the company had adopted a slightly different approach for the main stages this year, using BSS systems to split the Nexo systems into six separate zones and thereby optimize performance and controllability.

SSE used SIA SmartPro computer-based analysis software to give them precise system control. This ensured both systems behaved in exactly the same way in terms of SPL, EQ, dynamic performance and other general characteristics, allowing bands to have as near the same sound as possible at both sites - notwithstanding the natural variants of wind and atmosphere. True to form, the elements remained

Kingston, London-based hire, sales and installation specialist Podd Sound, supplied the sound systems for the recent Blue Do party in Hampton Court, organized by Exclusive World. The sound for over 2,000 blue-clad clubbers was provided exclusively by Podd’s DAS Audio systems, featuring four of the very latest Compact 1, Class D self-powered three-way cabs - part of the first shipment to arrive in the UK.

The prestigious all-ticket event was the third to use Podd Sound. The extensive DAS rig was part of a high-budget and imaginative design that featured all-blue décor, pyrotechnics and a solid ice bar. Big name DJs Brandon Block and Alex P delivered powerful sets through the DAS array, comprising four 133 dB SPL Compact 1s and eight Sub-118A bass reflex subwoofers; all self-powered with Class D switching amplification. The company’s new DAS rig presented Podd with several a

Oakleigh Cases specializes in the design and manufacture of flightcases and padded bags - those essential items too often taken for granted - which protect sensitive (and often very costly) equipment from both the rigours of travel and difficult environmental conditions on location. It’s a role that this family-run business has carried out successfully for 25 years - hence my visit to meet with directors Richard and Liz Puxley and general manager Martin Cockton, to learn more about a business that, in truth, I thought was relatively simple. It’s far from it.

Richard Puxley started Oakleigh Cases with his uncle in 1976: like others in the industry, his interest had been fostered by his father, who manufactured record player and tape recorder cases. The fledgeling company started in the the British Rail Yard in Camden Town, north London. By a stroke of luck, in one of the ad

The Production Services Association has opened a collection for the widow of Danny Lee, who had been working as a set carpenter on the Back Street Boys’ tour. Danny was killed aboard American Airlines flight 11 which hit the World Trade Centre’s South Tower on 11th September. Danny, 34, was returning home from Boston to Los Angeles to be with his 30 year old wife, Kellie, for the birth of their second daughter. Two days later she gave birth to a healthy, 8lb 2oz baby named Allison Danielle.

Danny had been on Patrick Stansfield’s staff for some years. More recently he had toured with N’Sync, Yanni, Bette Midler, Neil Diamond and Barbra Streisand. A fund has been set up in Los Angeles for the benefit of Danny’s widow and, at the request of the trustees of the PSA Welfare & Benevolent Fund, the PSA has set up a bank account to collect and consolidate UK and E

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