Turbo in the Heart of Soho
- Details
It's a bird! It's a plane! It's - 40 thousand LED pixels on a ceiling!!! Indochine's whirlwind tour transports fans to another level of the live experience - immersing them from floor to ceiling with PixMob's X4 wristbands, and an LED ceiling made entirely of its NOVA Minis! With the vision of Indochine's creative team, PixMob used its LED fan-technology to turn attendees and venues into an ocean of effects, and a starry sky of LED magic. Très très cool!
Read more about the Indochine tour in the latest issue of LSi
This was the first time Robbie McGrath had used the new system. He commented: " . . . as with every first show, there were a couple of adjustments to make before it really started to purr the way I knew it
The 2001 inaugural course will run from June 25 - August 3, and will be based in Los Angeles. Some theory will be covered, but the focus will be primarily ‘hands-on’. Students will first be taught how to operate automated luminaires and consoles, and gradually the focus will shift to using these tools effectively. This learning will be done through a variety of projects and assignments. In addition, lea
Following the demise of the former Sound Dept, the new company will commence trading from an operating base in Banbury, Oxfordshire, at the beginning of April, under the executive management of Steve Smith (MD), Andy Simmons (sales and marketing director) and Peter Nicholls (FD).
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Other key members of The Sound Department team are technical support manager, Steve Badham, along with Bruce Francis, who will now run the service department from a self-contained unit in
The project, which involved several months of in-depth research, in collaboration with the Victory’s curators and crew, led to the installation of a shore-based ‘mood theatre’, which takes a personal view of the battle of Trafalgar in October 1805 - Nelson’s greatest, and final, triumph.
Using Alcorn McBride control and playback systems, Sarner’s David Dempsey, Ross Magri and John Griffin devised a four-scene experience, with an independently-controlled waiting area and several interactive elements. David Dempsey explained that in the case of the Victory Gallery, technology was used to make the story of Trafalgar more accessible, without trivialising this pivotal piece of naval history. "There was
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A total of eight Mach SlingShot MS1262 three-way top boxes were used as the main reinforcement system. Flown clusters of two MS1262s per side served the front seats and an MS1262 served the side seats, while four MS118 bass cabinets were placed in front of the stage. An EV Dx38 was used as the system crossover for the front SlingS
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A wide-selection of Audio-Technica microphones was employed, including: AT4