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The full range or products for mixing and noise control is on show on stand E26.
The full range or products for mixing and noise control is on show on stand E26.
Rick Fisher, ALD Chairman and joint founder with Tony Gottelier of Light Relief, explains: "We desperately wanted Richard to have a role, but as a non-UK resident that would have proved difficult in view of the requirements of the regulations governing charities. Consequently, we’re delighted that he has agreed to accept the position, as we know that his involvement and wise counsel will prove invaluable."
Although born in England and having worked here for man
The Marius will be accompanied on the stand by other members of the popular Robert Juliat family, already finding use on many shows in the West End of London as well as the Royal Albert Hall, the Barbican Concert Hall and at the BBC. White Light Sales will also be using PLASA 2001 to show other products from their extensive sales stock, including the highly versatile Unique variable haze machine and ever-popular Tiny-Fogger miniature for machine from Look Solutions and smoke machines from The Smoke Factory, both range
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
Key features of the Diamond 4 include: 28 cue playback masters, 200 pages; 128 preset fully legended preset faders, configurable as fixture masters or cue masters, 200 pages (a preset fader can now control a chase, cue or fixture, fully configurable); 1,000 or more fixtures; 200 pages of 128 direct access programming palettes; multiple times on attributes and fixtures; logical, informative cue viewing environment; dedicated buttons for theatre plotting features; electronic legending for pale
The day's longest drive came from LMC's John Ridley and The Texas Scramble was won by Mark Austin of Wycombe Wanderers, Andy Streets and John Hine of Synergy for the front nine, with Charles Smith, Chris Cress and Sennheiser managing director Paul Whiting on the back nine. Martin Sheehan represented Great Ormond Street
SkyTronic prides itself on bringing new and exciting products to the marketplace backed up with a sales and customer care policy of which they are equally proud. The rapid growth that SkyTronic has achieved and continuing customer loyalty are testimony to this. Adastra Electronics Limited offers a comprehensive range of commercial audio Public Address products. Incorporated in 1949, Adastra has a long history of quality, performance and reliability.
The tour’s live video requirements are supplied by XL Video. The 32 square metre central screens - which open like curtains at the start of the show to allow the band to enter - are constructed from Barco DeLite 7 LED systems. Two left and right screens are fed by Barco ELM G10 projectors mounted on the truss, and are predominantly used for the live relay images. PCM was commissioned by Mark Wade from OTT Rigging to build the customised movement system for the video screens. The resulting system, an amalgamation of a Gis tracking system
President and CEO of Martin Professional, Kristian Kolding, told PLASA Media: "With his extensive knowledge of architectural lighting, Gorm will be the driving force behind our continued expansion into the architectural lighting market." Martin has placed increasing emphasis on the indoor and outdoor architectural lighting market over the past two years, launching a range of dedicated architectu
The main difficulty that faced the creators of this musical version of the all-time classic was how to allow the production to speak to the audiences' imagination with the same impact as the written words and in the same style as the original.
Set designer Peter Roth, the man responsible for a number of ARD shows in Germany, wanted to create something original for the network other than traditional projection and cube systems, and the show title Tele Visionen also implied the need for a modern set. Besides centre stage - where the acts performed - there needed to be projection screens in the wings, where the main interviews and presentations would take
Following the appalling tragedy at Roskilde, crowd management has ridden to the top of all festival organiser’s agendas. This was the first big show at Donnington since the demise of the annual Monsters of Rock five years ago, and security arrangements were uppermost in many minds. Showsec, the contracted party, has much experience of Donnington, not least from Monsters, so in many ways choosing them was a given. Company founder Mick Upton managed a team of 250 Showsec staff from the control room, which he shared with local emergency services and licensing officials, monitoring events by radio and CCTV. Mike Harding, group operations director, was at the sharp end of crowd control,
If you work in the LA or NY are
Transtechnik went on site in early summer and will complete the work this month in readiness